Robert De Niro
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Silver Linings (2012) – David O. Russell
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Romantic comedy that does not punish with shame the morning after. Featuring candid performances that abstract away complicated emotions everybody knows but fail to articulate.
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Joker (2019) – Todd Phillips
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Entrancing eye-mouth opener commercial film, widely deep cleaning it´s tired subject matter into something wilder stunning the soul free for a burning new world.
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Taxi Driver (1976) – Martin Scorsese
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“Morbid self-attention” won’t get you to revenge the world against what’s wrongly dark and seldom slightly right. “Don‘t you want to make it, mister?”
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The Irishman (2019) – Martin Scorsese
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Crème de la crème of a celebrated lifetime of Midnight Espressos that cinematically pushes every right Benjamin-Button with medically accurate gore and passive wrath.
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Cape Fear (1991) – Martin Scorsese
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Never underestimate the pain resolutions of those who’ve have been wronged by you. A cautionary moral mortality story in which everybody loses and were entertained.
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Casino (1995) – Martin Scorsese
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Glorious continuation to the perfect film that Goodfellas (1987) already is, magnifying the produce from every technical artistic prowess displayed before into another real story.
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Goodfellas (1990) – Martin Scorsese
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Ask Johnny Two-Times how funny does he think this based-on-true-events mob movie is, and exactly how is it amusing and entertaining.
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Once Upon a Time in America (1984) – Sergio Leone
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The Italian mammoth-mama of all justifiably long, resentment-free films that is perfectly casted, filmed and performed thusly keeping the human-continuity from slipping.
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The King of Comedy (1982) – Martin Scorsese
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Don’t let anybody tell you who you are all your life and be a schmuck. Period. There’s always a way and here’s one of them.
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Angel Heart (1987) – Alan Parker
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Harry Angel: Hey, you ever watch the Mickey Rourke Club? ‘Cause you know what today… today is? Today is Wednesday. It’s anything can happen day.
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Heat (1995) – Michael Mann
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Noir-nourished film-feat of testosteroned refinement that tastes blue to the color of gun-metal while blind-swording both organized crime and law enforcement.
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The Fan (1996) – Tony Scott
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Riveting thriller with a pretty good coverage of superstition and the many types of obsessions that come with it. A summer blockbuster made to last.