Silver Linings (2012) – David O. Russell
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Romantic comedy that does not punish with shame the morning after. Featuring candid performances that abstract away complicated emotions everybody knows but fail to articulate.
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21 Grams (2003) – Alejandro G. Iñárritu
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21 years ago, a shaky trip to interpersonal traumata. A sour truck-load of acting vehicles working their solid ground muddy into the death depths.
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Moby Dick (1956) – John Huston
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Toned-down, trippy-colored salty-candy trip about classic revenge and honorable madness. A well-manouvered, savagely hunted-down condensation of a source material “mastodon”.
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Cabaret (1972) – Bob Fosse
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Singing-dancing heavy downer light-show sharply staged around a three-legged relationship with sex, booze and blood outspoken with clear-minded, subtly astute dialogue.
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The Beach (2000) – Danny Boyle
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Great it´d be if its understandably-wrapped-in-commercial-crap internal jungle-fever madness would outgrow the bills to pay for this watered down effort.
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Joker (2019) – Todd Phillips
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Entrancing eye-mouth opener commercial film, widely deep cleaning it´s tired subject matter into something wilder stunning the soul free for a burning new world.
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Snowden (2016) – Oliver Stone
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Oliver Stone-light, hyperactive non-action film that acts a greasy hook with a morally firm intent to blow it’s own bells and whistles away.
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Poor Things (2023) – Yorgos Lanthimos
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Fish-eyed, piss-European trip that´s mind-veneering even for the hardest of avant-garde-st getting bagged up drowned in the funny tasting river.
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Thirteen (2003) – Catherine Hardwicke
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Lucky number for derailment palming the air around the the missing family-cell walls while choking her own soul not to drown back into nothingness.
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Indiana Jones and the Dial of Destiny (2023) – James Mangold
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Great for what it is: a moving-train jump into ageless redemption from the shards of bad casting trampling all over their own crystal skulls.
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Chapter 27 (2007) – J.P. Schaefer
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Jacked up in fat aggressively whispering for respect as an actor while shooting the wrong Beatle played by another actor actually sharing the killer´s name.
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Across the Universe (2007) – Julie Taymor
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Unannounced musical pushing Dear Patience for the trailer-allergic expecting pure dialog. It sugar-shocks with its spiral-singing flopping in steady but annoying beauty.
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Empire Records (1995) – Allan Moyle
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Simple day in the life of a magical place in time. Edgy mannerisms show how ev‘ryday worries can vanish via multiple music video stylistic shenanigans.
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The Station Agent (2003) – Tom McCarthy
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Warm-acted, well-hearted, boutique jewellery piece of naturally grown independent cinema that convincingly re-touches people´s frailty in great memorable angles of tiny actions.
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Beau is Afraid (2023) – Ari Aster
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Could easily be the far out-test comedy ever. A mummy-issued ego trip getting away with its masturbatory pretentiousness while begging for multiple visits.
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Oppenheimer (2023) – Christopher Nolan
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Impeccably not grainy but full of particles modern-talkie that feels much longer than only three hours long…ing still for more Gary Oldman time.
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Let the Earth be Silent (2023) – Fvnerals
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Solid spectral shit surrounding sound-minded guests with an obscurantist‘s pain manifest that only blood itself could come up with if it had a conscience.
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Disharmonium – Nahab (2023) – Blut aus Nord
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Entering the void of french Black Metal, this album sets a new standard. A maelstrom of cascading highs, lows, ebbs & flows as it‘s downspiraling.
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The Girl with the Dragon Tattoo (2011) – David Fincher
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It honors the original by keeping it Swedish all the way including blurry accents that can´t stop its long force of satisfactory texture-layer brilliance.
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World Domination (2023) – Blood Command
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Euphoric showcase of a world ending punky attitude in 20 songs but in an enigmatic coherent manner. The Netflix soundtrack for your very own apocalypse.
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Le dîner de cons (1998) – Francis Veber
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It starts really stupid but it Omelettes itself up into a kind of karma theater-play that’s different, kind and refined in an unpretentious way.
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The White Lotus – Season 1 (2021) – HBO
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Tense, biological comedy that rattles itself up like a rising sunset-snake squirming along a scuba-diving ray of light in a troubled water-sky.
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American Pie (1999) – Paul Weitz
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The inevitable coming-out-of-(teen)age story for the millennial male generation. Filled with stereotypes to empathize with and nostalgic one-liners to never forget.
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Dr. Leslie Arzt – Lost (2004-2010)
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He came as a symptom of common cast-flu but left as a hilarious martyr and plot-hero who briefly but firmly reached for redemption.
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Dr. Christian Shephard – Lost (2004-2010)
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A smooth, liquid chief surgeon who’s searching for himself and other clinically dead existential answers after lowering the bar as far down as to Australia.
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Paris Sewer Museum – Paris, FR
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Advertising a gigantic network of tunnels and water is clever engagement. Showing 2 rooms of main functions and too many uncrossable borders is beyond disappointment.
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Le Louxor / Palais du Cinéma – Paris, FR
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A temple-like structure in a busy street, drawing the egypt geek‘s attention. Step inside and follow the pyramidal descent into chambers of pharaocious entertainment.
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Cloud Cakes – Paris, FR
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Sweetery for the little hunger, sweetest proportions and asian venus traps for the big thirst.
Don’t get greedy while glancing sideways, otherwise you’ll get poisoned.
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Shannon Rutherford – Lost (2004-2010)
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Everything is hot, but-her cold soul still stinking of bad spirits that left a long time ago because they just couldn’t take her anymore.
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Montmartre – Paris, FR
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Northern peak of a unrealisticly huge capitol has much to offer.
A stunning view, artists, artisans, a scam-elevator and too many smartphone-attentive tourists.
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Rue Crémieux – Paris, FR
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‚Crème de dream‘-colored facades, in between an inviting cobblestone paved path and adorned with the finest, winter-resistant greenery.
A mirage of profound trustworthiness.
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Dr. Ethan Rom – Lost (2004-2010)
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Single, meanest Canadian man alive known in land, space and universe that will undoubtedly kick your blistered jungle-fearing ass with disturbingly rough impersonal kindness.
