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🔍
The Lighthouse (2019) – Robert Eggers

The Lighthouse (2019) – Robert Eggers

[25-WR]

Picture-pitch perfect except for the sound of farts offensively trapping a scattered
plot inside of a frame that hits one square between the eyes.

[25-WR]

The Rum Diary (2011) – Bruce Robinson

The Rum Diary (2011) – Bruce Robinson

[25-WR]

Although preceded by a promising start, the problem springs up in the hollow-middle by scattering nothing around other than fun for the people involved.

[25-WR]

Almost Famous (2000) – Cameron Crowe

Almost Famous (2000) – Cameron Crowe

[25-WR]

Grounded with emotional veracity in the most vocal point of feud with the Death of everything that was holy and pure to rock and roll.

[25-WR]

The Prestige (2006) – Christopher Nolan

The Prestige (2006) – Christopher Nolan

[25-WR]

Fully charged but its progressive energy keeps getting cut off by a silver screenplay that can’t tell exposition from emotional-trigger boredom apart at all.

[25-WR]

There Will Be Blood (2007) – Paul Thomas Anderson

There Will Be Blood (2007) – Paul Thomas Anderson

[25-WR]

Family values suffer
In this Passion Play
Powered by music,
Coal, OIL, & palms
Greased by multiple
Pieces of silver.
Lewis triumphs in
Self-crucifixion.

[25-WR]

Basquiat (1996) – Julian Schnabel

Basquiat (1996) – Julian Schnabel

[25-WR]

Talent-heavy (cast-wise) downer about a man who erases his own by hiding behind an embalming hype that far outlasts its allotted 15 minutes.

[25-WR]

2001: A Space Odyssey (1968) – Stanley Kubrick

2001: A Space Odyssey (1968) – Stanley Kubrick

[25-WR]

Benchmark trip from a fantastic audio-visual realm that does not really clarify the slowly rotating Rubik´s Cube storyline that’s space-cold and trauma-like.

[25-WR]

The Virgin Suicides (1999) – Sofia Coppola

The Virgin Suicides (1999) – Sofia Coppola

[25-WR]

A clandestine teenage brothel run by hard loving parents who keep basking in God´s rain right where the moral crater seems to bleed the most.

[25-WR]

Mank (2020) – David Fincher

Mank (2020) – David Fincher

[25-WR]

Single most black & white modern period-film exquisitely monkey-grinding the royal Randolph hemp out of us with Reznor-sharp reel-changing monochromatic flair.

[25-WR]

The Life and Death of Peter Sellers (2004) – Stephen Hopkins

The Life and Death of Peter Sellers (2004) – Stephen Hopkins

[25-WR]

Geoffrey Rushes his
Portayal of Proteus
Both amusing
And annihilating all
Significant others
(especially mothers),
But never
Pleased!
(Based-on book)

Don’t skip
Audio Commentaries!

[25-WR]

Bram Stoker’s Dracula (1992) – Francis Ford Coppola

Bram Stoker’s Dracula (1992) – Francis Ford Coppola

[25-WR]

Not even partially dubious casting could jinx this blood-ruby of classy kitsch—carved out of morbid fascination and respect for the franchise´s original outputs.

[25-WR]

Bronson (2008) – Nicolas Winding Refn

Bronson (2008) – Nicolas Winding Refn

[25-WR]

Precious stone of modern independent cinema and character study “par excellence.” Hysterical, ballistic and mordantly fulminant. A truly stimulating example for period-films to come.

[25-WR]

Lords of Dogtown (2005) – Catherine Hardwicke

Lords of Dogtown (2005) – Catherine Hardwicke

[25-WR]

The original sparks that supernova-ed a whole industry that ludicrously although successfully reinvented both the wheel and how to become a music-free rockstar.

[25-WR]

Mid90s (2018) – Jonah Hill

Mid90s (2018) – Jonah Hill

[25-WR]

Profound motion picture of short stature that proves itself large by showing with stunning, sympathetic sharpness how a pre-adolescent masochist jumps into intentional idiocy.

