death
🔍
รgyptisches Museum und Papyrussammlung – Berlin
[25-WR]
The Pharaohยดs curse comes as a sticky security guard whoโs sometimes better lit than the stolen pieces themselves guilding an architectural gem with creepy cartonnage.
[25-WR]
Mirrors (2021) – Pupil Slicer
[25-WR]
Grinding itโs way through murkiest swamps of noisy Mathcore, this debut hearkens the sheer power-violence of early Converge, while creating their own hurtful recipe.
[25-WR]
The Loved One (1965) – Tony Richardson
[25-WR]
Smack in the stiff middle of the 1960ยดs cerebral courtesy: a sunny-dark comedy of the black & whitest kind adorned and embalmed with Liberace.
[25-WR]
(T)RUSTY (? โ 2021)
[25-WR]
A quick study Marilyn Monroe chicken who briefly rubbed everyoneยดs “Hรผhnerherz” in the rightest of chock-full-of-charm ways with graciously grave, feathered dignity.
[25-WR]
Black Celebration (1986) – Depeche Mode
[25-WR]
Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence.
[25-WR]
Paul McCartney
[25-WR]
The core of the whole Paul Mccartney problem is that heโs been sober his whole life and didnโt die when the cosmic timing was right.
[25-WR]
Neil Peart (Rush) R.I.P. Toast (10.01.2020)
[25-WR]
Seine extravagante Virtuositรคt schafft mit authentischem 360-Grad Drumkit einen Galaxientrip in den 70ern und kehrt als unumstritten vielseitigster Drummer des fantastischen Progrock-Kosmos zurรผck.
[25-WR]
All That Jazz (1979) – Bob Fosse
[25-WR]
Solipsistic Jizz-jerk that feels sorry for itself with a smile we all share in the gluttonous glitter surrounding our every longing delusion of danger.
[25-WR]
Nil by Mouth (1997) – Gary Oldman
[25-WR]
Brutalist approach to visually materializing an agonizing reality based on derision and Death-toned humanity. Never underestimate the darkness within a man behind his camera.
[25-WR]
Esoteric Malacology (2018) – Slugdge
[25-WR]
Progressive Death Metal with complex riffing, โsludgyโ drums and vocals from deep, high growls to partially cleans.
Popular metal song-puns as song titles.
Entertaining.
[25-WR]
Liquid Anatomy (2018) – Alkaloid
[25-WR]
Hochkarรคtige deutsche Tech-Death-Musiker kreieren genreรผberkreuzend etwas ganz Frisches.
Ghost-Vocals, Dream Theater-Gitarrenparts und Death Metal-Rhythmen verschmelzen zu nie da gewesenem Mosaik.
[25-WR]
Anti-Smoking Graphic Image Campaign – Nelson Tobacco
[25-WR]
Hilarious both to smokers and non-smokers, parents and non-parents alike is the Putin-looking baby about to baptize-burn his Death-wishing mouth.
[25-WR]
Taxi Driver (1975) -Bernard Herrmann
[25-WR]
Sharks and alligators up to no good marauding in sacrosanct agreement in the form of slow amphibian dancing in the sulphuric waters of creative Death.
[25-WR]
Keith Flint (1969 – 2019) – 25-WR Eulogy
[25-WR]
The firestarter himself is now extinct, but not for those whoยดve never met him personally but got burned through the flames of his bizarre fame.
[25-WR]
Wood Chopping
[25-WR]
Few things in this world can elevate a broken man into the proud sublimity of anger as abducting and butchering wood from a German cemetery.
[25-WR]
The Body Cosmic (2019) Iapetus
[25-WR]
A cosmic-expanding godspeed ride through dense Progressive Death Metal streams.
A beautiful sight, thy cascades, supernovas and black holes showing niche music’s full extend.
[25-WR]
Swarm! (2006) – Torture Killer
[25-WR]
Wishing your enemies painful death is not the same as killing them. Thinking is no doing and thinking is needed to get better things done.
[25-WR]
Chris Farley – February 16 (1964-1997) -25-WR Birthday Toast
[25-WR]
Like a good martyr of Godโs obtuse abundance he forced himself to checkout at thirty-three years of age by gulping up everything he could.
[25-WR]
Deadborn Nemesis (2015) Moridigan – Kernkraftritter Records
[25-WR]
Mostly Death Metal behaves classic like bread with the upper side falling to the floor.
No big expectations nor surprises, just honest, midtier techy shredding.
[25-WR]
Breeding Death EP (2000) Bloodbath – Century Media Records
[25-WR]
Cult Death Metal supergroup with Mikael, one of the most unique voices.
3 groovy classics are signaling to move your head, feet, and bloody guts.
[25-WR]
Hidden History of the Human Race (2019) – Blood Incantation
[25-WR]
This spacey journey soaked up good oleโ Florida Death with a thick straw.
Classic genre-showcase shredding, which pleasantly progresses into atmospheric floating at moments.
[25-WR]
Baest (22.02.2019) – Mergener Hof, Trier Decapitated Tour 2019
[25-WR]
2. Band des Abends, ein unvorhersehbarer Wirbelsturm aus Spiellaune und der initiierenden Brutalitรคt einen Moshpit und eine Wall of Death innerhalb eines Songs zu beschwรถren.
[25-WR]
The Scythe Of Cosmic Chaos (2018) – Sulphur Aeon
[25-WR]
Return of the german, Cthulhu worshipping Death institution.
Rot dripping tentacles wraps listeners in the catastrophic sounding abyss where guitars/ drums create lightning and thunder.
[25-WR]
Pรจre Lachaise – Paris, Frankreich
[25-WR]
Die mit Steinen und Blรคttern bepflasterte Allee, versehen mit Kreuzungen und Abzweigungen, fรผhrte mich durch diese Stadt der Toten.
Eine monumentale Ruhestรคtte Kรผnstler und Adeliger.
[25-WR]
Down and Out in Beverly Hills (1986) – Paul Mazursky
[25-WR]
Whatยดs in the mind of a man sheltering competing strangers other than the good olยด Death-wish asking the betrothed to collect their scattered spouses.
[25-WR]
Alter Friedhof – Bonn, Germany
[25-WR]
For the romantic hermit that is essentially hobbied at heartโmicrowaving steady historical isolation with short shocks that light up the whole architectural macrocosmos inside.
[25-WR]
No Country for Old Men (2007) – The Coen Brothers
[25-WR]
Bubonic-plague personified decides to single out the fastest Death-escaping cowboy and wastes no time in hunting him down a road of rural intrigue.
[25-WR]
Paths of Glory (1957) – Stanley Kubrick
[25-WR]
A battleground-breaking anti-war, anti memory-loss production that came out only twelve years after the great war cracked the Death atom-nerve open.
[25-WR]
The Outer Ones (2018) – Revocation
[25-WR]
Death Thrash Metal soup with blackened flesh and Lovecraft inspired lyric. Jazz influenced chords over groovy breaks to finest soloing annihilation. Typical killing spree material.