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Hurley – Lost (2004-2010)
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Most likeable of the cast-away cast despite being morbidly obese and condemned to comedy relief. He’ll grow on you proportionally to his own hunger.
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Cure (1997) – Kiyoshi Kurosawa
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Subtly striving for the viewer’s attention is rewarded with hypnotic disturbing discomfort.
This film creates a unique chemistry of sound and silence, control and terror.
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Good News About Hell (2022) Severance (S1.E1) – Ben Stiller
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A promising meeting between Being John Malkovich and Fargo infused in Ben Stiller´s blue steel vision of what a good Black Mirror would look like.
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Spotlight (2015) – Tom McCarthy
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Polished but razorsharp journalism warfare of a fresh millennium; digging for (un)holy truths of untouchable legacies.
A documentary-like disclosure featuring actors vanishing in spotlight.
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Severance (2022) – Ben Stiller
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Bleak corridors into the void of meaninglessness expose and narrow down the subliminal morals and ethics of claustrophobic workplaces.
A riveting philosophical tour de force.
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„Space Lion“ Song (1998) – Yōko Kanno
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Substances of blues and tribal music blend and create a kaleidoscope of sombre memories and glaring destinies, giving you nanosecondary closure in space and time.
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Lost (2004-2010) – J.J Abrams
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Season one is condescendingly sexy in a poor man’s Hollywood/Holloway sort of way while sometimes delivering quality twists provided one’s disbelief gets suspended enough.
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Coopa – Hand Warmer
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A limb-saver for the cold-challenged at heart, body and mind. Truly helpful gadget one must appreciate despite its comic resemblance to a vibrator.
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Weird: The Al Yankovic Story (2022) – Eric Appel
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Intentionally terrible and cocky to its audience. A well made piece of trash that feels like it’s laughing at you and should stay sketch-long.
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God‘s Country (2022) – Chat Pile
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Thundering riffs and hormone-injecting beats pave the way for angsty madmen, narrating intensifying anthologies of human misdeeds, while passing their point of no return.
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Men (2022) – Alex Garland
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Disturbing short-lensed piece of horror stunningly justifying its budget with visuals that let both the right talent in and over-the-top gore out.
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The Lighthouse (2019) – Robert Eggers
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Picture-pitch perfect except for the sound of farts offensively trapping a scattered
plot inside of a frame that hits one square between the eyes.
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Gnosis (2022) – Russian Circles
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Mercilessly immersive life-long branding mind slicer of an instrumental heavy metal music video that beautifully stuns with the brute force of a thunder-grenade.
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Dahmer – Monster: The Jeffrey Dahmer Story (2022) – Ian Brennan & Ryan Murphy
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Intimate acid dive into the stolen perspectives of the Dahmer-ed down victims of a seemingly parental crime that got out of God´s wrathful hand.
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Arizona Dream (1993) – Emir Kusturica
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Vincent‘s natural performance gallantly steals an already stolen picture show navigated by a loud but warm director who makes the whole thing fly just right.
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„Dickhead“ – Stake @ArcTanGent’22/ Experiencing one of my favorite songs live
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With a staggeringly tipsy smile, I entered the guitar-distorted pit, only to be blown away by the whiplash of my own eclectically nostalgic ecstasy.
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Gellért Baths – Budapest, HU
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If you ever want to feel like a roman cesar in an ancient bathhouse, this is the real deal.
And please mind the bathing cap!
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The Gray Man (2022) – The Russo Brothers
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Woven together from hallmarks of various action franchises. Popcorn for the eyes, but gnawing hunger for the movie enthusiast.
A visual testament to Netflix’ budget nowadays.
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Good Time (2017) – Benny Safdie, John Safdie
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Tainted shades flutter through this NY-based fever dream, filled with real people in realistic situations, doing the best and the worst for each other.
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Everything Everywhere All At Once (2022) – Dan Kwan
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With a completely incomprehensible and visual-demanding plot it’s easy to look stunning nowadays.
But nailing it with a well, bagel-circular story is rare.
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The Northman (2022) Robert Eggers
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Balancing historically accurate brutality and well-rounded storytelling, this feast pushes its narrative of avenging men and succumbing women right into viewer‘s eyes and guts.
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Blue Jay (2016) Alex Lehmann
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A soft exploration of nostalgia which turns into intoxicating, soul seeking frustration.
The black and white approach lets you see and feel in synesthetic ways.
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Trees Lounge (1996) – Steve Buscemi
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Likeable round around Buscemi´s past featuring family and settings no one would object to watch other than a certain female interest that feels uncomfortably young.
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Crimson Tide (1995) – Tony Scott
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Locked in a claustrophobic tea kettle, witnessing the boiling point of seasoned people pushing their morals against each other.
Hackman & Washington in superb opposition.
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Coulée verte René-Dumont – Paris
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A magical walkway in between plants and flowers, above daily street life, beside Parisian house facades and rooftops.
Lost in thought, motion and (happily) translation.
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Artie Bucco – The Sopranos (1999-2007)
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A good cook that makes one sick in the stomach by cringingly mismanaging both self-respect and culinary success into a greasy cul-de-sac.
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Before Sunrise (1995) – Richard Linklater
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Recognizing the opportunistic signs that bring one closer to one’s desire for fateful belonging requires the open mindfulness of a wanderer living in the moment.
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The Power of the Dog (2021) – Jane Campion
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Barking dogs don’t bite, but conceal their fragile masculinity under thick hides.
This psychological exposé intersects power’s balance with sharp angles and a descending score.
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The Rum Diary (2011) – Bruce Robinson
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Although preceded by a promising start, the problem springs up in the hollow-middle by scattering nothing around other than fun for the people involved.
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Ägyptisches Museum und Papyrussammlung – Berlin
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The Pharaoh´s curse comes as a sticky security guard who’s sometimes better lit than the stolen pieces themselves guilding an architectural gem with creepy cartonnage.
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Don’t Look Up (2021) – Adam McKay
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Long-winded screw-eightball of a dark & daring political comedy for the news-aware long-attention spanner du jour expansively mirroring 1976´s “Network” efforts.
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Lou – Fight Club (1999)
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He’ll sock it to you like a bag of alkaline Christmas chimney bricks that used to be sweet but now burn through charm and bone.
