techno
Vistār (2019)- Amotik
[25-WR]
Bass based arachno-rythmic techno stylings from Berlin that heavily drum the ear as a last vibration-stop coming from the rich underground shaking below.
[25-WR]
Bcd-2 (2008) – Basic Channel
[25-WR]
Intense sounds and rhythms that are like feeling the beating pulse of several types of factory machines at work with a subwoofer-ed up stethoscope.
[25-WR]
Berghain Nightclub – Berlin, Germany
[25-WR]
Best crèche I´ve ever been to. Disco biscuit selection extensive. Tantalising techno and tank tops, or lack of. Don´t think I´m the same after that.
[25-WR]
Berghain Nightclub – Berlin, Germany
[25-WR]
Illegitimate children of Plato and Pandora unite on hallowed techno altar floating in chasmous powerhouse. Serotonin saturated oscillations; razor light beams pelt our naked souls.
[25-WR]
The Kitkat Club – Berlin
[25-WR]
Renowned diversity jamboree behind mad hatteresque door. Decent techno. Liebfraumilch and gimps who don’t care which pronouns you use. Lack of disco biscuits. Not Berghain.
[25-WR]
Night Walk – Johnny M
[25-WR]
Surprisingly effective rhythmic assembly line by the Joseph Haydn of techno music. It slowly grows solid into the listener’s headspace until the promised “deep” arrives.
[25-WR]
The Fat of the Land (1997) – The Prodigy
[25-WR]
The turning point for an underground project that successfully synched itself up to the pre-globalized world chaos around and churned its fears into butter.
[25-WR]
Smack My Bitch Up (1997) – Jonas Åkerlund
[25-WR]
Groundbreaking first person-
shot music video by the Guns ‘n Roses of techno that taunted the hell out of the Western pre-internet mainstream media.
[25-WR]
LP5 (2019) – Apparat
[25-WR]
Progressive sound carpets, woven by voluminous dreamy Radiohead cotton remnants with a neon Aphex Twin beat driven thread guide.
No category, no copy, no limits.
[25-WR]
Keith Flint (1969 – 2019) – 25-WR Eulogy
[25-WR]
The firestarter himself is now extinct, but not for those who´ve never met him personally but got burned through the flames of his bizarre fame.
[25-WR]
Collapse EP (2018) – Aphex Twin
[25-WR]
Digitalized aboriginal music from a remote bush-village inside Twin´s gelatinously warped mind with tubular beats that sound like a bull in a sampler shop.
[25-WR]
No Tourists (2018) – The Prodigy
[25-WR]
“Boom boom tap, boom boom tap
Boom boom tap, boom boom tap
Tick tick bang, tick tick bang
Tick tick bang”
“No tourists.” “Fuck you!”
[25-WR]
Ultra (1997) – Depeche Mode
[25-WR]
A spectral-sounding checkmate-playlist that is sensual and torching at the same intense time, while encouraging self-reflection and flight from glamorous suicidal mildew.
[25-WR]
Endon – Through The Mirror (2017) Daymare Recordings
[25-WR]
Entering the claustrophobic tunnel of blasting Low-Fi noises, aggressive electronics and its crushing pace, while devouring every shard, not trying to vomit. Beautifully controversial.
[25-WR]
Beat (1996) – Bowery Electric
[25-WR]
Beating up song conventions, cutting their bowels open and re-animating curiosity within a single spark to start this nitrous techno-stoner highway-wagon ride.
[25-WR]
Lola Rennt/Run Lola, Run (1998) – Tom Tykwer
[25-WR]
In-motional motion picture with a fluent techno-rhythm and welcomed gimmicks that keep our eyes lubricated, tuned and toned throughout an intense perception-workout.
[25-WR]
LP5 (2019) – Apparat
[25-WR]
Aus Berliner Clubs strömen progressive Soundteppiche, geflochten durch voluminös verträumte Radiohead-Stoffreste mit einer neonbunt Aphex Twin-beatlastigen Fadenführung.
Keine Kategorie, keine Kopie, keine Grenzen.