pop
If I Can’t Have Love, I Want Power (2021) – Halsey
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Glossy voice with edgy ‚in your face‘ lyrics and humongous hooks, cemented by sticky NIN-esque drum & bass, portraying a fallen angel gone rogue.
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I Disagree (2020) – Poppy
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Take extravagant shock rock, spiced up with cool riffs, a pinch industrial pop and wrapped with sugar-sweet, refined bombast.
Voila; a popstar gone heavy.
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Black Celebration (1986) – Depeche Mode
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Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence.
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Seventeen Seconds (1980) – The Cure
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Remarkable techno-pop depth coming from an age-old youngblood with a voice that never changed and a background that should have stayed this pure.
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Billie Eilish – Birthday Toast (18.12.2001)
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Music industry’s face 2019: A depressed cute It-girl with breathy voice stuck in oversized showbiz-clothes, like a minor cow milked to last drops.
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When We All Fall Asleep, Where Do We Go? (2019) – Billie Eilish
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2010’s pop-mainstream album that seems inexplicably ground breaking.
I duh-nno…
Minimalist music, quiet but clear voice.
A cranky all-rounder BUT strange trendsetter.
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Sundowning (2019) – Sleep Token
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Mix Djent, Pop & Nu Metal, cover it with cult masked apparel and let it grow.
This sweetened hot experiment breathes alternativeness and polarizes.
Worship.
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Wicked Game (1989) – Chris Isaak
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Laid-back melancholy song that sounds the the thresholds of discomfort by surfing the pleasure-pain coast around waters of remorseful memory, hope and desire.
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Ultra (1997) – Depeche Mode
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A spectral-sounding checkmate-playlist that is sensual and torching at the same intense time, while encouraging self-reflection and flight from glamorous suicidal mildew.
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Billie Eilish – Birthday Toast (18.12.2001)
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Verhauchte Stimme des Musikbranche-Gesichts 2019. Süßes It-Girl gesteckt in übergroße Showbiz-Klamotten, welches die (vor kurzem noch minderjährige) Kuh bis letzten Tropfen melkt.