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Mirrors (2021) – Pupil Slicer
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Grinding it’s way through murkiest swamps of noisy Mathcore, this debut hearkens the sheer power-violence of early Converge, while creating their own hurtful recipe.
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A Tear In The Fabric Of Life (2021) – Knocked Loose
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The guitar sound, yum. Better pack a 2nd pair of panties before witnessing how your body is being choked, raped and nailed against the wall.
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If I Can’t Have Love, I Want Power (2021) – Halsey
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Glossy voice with edgy ‚in your face‘ lyrics and humongous hooks, cemented by sticky NIN-esque drum & bass, portraying a fallen angel gone rogue.
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The Sopranos (1999 – 2007) – David Chase
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When good casting goes in the right direction, multiple perfection chemically compounds into an
earthquake that enables entire oceans of televised series to rise up.
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The Work (2021) – Rivers Of Nihil
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Feels like it’s been recorded inside an alien spaceship. Razorsharp guitar-swarming with icy elements and dreamy twists create a hostile sterility, dissecting ears… smoothly.
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The Loved One (1965) – Tony Richardson
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Smack in the stiff middle of the 1960´s cerebral courtesy: a sunny-dark comedy of the black & whitest kind adorned and embalmed with Liberace.
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To Rome with Love (2012) – Woody Allen
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Brass-balled Baldwin articulates the angry voice of reason coming from a late self-awareness that reflects the present with polished regret and self-derision.
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Numbface Chilli Original (2014) – Sally Foo
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Smile-colored, slow burning hot sauce that fires up the mouth and spirit with a crescent heat wave that is both welcome and long-lasting.
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Radical (2021) – Every Time I Die
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Imagine you’re an energetic Stoner at a Hardcore show inside a barn out in the boonies during a hot summer.
This will be your soundtrack.
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Violence Unimagined (2021) Cannibal Corpse
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Though not inventing the wheel anew, this 15th surgical cutthroat album full of tightly woven lead and rhythm precision exterminates every cockroach doubting their way.
[25-WR]
Screen Violence (2021) Chvrches
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This shining 80s retro-phase closing dance creeper hits its target group with (dirty) daring synths and slashing female hooks. The future eats the past.
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Once Upon a Time… In Hollywood (2019) – Quentin Tarantino
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Beyond the good one would expect as it beautifully boomerangs itself back to hoped-for Pulp Fiction territory only this time with a heavier cast.
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Marie Antoinette (2006) – Sofia Coppola
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Firmly cushioned in the eye candy of the revolutionary storm—adorned with a Rock & Rococo soundtrack that invisibly frames the perfect portrait of unawareness.
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Salininui Chueok (2003) – Bong Joon Ho
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Chest-kicking serial-crime kill-Thriller
of breathtaking simplicity and murky south-Korean self-deprecation finding grace in pratfalls and humor of the crassest kind.
[25-WR]
The Wasps Are Here (1978) Darmasena Pathiraja
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Intriguing community-building affairs vaunted with a cozily speckled beach vibe.
But stripped naked by bland emotional acting and suggestively fading ties at the end.
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‚End of Small Sanctuary‘ – Silent Hill 3 OST (2003) Akira Yamaoka
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Its orange-coloured light shines through memories of one‘s own adolescence like a sunset on an ambient beach.
A fitting ‚calm before the storm‘-embodiment.
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I Saw The Devil (2010) – Kim Jee-woon
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A refreshing but maniacally twisted tale of becoming the predator of what lurks in the night‘s shadow.
Where does vengeance end, where does malevolence begin?
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THE HOUSE OF SPIRITS (1993) – BILLIE AUGUST
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Creeping historical “hacienda”-ascension story full of good people playing uglier-than-fiction roles to cherry things on top of sourly majestic interior/exterior shots.
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The Chaser (2008) – Na Hong-jin
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A suspenseful gatekeeper for Seoul‘s crime rabbit hole – with a dynamic that is second to none.
Unconventional and arrogant necessities clear the path to deliverance.
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Team Sleep (2005) – Team Sleep
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Color-blinding death-toned off-spinning voice-collage artsy-metal album that relaxingly flays out in every sonic direction with labyrinth waves of distorted comfort.
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Memories of Murder (2003) – Bong Joon Ho
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Macabre true crime mixed with hilarious character representation?
This richly detailed and beautifully crafted closer look of 20th‘s century’s korean detective work pulls it off.
[25-WR]
THE HOLY MOUNTAIN (1973) – ALEJANDRO JORODOWSKY
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Complex messianic circle jerk that transgressively fortune-wheels its dark-hippy nonsensical beauty around bringing its victims to a profound world of shit and cum.
[25-WR]
(T)RUSTY (? – 2021)
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A quick study Marilyn Monroe chicken who briefly rubbed everyone´s “Hühnerherz” in the rightest of chock-full-of-charm ways with graciously grave, feathered dignity.
[25-WR]
Duschseife – Duschbrocken
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This crystal-like prism feels like a gun in your hand, but with an outcome of flourishing bubbly delight.
The incense for the eco man.
[25-WR]
Almost Famous (2000) – Cameron Crowe
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Grounded with emotional veracity in the most vocal point of feud with the Death of everything that was holy and pure to rock and roll.
[25-WR]
DC Showcase: Death (2019) – Sam Liu
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There is never enough time to sketch the spectrum of human life in a few strokes.
But when it succeeds, it leaves you shockingly speechless.
[25-WR]
‚I Want You‘ Music Video (1995) Madonna feat. Massive Attack – Earle Sebastian
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A revealing Madonna within a bond-esque vibe – that’s exactly enough to fill a man’s void of lustful dreams for 6 and a half minutes.
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Go (1999) – Doug Liman
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Influenced by ‚Pulp Fiction‘ and early Kevin Smith genius, this film belongs to the 90s feelgood-underground pantheon.
A fast burn with warm narcotic release.
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GO (1999) – Doug Liman
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Tightly braided razor-wire-sharp mind-trip-comedy that daringly keeps coming back to itself while swinging hard with colorful come-ups and come-downs.
