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Grant2010´sEPMaynard J Keenan2017funkdrummerLiam NeesonBelgiumSacramentoBonnJason SchwartzmanJeremy DaviesfolkJohn RidleyJay MohrKate HudsonDeftonesNa Hong-jinRip TornRoman PolanskimassochismTab Hunterart-popculturewesternDaniel BaldwinadventureflyingEvan Rachel WoodEvangeline LillybiographicMaggie GraceChris KleinBrittany O´GradyChristopher PlummerdarkArmen NahepetianpsychedelicBoyd HolbrookRhys IfansJoel GreyTVtechnosongsWest Memphis ThreeactionscenessexjazzcinemasPlaystationreviewersfood/restaurantsStanley KubrickJuliette LewisJohnathan DaviesmusicalsTilda SwintonJohn HughesHerbert von KarajanJim Caviezel25-WRChristina RicciRed Hot Chili PeppersDeep PurpleAlec BaldwinguitarJohnny KnoxvilleSadie FrostMarilyn Monroeextreme metalMexicoDortmund1996guitaristMark RuffalocanadianScarlett JohanssonDave LombardoLuke WilsonJimmy SmitspilotJohn VoightScott WolfFrances McDormandsouth-AmericaKim Yoon-seokSteve CooganKurt RussellGlenn Garyprogressive metalU.S.A.ancientEthan HawkeMark Boone JuniorRobert PattinsonmilfRainn WilsonYunjin KimAdam ScottmodernJennifer CoolidgeFred HechingerStellan Skarsgårdcinematic-soundRichard KindPaul MacCartneyEthann IsidoreShailene WoodleyKitkat Club2010´sblack & whitetechnologycomicsRobert De NiroreligionjungledinosaursTom HanksMexicanTommy Lee JonesChristopher GuestKirk DouglasHarvey KeitelfetishR. 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Spiderland (1991) – Slint

Spiderland (1991) – Slint

[25-WR]

Dry up to caustic but full of silver guts bravado and true no-nonsense resuscitation that domestically questions everything that´s drowning in its quarrel-lake.

[25-WR]

Unmountable Stairs (2014) – Witchrider

Unmountable Stairs (2014) – Witchrider

[25-WR]

An indirect-listening that can beautifully rock just so long as one does not pay too much attention. A promising commercial knockoff-band that’s decent.

[25-WR]

Euphoria Morning (1999) – Chris Cornell

Euphoria Morning (1999) – Chris Cornell

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It sifts true, strong emotions through the punitive barriers of commercial expectancy—afloat from the then gouged-out Grounge that originally propelled this fallen angel.

[25-WR]

In the Aeroplane Over the Sea (1998) – Neutral Milk Hotel

In the Aeroplane Over the Sea (1998) – Neutral Milk Hotel

[25-WR]

Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around.

[25-WR]

The High End of the Low (2009) – Marilyn Manson

The High End of the Low (2009) – Marilyn Manson

[25-WR]

Wish good luck to those thinking themselves unbiased enough to see this ordeal through. The equivalent of the Simpsons after Season 10. Needs a Futurama.

[25-WR]

Eat Me, Drink Me (2007) – Marilyn Manson

Eat Me, Drink Me (2007) – Marilyn Manson

[25-WR]

Fantastic rock music with ballads that remind of the “Fundamentally Loathsome” days. Subject matter goes down the shit-rabbit hole when ego takes over, though.

[25-WR]

Sabbath Bloody Sabbath (1973) – Black Sabbath

Sabbath Bloody Sabbath (1973) – Black Sabbath

[25-WR]

As satanic-ginger as it gets, a musical royal-ass worthwhile kissing with abandon. Ferrying-guitar paragraph-paragliding with Ozzy Osbourne´s idiosyncratic lovable luckluster-finesse.

[25-WR]

Low (1977) – David Bowie

Low (1977) – David Bowie

[25-WR]

Poly-syncratic avant-garde mindfuck simmering ahead of its time with high-functioning, cutting-edge madness that is never boring to the sound or vision.

