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🔍
Spotlight (2015) – Tom McCarthy

Spotlight (2015) – Tom McCarthy

[25-WR]

Polished but razorsharp  journalism warfare of a fresh millennium; digging for (un)holy truths of untouchable legacies.

A documentary-like disclosure featuring actors vanishing in spotlight.

[25-WR]

Severance (2022) – Ben Stiller

Severance (2022) – Ben Stiller

[25-WR]

Bleak corridors into the void of meaninglessness expose and narrow down the subliminal morals and ethics of claustrophobic workplaces.

A riveting philosophical tour de force.

[25-WR]

Lost (2004-2010) – J.J Abrams

Lost (2004-2010) – J.J Abrams

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Season one is condescendingly sexy in a poor man’s Hollywood/Holloway sort of way while sometimes delivering quality twists provided one’s disbelief gets suspended enough.

[25-WR]

The Lighthouse (2019) – Robert Eggers

The Lighthouse (2019) – Robert Eggers

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Picture-pitch perfect except for the sound of farts offensively trapping a scattered
plot inside of a frame that hits one square between the eyes.

[25-WR]

Dahmer – Monster: The Jeffrey Dahmer Story (2022) – Ian Brennan & Ryan Murphy

Dahmer – Monster: The Jeffrey Dahmer Story (2022) – Ian Brennan & Ryan Murphy

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Intimate acid dive into the stolen perspectives of the Dahmer-ed down victims of a seemingly parental crime that got out of God´s wrathful hand.

[25-WR]

Good Time (2017) – Benny Safdie, John Safdie

Good Time (2017) – Benny Safdie, John Safdie

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Tainted shades flutter through this NY-based fever dream, filled with real people in realistic situations, doing the best and the worst for each other.

[25-WR]

The Northman (2022) Robert Eggers

The Northman (2022) Robert Eggers

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Balancing historically accurate brutality and well-rounded storytelling, this feast pushes its narrative of avenging men and succumbing women right into viewer‘s eyes and guts.

[25-WR]

Blue Jay (2016) Alex Lehmann

Blue Jay (2016) Alex Lehmann

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A soft exploration of nostalgia which turns into intoxicating, soul seeking frustration.

The black and white approach lets you see and feel in synesthetic ways.

[25-WR]

The Power of the Dog (2021) – Jane Campion

The Power of the Dog (2021) – Jane Campion

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Barking dogs don’t bite, but conceal their fragile masculinity under thick hides.

This psychological exposé intersects power’s balance with sharp angles and a descending score.

[25-WR]

The Wasps Are Here (1978) Darmasena Pathiraja

The Wasps Are Here (1978) Darmasena Pathiraja

[25-WR]

Intriguing community-building affairs vaunted with a cozily speckled beach vibe.
But stripped naked by bland emotional acting and suggestively fading ties at the end.

[25-WR]

THE HOUSE OF SPIRITS (1993) – BILLIE AUGUST

THE HOUSE OF SPIRITS (1993) – BILLIE AUGUST

[25-WR]

Creeping historical “hacienda”-ascension story full of good people playing uglier-than-fiction roles to cherry things on top of sourly majestic interior/exterior shots.

[25-WR]

DC Showcase: Death (2019) – Sam Liu

DC Showcase: Death (2019) – Sam Liu

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There is never enough time to sketch the spectrum of human life in a few strokes.
But when it succeeds, it leaves you shockingly speechless.

[25-WR]

‘Downer Ending’ (2014) BoJack Horseman s01e11 – Amy Winfrey

‘Downer Ending’ (2014) BoJack Horseman s01e11 – Amy Winfrey

[25-WR]

The art of creating something successful while taking drugs is for some the needed apparatus and others a misconception. Mind your abyss, control your fantasy,

[25-WR]

‘Fish Out Of Water’ (2016) BoJack Horseman s03e04 – Mike Hollingsworth

‘Fish Out Of Water’ (2016) BoJack Horseman s03e04 – Mike Hollingsworth

[25-WR]

Lost in aquatic-translation. Out of the blue, looking for purpose.
Bubble, bubble – Discovering alternative ways to communicate.
Subtle trouble – Finding alternative version of me.

[25-WR]

What Happened To Monday (2017) – Tommy Wirkola

What Happened To Monday (2017) – Tommy Wirkola

[25-WR]

Dystopian human-world drama with a very unique but realistic setting.

Damocles’ sword, who’s right and wrong, hangs above people’s heads and on their throats.