[25-WR]
The Prestige (2006) – Christopher Nolan
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Fully charged but its progressive energy keeps getting cut off by a silver screenplay that can’t tell exposition from emotional-trigger boredom apart at all.
[25-WR]
U Turn (1997) – Oliver Stone
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A big booty in the desert magnetically pulls sore strangers and their dry behavioural rage together to visit the normally closed off parts of hell.
[25-WR]
Death of Yugoslavia (1995) – BBC
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A fresh and detailed Balkan-conflict account audio-visually narrated in such a perfect crew-cut way that´s bound to blow any Ken Burns away.
[25-WR]
This Must Be the Place (2011) – Paolo Sorrentino
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Despite sugar visuals and good Penn-manship this film strays all over the place with those unafraid to fly over an ocean of scrambled plots.
[25-WR]
Se7en (1995) – David Fincher
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Tall, biblical thriller that out-of-the-box polishes and replenishes audiovisual standards up to a stern point of absurdity where nothing ends before pain.
[25-WR]
‚The Last One‘ To your Eternity s01e01 (2021) – Masahiko Murata
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Organic structure of a bottle episode opener that transforms itself incredibly quickly and deeply into an anthologic prodigy.
A Pilot directly on it‘s master flight.
[25-WR]
Saturday Night Wrist (2006) – Deftones
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Lyrical metal trip divining its way through inventive twists & shouts in the darkest of pink clouds in a self-medicated ward in the sky.
[25-WR]
Taxi Driver (1976) – Martin Scorsese
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“Morbid self-attention” won’t get you to revenge the world against what’s wrongly dark and seldom slightly right. “Don‘t you want to make it, mister?”
[25-WR]
Oldboy (2003) – Chan-wook Park
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Complex hard-watch that feels like a nightmare Sake bar-brawl-beating loop with a heart-kicking pace that punches holes into every moral direction.
[25-WR]
The Bourne Identity (2002) – Doug Liman
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A headhunt through early 2000‘s Europe, which shines in a blue-grey velocity and shows how good a minimalistic & realistic action movie can be.
[25-WR]
Basic Instincts (1992) – Paul Verhoeven
[25-WR]
Classiest porn noir of the century with a truly horny Douglas who keeps the viewer interested after manually climaxing for the first couple of times.
[25-WR]
Spiderland (1991) – Slint
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Dry up to caustic but full of silver guts bravado and true no-nonsense resuscitation that domestically questions everything that´s drowning in its quarrel-lake.
[25-WR]
Million Dollar Hotel (2000) – Wim Wenders
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A roman candle of crazy characters (most of which are no doubt stolen from nearby realities) in an overwrought romanticised dark comedy by bonehead Bono.
[25-WR]
Robert Paulsen – The Fight Club (1999)
[25-WR]
His name is Robert Paulsen and his tits are not as large as his wounded heart which bleeds loud & clear like testicular cancer does.
[25-WR]
Acidosis – Band Photo
[25-WR]
Three of them fucked prostitutes already. Two are on their way to their right-of-passage-overdose. The drummer studies hard to become an engineer.
[25-WR]
FFP2 NR Chinese Face Mask – Lidl
[25-WR]
For those who have ears a most unwelcome Chinese face mask that feels like making out with a Muppet inside of a sterilized hospital casket.
[25-WR]
Your Name (2016) Makoto Shinkai
[25-WR]
Starting with a fascinating switcheroo concept, beautifully hand-drawn art & animations, this enlightening romance follows the closeness of two destinies searching for their unity.
[25-WR]
Uncut Gems (2019) – Benny & Josh Safdie
[25-WR]
Punch-Drunk Love (2002) meets the Lincoln Lawyer (2011) with a pure Sandler as main stressing agent in a beautifully acted display of ugly characters.
[25-WR]
Rushmore (1998) – Wes Anderson
[25-WR]
Strongly-subtle dark comedy that can for days on end make one consistently laugh out loud at punch-line silences that stitch to the mind.
[25-WR]
‘Downer Ending’ (2014) BoJack Horseman s01e11 – Amy Winfrey
[25-WR]
The art of creating something successful while taking drugs is for some the needed apparatus and others a misconception. Mind your abyss, control your fantasy,
[25-WR]
‘Fish Out Of Water’ (2016) BoJack Horseman s03e04 – Mike Hollingsworth
[25-WR]
Lost in aquatic-translation. Out of the blue, looking for purpose.
Bubble, bubble – Discovering alternative ways to communicate.
Subtle trouble – Finding alternative version of me.
[25-WR]
Foundryside (2018) The Founders Trilogy – Robert Jackson Bennett
[25-WR]
Matrix-like science, infused into veins of an industrial kingdom, where someone’s imagination could be either the strongest weapon or the road to armageddon itself.
[25-WR]
There Will Be Blood (2007) – Paul Thomas Anderson
[25-WR]
Family values suffer
In this Passion Play
Powered by music,
Coal, OIL, & palms
Greased by multiple
Pieces of silver.
Lewis triumphs in
Self-crucifixion.
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What Happened To Monday (2017) – Tommy Wirkola
[25-WR]
Dystopian human-world drama with a very unique but realistic setting.
Damocles’ sword, who’s right and wrong, hangs above people’s heads and on their throats.
[25-WR]
Basquiat (1996) – Julian Schnabel
[25-WR]
Talent-heavy (cast-wise) downer about a man who erases his own by hiding behind an embalming hype that far outlasts its allotted 15 minutes.
[25-WR]
Juliette Danielle as ‘Lisa’ – The Room (2003)
[25-WR]
The hard-working element of this cast, which despite her commitment had to act slutty, while being harassed by its romantic counterpart after the cut.
[25-WR]
Dan Janjigian as ‘Chris R’ – The Room (2003)
[25-WR]
The efficient guy who did what he was told, without overcomplicating things.
He was there when a thug was needed – though, actually wasn’t an actor.
[25-WR]
Mike Holmes as ‘Mike’ – The Room (2003)
[25-WR]
The one loosely acquaintance, who has the random honor of having sex with the hottest female role, while being a childish doofus with face acrobatics.