[25-WR]

Mechanical Animals (1998) – Marilyn Manson

Mechanical Animals (1998) – Marilyn Manson

[25-WR]

An impeccable Rock & Roll concept-album of evocative stereo-sterility shining strong but cold with light-bending rhymes of emotional implosion and consensual descent.

[25-WR]

Morrison Hotel (1970) – The Doors

Morrison Hotel (1970) – The Doors

[25-WR]

Waiting for the Sun two times again while bar-diving savagely in the spirit of exploring the raw confines of the soul, mind and body.

[25-WR]

Let It Bleed (1969) – The Rolling Stones

Let It Bleed (1969) – The Rolling Stones

[25-WR]

A fine album about violence, anxiety and fear that somehow feels very relaxing to listen to. Perfect tunes from what is basically an American band.

[25-WR]

The Soft Parade (1969) – The Doors

The Soft Parade (1969) – The Doors

[25-WR]

Passive-aggressive instrumentation that looks after a wrapped-in-gauze Morrison by sidetracking him when playing with fire. Slightly dislocated but still coordinated Door´s disc.

[25-WR]

Strange Days (1967) – The Doors

Strange Days (1967) – The Doors

[25-WR]

It´s only natural to love this album two times and get lost in grateful admiration thrice by each one of its ten lizard-hole tracks.

[25-WR]

‚Don‘t Fear The Reaper‘ (1976) Blue Oyster Cult – Agents Of Fortune

‚Don‘t Fear The Reaper‘ (1976) Blue Oyster Cult – Agents Of Fortune

[25-WR]

Euphorisches Gitarrenpickung und butterweicher Gesang laden ein zum Picknick.
Erst in Bridge wird aus naivem Mitwippen ein unberuhigendes Aufstoßen.
Ein Killertrack getarnt im seidenzarten Mantel.

[25-WR]

Diamond Dogs (1974) – David Bowie

Diamond Dogs (1974) – David Bowie

[25-WR]

Poetic genocide for the R & R crowd with both vitamins D & B promulgating plastic progress growth that could go either U or D.

[25-WR]

The Dark Side Of The Moon (1973) – Pink Floyd

The Dark Side Of The Moon (1973) – Pink Floyd

[25-WR]

Nach der Mondlandung die nächste weltweit bewegende Entdeckung.
Wissenschaft und Kunst vereint. Erforschung und Aufeinandertreffen ambienter Klänge.
Blaupause jeglicher Soundmischer sowie Erschaffer atmosphärischer Entspannungsmusik/Soundlandschaften.

[25-WR]

Steven Adler

Steven Adler

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LAX. Breakfast with the Boss. A colorful commotion on Route 66. Electric entourage. That guy who got expelled from GNR for doing too many drugs.

[25-WR]

Electric Ladyland (1968) – The Jimi Hendrix Experience

Electric Ladyland (1968) – The Jimi Hendrix Experience

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The man obviously knows what he´s doing by performing open-cock surgery to himself. An entire album recorded “in the zone” with no spared expense.

[25-WR]

Blue Record (2009) – Baroness

Blue Record (2009) – Baroness

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Baroness: the Claude Debussy of the modern school of stoner metal proving itself once again with sub-aquatic riffs from a progressive civilization gone under.

[25-WR]

Diary of a Madman (1981) – Ozzy Osbourne

Diary of a Madman (1981) – Ozzy Osbourne

[25-WR]

Certain Rhodes you take U-turn you into an instant believer. The power of a missed presence and its missed chances sounds strong and latent.

[25-WR]

The Rise and Fall of Ziggy Startdust and the Spiders from Mars (1972) – David Bowie

The Rise and Fall of Ziggy Startdust and the Spiders from Mars (1972) – David Bowie

[25-WR]

It has the moxie/mojo of five Dominican Republics arching backwards while juggling leper-chainsaws on Guiness posters in wet-woven shit-hole London pubs.

[25-WR]

Portrait of an American Family (1994) – Marilyn Manson

Portrait of an American Family (1994) – Marilyn Manson

[25-WR]

Creatively indestructible diamond-in-the-rough lecture that needs no polishing. The roots of an escalating discontent that aimed for, reached and passed the stars.