[25-WR]

Dazed and Confused (1993) – Richard Linklater

Dazed and Confused (1993) – Richard Linklater

[25-WR]

Time-honored period-film that simply and independently pulls off a believable vintage-vibe by bringing out big nuances out of very small-town things.

[25-WR]

The Piano (1993) – Jane Campion

The Piano (1993) – Jane Campion

[25-WR]

Kurt Cobain´s last watched film: kiwi period piece that is really about prostitution rather than repressed passions juicing through the colourful cracks of dark colonialism.

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

Judy sang “Born in a trunk”.
Rudy danced “Born on a train”.
Trunk or train, it’s an old refrain:
“Survival of the cutest on stage”.

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

“Equality & Fraternity” ?
NO.
“Liberty (w/ follow-spot)”
YES.

“I was born to excell.
(Let the rest go to Hell.)

Signed,

Nureyev,
“King of Ballet”

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

“For me, no more
‘Espree d’ cor’ ”
Says Rudy to
Soviet nursery.

“In Paris France
I’ll take my chance
For fancier pants
And fat-pursery.”

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

The Soviets expect gratitude from
a “lump of coal” they polished into
a diadem for their chandelier of
mock-French Ballet.

But Pinocchio renounces Gepetto.

[25-WR]

The Irishman (2019) – Martin Scorsese

The Irishman (2019) – Martin Scorsese

[25-WR]

Crème de la crème of a celebrated lifetime of Midnight Espressos that cinematically pushes every right Benjamin-Button with medically accurate gore and passive wrath.

[25-WR]

Gladiator (2000) – Ridley Scott

Gladiator (2000) – Ridley Scott

[25-WR]

Twist-less crowd winner that Hellraises Oliver’s lion-faced redemption out of bloodied vistas like a fat Phoenix that Reeds of condescending soundtracks and cutting.

[25-WR]

The Others (2001) – Alejandro Amenábar

The Others (2001) – Alejandro Amenábar

[25-WR]

Intense beauty and fear holding hands in the permanent protection of a broken family that is full of love for one another in macabre ignorance.

[25-WR]

Bram Stoker’s Dracula (1992) – Francis Ford Coppola (Coincidental IMDB 25-WR)

Bram Stoker’s Dracula (1992) – Francis Ford Coppola (Coincidental IMDB 25-WR)

[25-WR]

“The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker’s fiancée Mina Murray and inflict havoc in the foreign land.”

[25-WR]

Idi i smotri/Come and See (1985) -Elem Klimov (Coincidental IMDB 25-WR)

Idi i smotri/Come and See (1985) -Elem Klimov (Coincidental IMDB 25-WR)

[25-WR]

“After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II.”

[25-WR]

Da hong deng long gao gao gua/Raise the Red Lantern (1991) –  Yimou Zhang (Coincidental IMDB 25-WR)

Da hong deng long gao gao gua/Raise the Red Lantern (1991) – Yimou Zhang (Coincidental IMDB 25-WR)

[25-WR]

“A young woman becomes the fourth wife of a wealthy lord, and must learn to live with the strict rules and tensions within the household.”

[25-WR]

The Thin Red Line (1998) – Terrence Malick

The Thin Red Line (1998) – Terrence Malick

[25-WR]

With crew, cut, script, cast and sound of high enough caliber can this force of nature celluloid projectile blow up any line to kingdom come.

[25-WR]

Casino (1995) – Martin Scorsese

Casino (1995) – Martin Scorsese

[25-WR]

Glorious continuation to the perfect film that Goodfellas (1987) already is, magnifying the produce from every technical artistic prowess displayed before into another real story.

[25-WR]

Goodfellas (1990) – Martin Scorsese

Goodfellas (1990) – Martin Scorsese

[25-WR]

Ask Johnny Two-Times how funny does he think this based-on-true-events mob movie is, and exactly how is it amusing and entertaining.