[25-WR]
Greg Sestero as ‘Mark’ – The Room (2003)
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The one friend of a lunatic, forced to play the douchebag, but gave a shit and channeled his anger into creating the most ‘whatever’ attitude.
[25-WR]
Kyle Vogt as ‘Peter’ – The Room (2003)
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The one third (wheel) party character, only around for friend talks and absolutely non-effecting shenanigans.
Even these comic relief scenes make him more uncomical.
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Phillip Haldiman as “Denny” – The Room (2003)
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The tragically misunderstood man-child mascot of a movie, which had no creative solution for him.
So he became this impossible Gollum-creature, craving for security.
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Tommy Wiseau as actor, producer, writer and director – The Room (2003)
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For a long time, this alien-like being was driving his desperate career blindly into the wall.
But in the long run, won mastermind status.
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Robyn Paris as ‚Michelle‘ – The Room (2003)
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The ‘one that stands out’ beauty and mind who’s just there for money and fun.
With the least uncomfortable role, she fulfills her task excellently.
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Stone Temple Pilots (25.06.2019) STP EU Tour 2019 – Live Music Hall, Köln DE
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Der Hitze-Zenith nach Mittsommer war für (damals) heiße kalifornische Grungeband genau die perfekte Melange zum Einheizen für gemischtaltriges Publikum.
Gelegentliche Funkensprünge wurden gut platziert.
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2001: A Space Odyssey (1968) – Stanley Kubrick
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Benchmark trip from a fantastic audio-visual realm that does not really clarify the slowly rotating Rubik´s Cube storyline that’s space-cold and trauma-like.
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The Virgin Suicides (1999) – Sofia Coppola
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A clandestine teenage brothel run by hard loving parents who keep basking in God´s rain right where the moral crater seems to bleed the most.
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About Schmidt (2002) – Alexander Payne
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First:
Watch NO SOUND
(just subtitles).
Next:
Watch w/ voices
(& excellent musical “commentary”).
This delivers Nicholson’s
“Lear/Quixote”
As SUPREME
(Max Sennett)
TRAGI-COMEDY.
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Mank (2020) – David Fincher
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Single most black & white modern period-film exquisitely monkey-grinding the royal Randolph hemp out of us with Reznor-sharp reel-changing monochromatic flair.
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64 (2019) – Hideo Yokoyama
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Im fernsten Osten, Land der Technik und Tradition, umspült der Wert von Ehre und Ansehen die Moral. Kontrolle ist staatlich genormter Puppenspieler der ineinandergreifenden Apparate.
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Cecil Beaton Exhibit – Kampa Museum. Prague, Czech Republic
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In spite of “his” queenly-elegant, high-fashion posings of the “gifted class”,
his innate compassion evokes sincere smiles and matures him into Gary Cooper!
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Child Soldier: Creator of God (2020) – Greg Puciato
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The dream of doing whatever you want after being released from strict band(-c)ages is the strength of this multi-colored song collection.
Songwriter ingenuity.
[25-WR]
Reluctant Hero (2020) – Killer Be Killed
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Improved chemistry between unique lead figures, coming from core, thrash and prog music.
Whether mid-tempo or full throttle, the formula works almost for itself.
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The Life and Death of Peter Sellers (2004) – Stephen Hopkins
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Geoffrey Rushes his
Portayal of Proteus
Both amusing
And annihilating all
Significant others
(especially mothers),
But never
Pleased!
(Based-on book)
Don’t skip
Audio Commentaries!
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Silent Hill 3 OST (2003) – Akira Yamaoka
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Distressing sound corridors under a rainy post-rock ambience, passing gloomy funeral sirens into it’s wrinkling abyss of cold finality.
Visual dark rock, very unexpected.
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Bram Stoker’s Dracula (1992) – Francis Ford Coppola
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Not even partially dubious casting could jinx this blood-ruby of classy kitsch—carved out of morbid fascination and respect for the franchise´s original outputs.
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Bram Stoker’s Dracula: Original Motion Picture Soundtrack (1992) – Wojyciech Kilar
[25-WR]
It turns & churns its lyrical core longingly while secreting stringed beauty made fragile again and again by dramatic orchestral chords that rage with urge.
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12 Rules for Life (2018) – Jordan B. Peterson
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The patient himself must triage between a somewhat morally stiff and judgemental narrative and another one directed to the self that´s sympathetic and truly helpful.
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The Graduate (1968) – Mike Nichols
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With youth one can hide from adulthood either by extending it or revisiting…but to escape it entirely, however: one has to try much harder.
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The Graduate (1968) – Simon & Garfunkel
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Lukewarm ghostly at its wide-open churchy heart when not abruptly peacocking itself up with old lascivious grown-up lustre from nighttimes gone clandestinely wild.
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Bronson (2008) – Nicolas Winding Refn
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Precious stone of modern independent cinema and character study “par excellence.” Hysterical, ballistic and mordantly fulminant. A truly stimulating example for period-films to come.
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Forever Becoming (2019 Remaster) – Pelican
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The nicely hooded underground of a metallurgic engine compiled by four instrumental members who are fast in repeating themselves well in aggressive shoulder-patting patterns.
[25-WR]
Black Frost (2019) – Nailed to Obscurity
[25-WR]
Cool-covered dark matter album that pulsates with rhyming drums while guitars bend long and calm together between clear-gutter vocals in tension-releasing punctuation.
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Lords of Dogtown (2005) – Catherine Hardwicke
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The original sparks that supernova-ed a whole industry that ludicrously although successfully reinvented both the wheel and how to become a music-free rockstar.
[25-WR]
Hospital Hallway Scene – The Exorcist III (1990)
[25-WR]
Fast zoom accompanied by a silence-piercing musical sting hits like a battering ram and leaves your heart throbbing in horrific awe.
Jump-scare masterclass.
[25-WR]
Maynard James Keenan (2020) – Joe Rogan Experience #1553
[25-WR]
Pair of big shots talking shit on modern radio like normal while acting like they don´t actually put their pants two legs at a time.
[25-WR]
One Hour Photo (2002) – Mark Romanek
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Uneventful eye-thriller meant to box-office fail despite helpful bad intentions. A film about film itself that looks immaculate but does not communicate well.