[25-WR]

Technical Ecstasy (1976) – Black Sabbath

Technical Ecstasy (1976) – Black Sabbath

[25-WR]

The sweet smell of decomposing fruits and flowers by the droning can-opener-crackling sound of tin-robot pornography underway in industrially-lit primary colors.

[25-WR]

The Wall (1979) – Pink Floyd

The Wall (1979) – Pink Floyd

[25-WR]

Maternal hub of all solipsistic concept albums having a strong autobiographical-novel taste of pathos. Having a big ego is not always a bad thing.

[25-WR]

Today´s 25-WR Birthday Toast: Marilyn Manson – January 5, 2019

Today´s 25-WR Birthday Toast: Marilyn Manson – January 5, 2019

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Self-taught & made word-gamer, social-combustion agent and living work of reference-art that ages backwards while carrying torches of his own heroes.

[25-WR]

Scott 4 (1969) – Scott Walker

Scott 4 (1969) – Scott Walker

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Boyish sounding mature-troubadour voice, that´s like mixing Beck Hansen with Chet Baker wrapped in strong, paradoxically manly French-flair. An Ingmar Bergman-Western soundtrack.

[25-WR]

Waiting for the Sun (1968) – The Doors

Waiting for the Sun (1968) – The Doors

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Ceremonial sound-potion for trance-transitioning between ghosts in pursuit of sacred inner-galactic truth. That and happy-sounding tunes with deep, philosophical fine-print.

[25-WR]

Louder than Love (1989) – Soundgarden

Louder than Love (1989) – Soundgarden

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The unmistakable push of pure life is loud, raw and true through the close-chambered vocal channels of a talent not yet spent and buried.

[25-WR]

Let it Be (1970) – The Beatles

Let it Be (1970) – The Beatles

[25-WR]

Here´s where you write. Delete this text to set the Word Count to back to zero but do make sure you stay between the signs.

[25-WR]

Disco Volante (1995) – Mr. Bungle

Disco Volante (1995) – Mr. Bungle

[25-WR]

Patton and his weirdos create a bizarre soundscape of Metal, Jazz & Lynchesque black hole sceneries which swims nerve-racking against all shapes of mainstream.

[25-WR]

David Gilmour (Pink Floyd) Birthday Tost, 06.03.1946

David Gilmour (Pink Floyd) Birthday Tost, 06.03.1946

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Gitarren und Vocal-Koryphäe welche die Band voller und verträumter klingen ließ, doch später nach Waters Weggang in Seniorengefilde mit 80er Synthietrademarks abdriftete und auslebte.

[25-WR]

Freak Show (1997) – Silverchair

Freak Show (1997) – Silverchair

[25-WR]

Power-upgrade to a genre that was and keeps being lifted by an open gush-gust of rocking air from silver-fox of a chair.

[25-WR]

The Doors (1967) – The Doors

The Doors (1967) – The Doors

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The doors of perception being set on fire, kicked-in and entered. There’s worlds of dare inside. You can now kiss the old-you goodbye.

[25-WR]

Heaven & Hell (1979) – Black Sabbath

Heaven & Hell (1979) – Black Sabbath

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A hungover but not less able Black Sabbath playing with the official replacement in Ozzy Osbourne´s presumably wishful funeral without anger or Schadenfreude (again, presumably.)

[25-WR]

“White Album” (1968) – The Beatles

“White Album” (1968) – The Beatles

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A clown car-supernova filled with brilliant ideas silhouetting unusually shifting times. This is what happens when you give recreational drugs to the right people.

[25-WR]

Rebel Meets Rebel (2006) – Rebel Meets Rebel

Rebel Meets Rebel (2006) – Rebel Meets Rebel

[25-WR]

A great amalgamation of geographically compatible musical styles and characters bolo-tied together by lust of freedom and charm. A damn shame not to continue.