[25-WR]

Shadow of the Vampire (2000) – E. Elias Merhige

Shadow of the Vampire (2000) – E. Elias Merhige

[25-WR]

If William Dafoe needed an acting diploma this should be his master thesis to share with Keaton´s Beetlejuice (1988) and Gibson´s The Singing Detective (2003.)

[25-WR]

O Brother, Where Art Thou? (2000) – The Coen Brothers

O Brother, Where Art Thou? (2000) – The Coen Brothers

[25-WR]

Highly original take on Homer’s odyssey in the rural 1930’s space, where bank robberies and racism are still a thing that could get you killed.

[25-WR]

Barton Fink (1991) – The Coen Brothers

Barton Fink (1991) – The Coen Brothers

[25-WR]

When the salesman is Death and not the other way around the block of sanity that keeps peeling off in blind corridors of walled desires.

[25-WR]

Miller’s Crossing (1990) – The Coen Brothers

Miller’s Crossing (1990) – The Coen Brothers

[25-WR]

Drinking is no lubricant but a lifestyle. A hat is not an object but a character that wears you on while you try staying lubricated.

[25-WR]

The Doors (1991) – Oliver Stone

The Doors (1991) – Oliver Stone

[25-WR]

Stunning tunnel-vision composite that is dead-determined to focus on tip-of-the-iceberg aspects of a rich and extraordinary story. Kilmer shines possessed.

[25-WR]

The English Patient (1996) – Anthony Minghella

The English Patient (1996) – Anthony Minghella

[25-WR]

A closer full-color look into the lives, intrigues and conflicts of human mammals in the arid 40’s desert environment by the International Geographic channel.

[25-WR]

Platoon (1986) – Oliver Stone

Platoon (1986) – Oliver Stone

[25-WR]

Oliver Stone’s first installment of his venerably veritable Vietnam War film trilogy, starting with his own experience as a volunteer coming from a privileged background.

[25-WR]

Troy (2004) – Wolfgang Petersen

Troy (2004) – Wolfgang Petersen

[25-WR]

Ein gläubiges Königreich voller Naivität für eine blauäugige blonde Prinzessin, das jedoch auf’s falsche Pferd setzt.
Helden sterben, Könige sterben. Sean Bean überlebt.
Paradox, episch..

[25-WR]

Summer of Sam (1999) – Spike Lee

Summer of Sam (1999) – Spike Lee

[25-WR]

Everyone curses except for the killer and his dog in the hot and sticky summer of our discontent made glorious winter by this fucking masterpiece.

[25-WR]

The Treasure of the Sierra Madre (1948) – John Huston

The Treasure of the Sierra Madre (1948) – John Huston

[25-WR]

How can you tell if the gold is even real when inside your head everything is in black and white? True colors cross you twice.

[25-WR]

Inherent Vice (2014) – Paul Thomas Anderson

Inherent Vice (2014) – Paul Thomas Anderson

[25-WR]

A perplexing ride-along with a heroic heroin-free doper peek-eye in one of the most confusing coordinates of time to be anchored at.

[25-WR]

There Will Be Blood (2007) – Paul Thomas Anderson

There Will Be Blood (2007) – Paul Thomas Anderson

[25-WR]

A very proud and angry turn-of-the-20th-century prospector carries inflammable cabin fever around him everywhere/everyone he choses to own and drill.

[25-WR]

The Man Who Wasn’t There (2001) – The Coen Brothers

The Man Who Wasn’t There (2001) – The Coen Brothers

[25-WR]

The exquisite sense of irony of modern man’s bullshit life is never dry-cleaner than here; all been told in luminance levels imbued with Beethoven.

[25-WR]

The Ballad Of Buster Scruggs (2018) – Coen Brothers

The Ballad Of Buster Scruggs (2018) – Coen Brothers

[25-WR]

Moderne Coen’sche Western-Anthologie bestehend aus 6 unabhängigen Geschichten.
Was mit Authentizität und Charme losgeht entwickelt sich zur herben Enttäuschung mit zu weit verstreuten Glanzmomenten.