[25-WR]
Tabasco Mosquito Commercial project (1998) – Tabasco
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Every TV commercial should be exactly this long and at least this fun not to just suck the blood out of our lifetime and cash.
[25-WR]
Bronson (2008) – Original Motion Picture Soundtrack
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Evocative beyond repair dividing itself up with a greased-up tug-of-war between old and classic—both morbidly bound together with techno-dramatic ambiances.
[25-WR]
HOT Chicken Flavor Ramen 2x Spicy – Samyang
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This box of pa(i)ndora with its wickedly grinning amount of spiciness is the fastest (gimmicky) way to show someones endurance/ perseverance – the standard thai-procedure.
[25-WR]
I Disagree (2020) – Poppy
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Take extravagant shock rock, spiced up with cool riffs, a pinch industrial pop and wrapped with sugar-sweet, refined bombast.
Voila; a popstar gone heavy.
[25-WR]
JS32T Rhoads BK Guitar – Jackson
[25-WR]
This blackened sharp class model embodies the war cry-sound of the glorifying age of heavy distorted music where rebels and freaks turned into superstars.
[25-WR]
Unmountable Stairs (2014) – Witchrider
[25-WR]
An indirect-listening that can beautifully rock just so long as one does not pay too much attention. A promising commercial knockoff-band that’s decent.
[25-WR]
Mid90s (2018) – Jonah Hill
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Profound motion picture of short stature that proves itself large by showing with stunning, sympathetic sharpness how a pre-adolescent masochist jumps into intentional idiocy.
[25-WR]
“Hereditary – Movie Review” (2018) – Chris Stuckmann
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“Hey, you guys: me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me. This movie is about me.”
[25-WR]
Hereditary (Original Soundtrack Album) – Colin Stetson
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Rich and nerve-ended with high contrasts that slow-blend without wood, wind or ecclesiastical resistance underlining sudden silences the way jump-scare noises should.
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Hereditary (2018) – Ari Aster
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Childhood-scary, sating and harrowingly haunting. It bends the mind in all directions while stiffing the body with soul-breaking terror that is just awesome.
[25-WR]
“Spaceship Bedroom Ambiance – Sleeping Quarter Stargazer (White Noise ASMR, Relaxation)” (2016)- The ASMR Geek
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Nerdy visuals and title aside this “autonomous sensory meridian response” video does reliably replay the perfect soundtrack for the thought-turbulent mind looking for clarity.
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Down on the Upside (1996) – Soundgarden
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Taut-tight effort from an established career-place where drums relentlessly support a steel-stringed trampoline for the instrumental human-voice to jump around ranges.
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Geneva (2009) – Russian Circles
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A sand-box full of metal pellets that get strained out by the end of an album which cauterises all wounds in instrumental song-form.
[25-WR]
John Carpenter´s Halloween (2017) – Trent Reznor & Atticus Ross
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Popular-music covers tend to work their best when close to source material spawning thusly fresh spokes instead of an almost always shittier new wheel.
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Raging Wrath Of The Easter Bunny (2020) – Mr. Bungle
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Heavy, raw but repolished highschool writing about social criticism. Sprinkled with self-references, thrash anthem riffs from popular bands and played with lots of fun.
[25-WR]
Vistār (2019)- Amotik
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Bass based arachno-rythmic techno stylings from Berlin that heavily drum the ear as a last vibration-stop coming from the rich underground shaking below.
[25-WR]
Matthew McConaughey (2020)- Joe Rogan Experience #1552
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Everything more than just “alright, alright, alright” for the first hour up until religion and Huston, Texas are brought up as buzz-killing subjects respectively.
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“Mantra” (2013) Sound City – Real to Reel
[25-WR]
The slow turning sonic framework of experienced formulas firming each other up in mature cooperation. A compound-track that for once does not sound condescending.
[25-WR]
Becoming X (1996) – Sneaker Pimps
[25-WR]
Good bad-girl song-set that studiedly teases the strung-out listener with a sensually anaesthetic voice that slides gently while burning with revengeful lyrics.
[25-WR]
Dazed and Confused (1993) – Richard Linklater
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Time-honored period-film that simply and independently pulls off a believable vintage-vibe by bringing out big nuances out of very small-town things.
[25-WR]
Borat Subsequent Moviefilm (2020) – Jason Woliner
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Might be the worst sequel “ever to happen to a man or jew”, but its raunchy, manipulative heart still points generously in the right direction.
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Dazed and Confused (1993) – Soundtrack
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There are mostly unusual suspects to be found in this dextrously hand-picked movie soundtrack with 1970´s era-evocative songs that feel mostly like synonyms.
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Euphoria Morning (1999) – Chris Cornell
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It sifts true, strong emotions through the punitive barriers of commercial expectancy—afloat from the then gouged-out Grounge that originally propelled this fallen angel.
[25-WR]
In the Aeroplane Over the Sea (1998) – Neutral Milk Hotel
[25-WR]
Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around.
[25-WR]
Circumambulation (2013) – True Widow
[25-WR]
Deep, directional bass-foundation that hunters & gathers multiple singing flavors while firmly but timidly fermenting basically the same rhythm with the warmest of distortions.
[25-WR]
Black Celebration (1986) – Depeche Mode
[25-WR]
Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence.
[25-WR]
The Disaster Artist (2013) – Greg Sestero, Tom Bissell
[25-WR]
“What a story, Mark.“
The long overdue explanation of the black hole character of 2000‘s film industry called Tommy Wiseau and his hilariously catastrophic movie.
[25-WR]
Child Soldier: Creator of God (2020) – Greg Puciato
[25-WR]
Transgressive-coersive effort that industrially scatters itself all over the place, deep-synthetizing just about anything standing its way while a versatile Sam Kinison sings.
[25-WR]
Bcd-2 (2008) – Basic Channel
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Intense sounds and rhythms that are like feeling the beating pulse of several types of factory machines at work with a subwoofer-ed up stethoscope.
[25-WR]
Beasts of No Nation (2015) – Cary Joji Fukunaga
[25-WR]
The automatic acid rain that comes with being a voiceless victim with no other choice but gravitational travesty. A perspective-enforcing film of monumental caliber.