[25-WR]

Heavy Metal Mania EP (1980) Hölöcäust – Phoenix Records & Filmworks

Heavy Metal Mania EP (1980) Hölöcäust – Phoenix Records & Filmworks

[25-WR]

Motörhead made the Umlaut „salo(o)nfähig“, british comrades Hölöcäust are riding the NWOBHM-wagon into cringeworthier territory with hardrock histrionic type-singing.

Thank satan it’s 1980.

[25-WR]

The Dirt (2019) – Jeff Tremaine

The Dirt (2019) – Jeff Tremaine

[25-WR]

Vier unterschiedlichste Schauspieler für fragwürdigen Film zum schattenwerfenden Buch über DIE 80er-Schockband.
Unerwartetes geistiges Kopfnicken zum modernen rewatchable Biopic über Sex, Drugs, Rock’n‘ Roll.

[25-WR]

Pink Floyd Exhibition: Their Mortal Remains (2018-2019) Dortmunder-U

Pink Floyd Exhibition: Their Mortal Remains (2018-2019) Dortmunder-U

[25-WR]

Rohe Anfangsklänge erster Alben entführen in düstere Hallen voller Lichtspiel und bunter Kunst wo Musikgeschichte mit Besucher verschmelzen.
Aufregender Anfang, Mitte bis zu The Wall.

[25-WR]

Disco Volante (1995) – Mr. Bungle

Disco Volante (1995) – Mr. Bungle

[25-WR]

Der bizarre Hybrid aus Metal, Jazz, Filmmusik schwimmt unkonventionell gegen jedmögliche Mainstreamformen.
Patton und seine Weirdo-Band kreieren düsterste Soundsphären mit Lynch-esque schwarzen Löchern.

[25-WR]

Songs For The Deaf (2002) Queens Of The Stone Age

Songs For The Deaf (2002) Queens Of The Stone Age

[25-WR]

Wo Kyuss’s „…Sky Valley“ tagsüber qualmend den Highway gen Erlösung fuhr, nimmt dieser radiofreundliche Cocktail aus Bier, Mojito, Gras, Amphetaminen die Gegenspur zur nächtlichen Apokalypse.

[25-WR]

Black Gives Way To Blue (2009) – Alice In Chains

Black Gives Way To Blue (2009) – Alice In Chains

[25-WR]

Neuer Sänger mit natürlich origineller Stimmfarbe. Neue Motivation aus der Trauer, den drogenversifften Mammutspuren und dem Grunge herauszutreten. Eine cleane Band. Ein hammergeiles Hardrock Album.

[25-WR]

Revolver (1966) – The Beatles

Revolver (1966) – The Beatles

[25-WR]

A warm revolver loaded with intense imagination that makes you happy every time you pick it up. It contains Mccartney´s arguably best song: Elenor Rigby.

[25-WR]

Elenor Rigby (1966) – The Beatles

Elenor Rigby (1966) – The Beatles

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Everybody has some kind of redeeming quality — not unlike this catchy song from the least-liked surviving Beatles member  and its absolute but temporary dfghdfh.

[25-WR]

Alice in Chains (04.07.18) – LMH Köln, Deutschland

Alice in Chains (04.07.18) – LMH Köln, Deutschland

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Live-Überraschung des Jahres. Cool und zurückgelehnt spielten die 90er-Urgesteine eine grandiose Setlist, die alle Grungehörer befriedigt hätte. Schweißtreibende Atmosphäre dank Hitze und Riffs.

[25-WR]

The Real Thing (1989) – Faith No More

The Real Thing (1989) – Faith No More

[25-WR]

Neben Anselmos Pantera-Einstieg hob auch ein gewisser Patton eine Band auf komplett anderes Level. Funk und Rap fusioniert mit Metal passierte bereits vor RATM.

[25-WR]

Blizzard of Ozz (1980) – Ozzy Osbourne

Blizzard of Ozz (1980) – Ozzy Osbourne

[25-WR]

The Blizzard of Randy Rhodes and the Chris Farley of Heavy Metal (or vice-versa) making the stuff Tenacious D’s wet-dreams are made of.

[25-WR]