[25-WR]

Bohemian Rhapsody (2018) – Bryan Singer

Bohemian Rhapsody (2018) – Bryan Singer

[25-WR]

Eine kleine Silhouette eines Mannes.
Dieser Film ist ein Fandango von talentierten Schauspielern und wir sehen wie gänsehauterregende Geistesblitze zu Hitsongs werden. Biopic des Jahres!

[25-WR]

I Shot Andy Warhol (1996) – Mary Harron

I Shot Andy Warhol (1996) – Mary Harron

[25-WR]

People go after their fifteen minutes of fame the way a moth goes to a flame. Symptoms of burning can only manifest in negative ways.

[25-WR]

The Passion of the Christ (2004) – Mel Gibson

The Passion of the Christ (2004) – Mel Gibson

[25-WR]

Only Gibson‘s own radical passion could heal the constant wounds of a hemophiliac subject that never begins to end. Pleasure-pain for the dogma-giddy.

[25-WR]

JFK (1991) – Oliver Stone

JFK (1991) – Oliver Stone

[25-WR]

Maybe Oswald was a great shot after all and single-handedly dented the world with a fulminant sacrifice…a patsy-making film of paranoid passion.

[25-WR]

Johnny Got His Gun (1971) – Dalton Trumbo

Johnny Got His Gun (1971) – Dalton Trumbo

[25-WR]

Written and directed by a black-listed Spartan-man who´s only begotten power was paralyzed by the wronging sword of a State of infuriating affairs.

[25-WR]

Once Upon a Time in America (1984) – Sergio Leone

Once Upon a Time in America (1984) – Sergio Leone

[25-WR]

The Italian mammoth-mama of all justifiably long, resentment-free films that is perfectly casted, filmed and performed thusly keeping the human-continuity from slipping.

[25-WR]

‚Kiss Tomorrow Goodbye‘ (2019) True Detective: 03×02 – Jeremy Saulnier

‚Kiss Tomorrow Goodbye‘ (2019) True Detective: 03×02 – Jeremy Saulnier

[25-WR]

Ermittlungen im verkokeltem Heuhaufen dank angespannter Luft. Rauch und keine Aussicht auf Regen. Die vermisste Nadel taucht zu spät auf.
Geplagter Drei-Generationplot verdichtet sich.

[25-WR]

Barry Lyndon (1975) – Barry Lyndon

Barry Lyndon (1975) – Barry Lyndon

[25-WR]

Hopefully in this day and age of long forms of entertainment such as the video podcast people can finally quit complaining about Barry Lyndon’s length.

[25-WR]

‚1:23:45‘ (2019) – Chernobyl: 01×01 – Johan Renck

‚1:23:45‘ (2019) – Chernobyl: 01×01 – Johan Renck

[25-WR]

Von Sekunde Null an wird man direkt nach Prypjat transportiert und ist Zeuge einer Kettenreaktion an Fehlentscheidungen, welche bedrohlich kühl durch beeindruckendem Cast dargestellt werden.

[25-WR]

Apocalypto (2006) – Mel Gibson

Apocalypto (2006) – Mel Gibson

[25-WR]

This movie is about fear and the end of the world. Knowing how bad history went as a spectator makes it all the more brutal.

[25-WR]

Dazed and Confused (1993) Richard Linklater

Dazed and Confused (1993) Richard Linklater

[25-WR]

Inbegriff eines High School-Sommerferienbeginn-Gefühls. Ein gigantisches Musikvideo mit sanfter Nostalgie und familiärem Vibe durch viele heutzutage bekannte Schauspieler vor der Blüte ihrer Zeit.

[25-WR]

The Shawshank Redemption (1994) – Frank Darabont

The Shawshank Redemption (1994) – Frank Darabont

[25-WR]

Zeitloser „Feel Good“-Film über Freundschaft, Gerechtigkeit und Spiritualität für jene ohne Hoffnung, die glauben sie wären am Ende.
Wunderschön verfilmt, komplett ohne Special Effects.