[25-WR]
Memento (2000) – Chris Nolan
[25-WR]
Circular uphill post-amnesiac ride that prints itself out both in color and black & white while each new layer diagonally help us to remember.
[25-WR]
Good Omens (2006) – Terry Pratchett & Neil Gaiman
[25-WR]
Heavenly hellish.
Hilariously british.
A comedy bit for everyone, especially when you’re british and not so religious.
Narrated by your inner little Alan Rickman voice.
[25-WR]
Holy Roller – Spiritbox
[25-WR]
Excellent low-budget music video self-presentation that further & heavily exploits its innate-tentional limitations by adding a wonderful found-footage vibe to itself.
[25-WR]
The Pandemic Special (2020) – South Park
[25-WR]
Only a real life pandemic-craze of biblical proportions could stop the world long and deeply enough to let South Park truly be funny again.
[25-WR]
To Sleep In A Sea Of Stars (2020) Christopher Paolini
[25-WR]
This thick monolith started immensely exciting and kidnapped me further into an emotion driven, alien luster space trip with no easy way back into reality.
[25-WR]
Neuroteque (2019) – Juggernaut
[25-WR]
Short-butt, sweet-finger confetti that is sophisticatedly picking and plucking metal-stringed incantations that punch the spreading-ear into transporting rhythms that grow vast.
[25-WR]
Ghosts V: Together (2020) – Nine Inch Nails
[25-WR]
Merely and really the mono-thematic ghost of the former “Ghosts I-IV” (2008) album. Diluted while stringed together by ludicrous cries for emotional positivity.
[25-WR]
Guidance (2016) – Russian Circles
[25-WR]
An instru-metal journey that positively both ascends and descends with heavy ease while knitting mind-deserts that stay tarp-ed under a sepia sky.
[25-WR]
The Piano (1993) – Jane Campion
[25-WR]
Kurt Cobain´s last watched film: kiwi period piece that is really about prostitution rather than repressed passions juicing through the colourful cracks of dark colonialism.
[25-WR]
Seventeen Seconds (1980) – The Cure
[25-WR]
Remarkable techno-pop depth coming from an age-old youngblood with a voice that never changed and a background that should have stayed this pure.
[25-WR]
Station (2008) – Russian Circles
[25-WR]
The strict beauty of synchronised flight of heart & mind held together by sound in tragic camaraderie. Picking through the riffs of death & decency.
[25-WR]
Midsommar (2019) – Ari Aster
[25-WR]
Cliches are nothing but dosed up bait in an artistic horror film of compensatory length that lightens up instead of darken while blooming us away.
[25-WR]
What This Is
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Self-policing pain in the ass by design that’s addictive once text-fire gets caught and used to burn the bullshit we all carry around.
[25-WR]
Synchronicity of Brian Posehn (Big Bang Theory), CA
[25-WR]
Aus erstmaligem Blickkontakt nach Mr. Bungle Konzert konnte man den kalifornisch metallischen Fußabdrücken des Show-Darstellers folgen, welche einen Must-buy-Effekt seines Mediums erzeugten.
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Hanging out with Abe (dr/Deftones) on 02/22/20 @Holy Diver, Sacramento, CA
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A familiar pub vibe while being on the other side of that shiny Rockstar mirror with a guy, who might otherwise get on your nerves.
[25-WR]
Mr. Bungle Reunion Concert – 02/13/20 @ The Warfield, San Francisco, CA
[25-WR]
Letzte Tourshow ihrer Art.
Reines Punk/ Thrash Allstar-Manifest, wo weder Langeweile noch schlechter Sound aufkamen.
Das ‚Warfield‘ war perfekt für dieses musikalisch historische Ereignis.
[25-WR]
Berghain Nightclub – Berlin, Germany
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Best crèche I´ve ever been to. Disco biscuit selection extensive. Tantalising techno and tank tops, or lack of. Don´t think I´m the same after that.
[25-WR]
Harold and Maude (1971) – Hal Ashby
[25-WR]
This film makes me believe in love. Connection that knows no age, class, or reason. Through each other’s love, both characters become their best selves.
[25-WR]
Berghain Nightclub – Berlin, Germany
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Illegitimate children of Plato and Pandora unite on hallowed techno altar floating in chasmous powerhouse. Serotonin saturated oscillations; razor light beams pelt our naked souls.
[25-WR]
The Kitkat Club – Berlin
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Renowned diversity jamboree behind mad hatteresque door. Decent techno. Liebfraumilch and gimps who don’t care which pronouns you use. Lack of disco biscuits. Not Berghain.
[25-WR]
David‘s Deli Restaurant – Union Square, San Francisco, CA
[25-WR]
Hotel angebundener Breakfast,- Lunchtempel zwischen Himmel und Hölle. An der Theke sitzen, übergroße Portionen verspeisen und Pläne für den Tag schmieden stehen auf der Speisekarte.
[25-WR]
The Painted Ladies – Ashbury Heights, San Francisco, CA
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Wunderbare Aussicht auf nah und fern dieser stilistisch originellen Stadt.
Dank Tunnelblick würden Touris selbst Elvis ausblenden.
‚Ladies‘ selber wirken heutzutage jedoch weniger „full“/ häuslich.
[25-WR]
Driving Miss Daisy (1989) – Bruce Beresford
[25-WR]
Widowed & wizened,
Jim-Crow-South,
Jewish-Princess “Outsider”
Enjoys commanding
Subordinate Blacks,
But learns to FEEL
Kinship w/ black chauffeur
While her son
Assimilates.
[25-WR]
The White Crow (2018) – Ralph Fiennes
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Judy sang “Born in a trunk”.
Rudy danced “Born on a train”.
Trunk or train, it’s an old refrain:
“Survival of the cutest on stage”.
[25-WR]
The White Crow (2018) – Ralph Fiennes
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“Equality & Fraternity” ?
NO.
“Liberty (w/ follow-spot)”
YES.
“I was born to excell.
(Let the rest go to Hell.)
Signed,
Nureyev,
“King of Ballet”
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The White Crow (2018) – Ralph Fiennes
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“For me, no more
‘Espree d’ cor’ ”
Says Rudy to
Soviet nursery.
“In Paris France
I’ll take my chance
For fancier pants
And fat-pursery.”