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

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Judy sang “Born in a trunk”.
Rudy danced “Born on a train”.
Trunk or train, it’s an old refrain:
“Survival of the cutest on stage”.

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

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“Equality & Fraternity” ?
NO.
“Liberty (w/ follow-spot)”
YES.

“I was born to excell.
(Let the rest go to Hell.)

Signed,

Nureyev,
“King of Ballet”

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

“For me, no more
‘Espree d’ cor’ ”
Says Rudy to
Soviet nursery.

“In Paris France
I’ll take my chance
For fancier pants
And fat-pursery.”

[25-WR]

The White Crow (2018) – Ralph Fiennes

The White Crow (2018) – Ralph Fiennes

[25-WR]

The Soviets expect gratitude from
a “lump of coal” they polished into
a diadem for their chandelier of
mock-French Ballet.

But Pinocchio renounces Gepetto.

[25-WR]

Boy Erased (2018) – Joel Edgerton

Boy Erased (2018) – Joel Edgerton

[25-WR]

The camera focusez mostly on the “Boy” who’z “script” describez hiz harrowing encounter w/ evangelical “Converzhion Therapy for Gayz”.

The camera “Erasez” hiz erroneous
parents.

[25-WR]

Moonlight (2016) – Barry Jenkins

Moonlight (2016) – Barry Jenkins

[25-WR]

Born-queer little midnite-black-boy survivez Macho Cult-shure w/ brief fostering support & ritual “baptism”
Into a long
quest for
one
Tru
Luv.

[25-WR]

Leaving Las Vegas (1995) – Mike Figgis

Leaving Las Vegas (1995) – Mike Figgis

[25-WR]

Shue deeps her toes into cinematic greatness in an emotionally productive codependent-relationship with a very fine Nicolas Cage who gently escorts her around hell.

[25-WR]

Gia (1998) – Michael Cristofer

Gia (1998) – Michael Cristofer

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Being hot and wanted worked the opposite way inside the self-repelling time bomb that Gia Carangi really was. A flawlessly executed plead for caution.

[25-WR]

Leaving Las Vegas (1995) -Mike Figgis

Leaving Las Vegas (1995) -Mike Figgis

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Suicide is not painless, and drinking yourself to death has got to be one of the worst ways to check out of this world affair.

[25-WR]

Bram Stoker’s Dracula (1992) – Francis Ford Coppola (Coincidental IMDB 25-WR)

Bram Stoker’s Dracula (1992) – Francis Ford Coppola (Coincidental IMDB 25-WR)

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“The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker’s fiancée Mina Murray and inflict havoc in the foreign land.”

[25-WR]

Da hong deng long gao gao gua/Raise the Red Lantern (1991) –  Yimou Zhang (Coincidental IMDB 25-WR)

Da hong deng long gao gao gua/Raise the Red Lantern (1991) – Yimou Zhang (Coincidental IMDB 25-WR)

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“A young woman becomes the fourth wife of a wealthy lord, and must learn to live with the strict rules and tensions within the household.”

[25-WR]

Nil by Mouth (1997) – Gary Oldman

Nil by Mouth (1997) – Gary Oldman

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Brutalist approach to visually materializing an agonizing reality based on derision and Death-toned humanity. Never underestimate the darkness within a man behind his camera.

[25-WR]

Prisoners (2013) – Denis Villeneuve

Prisoners (2013) – Denis Villeneuve

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Beim Schauen wurde ich in einer der mitreissendsten Ermittlungen eines Schwerverbrechens und moralischer Weggabelungen entführt.
Mit (an)gespannten Schultern war ich ein Gefangener bis zum Ende!

[25-WR]

Permanent Midnight (1998) – David Veloz

Permanent Midnight (1998) – David Veloz

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A passionate and out-of-character character for Stiller, that he brings out convincingly in an extreme case of adrenaline addiction under strict hyper-functionality.

[25-WR]

The Last Temptation of Christ (1988) – Martin Scorsese

The Last Temptation of Christ (1988) – Martin Scorsese

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The horrors of a corrosive fantasy that Highly Defines the ugliest sides of an already hideous humanity dead set on giving bliss a dead end.

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Midnight Express (1978) – Alan Parker

Midnight Express (1978) – Alan Parker

[25-WR]

A very stern motion picture warning against obtuseness and corruption not to be taken lightly then and a good idea to tattoo in mind today.

[25-WR]

I, Claudius (1976) – Herbert Wise

I, Claudius (1976) – Herbert Wise

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I would give anything to have a time machine for the sole purpose of feeling the rapture of watching this for the first time again.

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