[25-WR]

Ed Wood (1994) – Tim Burton

Ed Wood (1994) – Tim Burton

[25-WR]

A budget-bulged passion package containing tremendous Orson Welles admiration inside, while storytelling the shaky struggling days of a good heart looking for missing talent.

[25-WR]

Green Book (2018) – Peter Farrelly

Green Book (2018) – Peter Farrelly

[25-WR]

Klassisches Aufeinandertreffen zweier unterschiedlicher Generationen verkörpert durch gegenseitiges an die Wand spielen.
Herzliche Reise durch die Staaten der 60er mit musikalischer Seele und ordinärem Humor.

[25-WR]

Mallrats (1995) – Kevin Smith

Mallrats (1995) – Kevin Smith

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Nerdy humorvolles Low-Budget-Break-Up-Drama mit jugendlichem Charme im Einkaufszentrum.
Jay und Silent Bob und Stan Lee‘s bester Cameo.

Ein Film für mich.

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Dogville (2004) – Lars von Trier

Dogville (2004) – Lars von Trier

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An original motion picture with an irresistible trailer and a surefire cast. A great take on our basic humanity and treatment of one another. Outstanding.

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Immortal Beloved (1994) – Bernard Rose

Immortal Beloved (1994) – Bernard Rose

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Ludwig van Beethoven´s life and Zeitgeist crammed in two hours including sex, alcohol and post-Baroque & Roll. An ordinary film with an extraordinary cast.

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Confessions of a Dangerous Mind (2002) – George Clooney

Confessions of a Dangerous Mind (2002) – George Clooney

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Wise men say only fools rush into a dating game show and fall in love with themselves on television—but the wisest run the show.

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Love and Mercy (2014) – Bill Pohlad

Love and Mercy (2014) – Bill Pohlad

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Cusack hasn´t been this good since his own Grace disappeared, but Dano has been trully great for the first time in a permanently resonant film.

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Auto Focus (2002) – Paul Schrader

Auto Focus (2002) – Paul Schrader

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Careful what you audition for: it might get you in the tightest-spot of a color-blind district that is sharp with double-life contrast.

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The People vs. Larry Flynt (1996) – Milos Forman

The People vs. Larry Flynt (1996) – Milos Forman

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No need to agree with people’s desires, but to absolutely defend their right to pursuit them and prosper. Bad-taste has a short shell life.

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Mandy (2018) – Panos Cosmatos

Mandy (2018) – Panos Cosmatos

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A fucking fabulous face – morphing film – feast, that feels like a heavy Ayahuasca trip that will rock and roll you out of your favorite t-shirt.

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No Country for Old Men (2007) – The Coen Brothers

No Country for Old Men (2007) – The Coen Brothers

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Bubonic-plague personified decides to single out the fastest Death-escaping cowboy and wastes no time in hunting him down a road of rural intrigue.

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Paths of Glory (1957) – Stanley Kubrick

Paths of Glory (1957) – Stanley Kubrick

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A battleground-breaking anti-war, anti memory-loss production that came out only twelve years after the great war cracked the Death atom-nerve open.

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Charlie Wilson’s War (2007) – Mike Nichols

Charlie Wilson’s War (2007) – Mike Nichols

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An effective bon vivant in the political realm who’s own mind has become imprisoned in a cell of depleted endorphins finds action in external meaning.

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The Wolf of Wall Street (2013) – Martin Scorsese

The Wolf of Wall Street (2013) – Martin Scorsese

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Rise and fall of the great wall of street Gatsby-ing self-amusedly told in tones that charm and entertain but fail to reach redemption.

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The Tree of Life (2011) – Terrence Malick

The Tree of Life (2011) – Terrence Malick

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It boggles the mind to see modern beauty so densely packed into a movie-sitting. A transcendental chandelier made out of sweat, tears and chlorophyll.

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