[25-WR]
The White Crow (2018) – Ralph Fiennes
[25-WR]
The Soviets expect gratitude from
a “lump of coal” they polished into
a diadem for their chandelier of
mock-French Ballet.
But Pinocchio renounces Gepetto.
[25-WR]
The Elevator @Awahnee Hotel, Yosemite National Park, CA
[25-WR]
Agressiv roter Blickfang nachdem man den ikonischen Eingangsbereich passiert hat.
Verstand spinnt automatisch ein sich links eröffnendes Blutszenario zusammen, welches ein Nähertreten unterbewusst erschwerlicher macht.
[25-WR]
Rolo Tomassi (30.07.19) Summer Tour 2019 – MTC, Köln DE
[25-WR]
Body and mind, in collision with their favorite music and erotic attraction, in a tight space.
You’ll suffer a joyful meltdown followed by lethargic recovery.
[25-WR]
Eternal Forward Motion (2019) Employed To Serve
[25-WR]
Cold produced riff-core album, whose dissecting distortions and obnoxious grooves rock your skull from its anchoring.
However, lacking experimentation misses shot for genre-milestone.
[25-WR]
Code Orange (16.06.2019) The Hurt Will Go On – Luxor, Köln DE
[25-WR]
Unkonventionelle Hardcoreband mit konventioneller Attitüde bringen die verhaltene Crowd im untaktisch gebauten Club zum angenehmen Violent-Pogo. Dank Gott für Daddy Issues und musikalischer Rebellion.
[25-WR]
Machine Head – The Blackening (2007)
[25-WR]
2000s Master Of Puppets – hate dripping riff monument and post 90s Metal anthem.
Celebrated likewise by ‚True‘ metalheads and prog snobs. All killer, no filler!
[25-WR]
Hürtgenwald – NRW, Germany
[25-WR]
The sensory intensity that’s felt through the uncontrolled reactions of those who ancestrally better feel what the terror of such approaching nighttime could be like.
[25-WR]
Kiefer Taking a Picture of a Polaroid of a Chicken – The Sandino Chronicles
[25-WR]
The great metamorphosis into absurdity near-actualised, a bandana wielding maniac descends into frantic study into the psyche of the bird. It´s our only hope.
[25-WR]
Fuck it. Why not? – The Sandino Chronicles
[25-WR]
Just incase you wanted to know what it’s like here,
There’s a chicken camera projected on a TV in the living room.
Welcome to Sandino.
[25-WR]
Sandino World Improvement Network
[25-WR]
Friendly stoner viking on the couch. 24/7 chicken cam. Magical sausage factory with extraordinary carpets and a few too many volcano bongs. Return flights recommended.
[25-WR]
Blueprint for Armageddon – Dan Carlin
[25-WR]
A modern radio show that is definitely worth a dollar and however many sacrificial hours of lifetime this gentleman-and-a-scholar demands from us.
[25-WR]
Get the Sound-Musikhaus – Lichtenberg, Berlin
[25-WR]
Uta, the cool saleslady in charge was not only intelligently unobtrusive, but went out of her way to bring us the instrument herself after-hours.
[25-WR]
Yamaha Arius S34 B
[25-WR]
Unpretentiously elegant, distraction-free electric piano that plays the role of a servant rather than an ivory tower one has to climb up and worship.
[25-WR]
Opium
[25-WR]
Easier to procure in western Europe than a proper tradional pipe which would prevent overdosing on desperate consumption measures after failing to get famously high.
[25-WR]
Acid for the Children (2019) – Flea
[25-WR]
The audio form of this book never flees aways from emotional attachment while the author reads his own words with out-louding choked-up laughter.
[25-WR]
Hof Hauptbahnhof – Hof, Germany
[25-WR]
Single most depressing Bavarian train station that sits strongly still, endorphin-free but not majesty-deprived. It reproaches itself with agonizing ghost-town building ferocity.
[25-WR]
To You Don – October 25, 2019
[25-WR]
Pride doesn´t let me be anymore, I’ve wasted enough life with mine.
I’m calling you. Feel free to fume because I’m letting my shit go.
[25-WR]
German Sülze – First Time Tasting
[25-WR]
Very few acquired culinary tastes can act so quickly on a mind sitting close to an open stomach that awaits patiently in gelatinous timeless amber.
[25-WR]
Berliner ZOB (Central Bus Station) – Berlin, Germany
[25-WR]
They kick you when you´re down and they Flix you when you feel dumb-enough already. A central hub that denies kindness to anybody within.
[25-WR]
The Irishman (2019) – Martin Scorsese
[25-WR]
Crème de la crème of a celebrated lifetime of Midnight Espressos that cinematically pushes every right Benjamin-Button with medically accurate gore and passive wrath.
[25-WR]
The Meaning of Life
[25-WR]
To spread itself beyond everything that‘s false and half-done, like ego itself which is nothing more than a joke on the slowest among us.
[25-WR]
Oliver James – Electric Toothbrush
[25-WR]
What could go wrong at 40.000 vibrations per minute? Nothing at all so far but the feeling of guilt for not having used this before.
[25-WR]
Gladiator (2000) – Ridley Scott
[25-WR]
Twist-less crowd winner that Hellraises Oliver’s lion-faced redemption out of bloodied vistas like a fat Phoenix that Reeds of condescending soundtracks and cutting.
[25-WR]
Colosseum – Rome, Italy
[25-WR]
Entertained? Sure: I couldn’t possibly be more inter-stained by the thick glory of a 2000-year old ruin that drools dreams of dormant brawls.
[25-WR]
Simply Market – Rome, Italy
[25-WR]
Simply & sickly bereft. Zombie apocalypse jokes? Simple to make from the outside, but no doubt a nightmare for those gladiators about to be engulfed.
[25-WR]
Squisito Cook – Rome, Italy
[25-WR]
In the shadow of the valley of shit: mannerless gouching of tourist-gore that kills all buzzes from all over the world. Shame in you.
[25-WR]
Rauch Bakery – Berlin, Germany
[25-WR]
Stressed-out little man whole-wheat sandwiched between two strong ladies who sport tattoos and run the show where the thickest sausages vanish always early.