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The Lighthouse (2019) – Robert Eggers

The Lighthouse (2019) – Robert Eggers

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Picture-pitch perfect except for the sound of farts offensively trapping a scattered
plot inside of a frame that hits one square between the eyes.

[25-WR]

Blue Jay (2016) Alex Lehmann

Blue Jay (2016) Alex Lehmann

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A soft exploration of nostalgia which turns into intoxicating, soul seeking frustration.

The black and white approach lets you see and feel in synesthetic ways.

[25-WR]

The Loved One (1965) – Tony Richardson

The Loved One (1965) – Tony Richardson

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Smack in the stiff middle of the 1960´s cerebral courtesy: a sunny-dark comedy of the black & whitest kind adorned and embalmed with Liberace.

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The Wasps Are Here (1978) Darmasena Pathiraja

The Wasps Are Here (1978) Darmasena Pathiraja

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Intriguing community-building affairs vaunted with a cozily speckled beach vibe.
But stripped naked by bland emotional acting and suggestively fading ties at the end.

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Mank (2020) – David Fincher

Mank (2020) – David Fincher

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Single most black & white modern period-film exquisitely monkey-grinding the royal Randolph hemp out of us with Reznor-sharp reel-changing monochromatic flair.

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Cecil Beaton Exhibit – Kampa Museum. Prague, Czech Republic

Cecil Beaton Exhibit – Kampa Museum. Prague, Czech Republic

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In spite of “his” queenly-elegant, high-fashion posings of the “gifted class”,
his innate compassion evokes sincere smiles and matures him into Gary Cooper!

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Memento (2000) – Chris Nolan

Memento (2000) – Chris Nolan

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Circular uphill post-amnesiac ride that prints itself out both in color and black & white while each new layer diagonally help us to remember.

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Dead Man (1995) – Jim Jarmusch

Dead Man (1995) – Jim Jarmusch

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A magic potion picture film that blatantly discriminates color and is heavy and greasy to the touch with high-contrasting characters gunned out of lead.

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The Saddest Music in the World (2003) – Guy Maddin

The Saddest Music in the World (2003) – Guy Maddin

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…in the happiest German-expressionistic “talkie” that comes to mind. A dream-hybrid between narrating silent-era camera moves and gold-digging song and dance.

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In a Lonely Place (1950) – Nicholas Ray

In a Lonely Place (1950) – Nicholas Ray

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You don´t let a dame in distress walk into your place for help twice without secretly testing your own fidelity to yourself and professional practice.

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The Treasure of the Sierra Madre (1948) – John Huston

The Treasure of the Sierra Madre (1948) – John Huston

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How can you tell if the gold is even real when inside your head everything is in black and white? True colors cross you twice.

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The Man Who Wasn’t There (2001) – The Coen Brothers

The Man Who Wasn’t There (2001) – The Coen Brothers

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The exquisite sense of irony of modern man’s bullshit life is never dry-cleaner than here; all been told in luminance levels imbued with Beethoven.

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The Night of the Iguana (1964) – John Huston

The Night of the Iguana (1964) – John Huston

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Aging can (and will) drive you crazy as long as you´re not keeping up with your peers. Are clergymen exempt from this? Let´s find out.

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Days of Wine and Roses (1962) – Blake Edwards

Days of Wine and Roses (1962) – Blake Edwards

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Always soul crushing to see a grown man sob like a silver child in a fairytale world where alcohol turns back into heroin every midnight.

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The Man in the White Suit (1951) – Alexander Mackendrick

The Man in the White Suit (1951) – Alexander Mackendrick

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Hunting down the single cleanest man on Earth to make him dirty like the rest of us is not such an easy task after all.

[25-WR]

Days of Wine and Roses (1962) – Blake Edwards

Days of Wine and Roses (1962) – Blake Edwards

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The pitiful side of alcoholism and the black & white big road of fun that takes one there. Large caliber acting in a tremendous film.

[25-WR]

Limbo – PS4 Game (2013) – Playdead

Limbo – PS4 Game (2013) – Playdead

[25-WR]

Eine authentisch dynamisch und in sich abschließende Schwarz/Weiß-Welt.
Nachtschwärmende 2,5 Stunden investierte Rätsel-und Atmosphärentiefe geben diesem mysteriös neumodischen Gaming-Kurztrip großen Mehrspielwert.

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Who’s Afraid of Virginia Woolf? (1966) – Mike Nichols

Who’s Afraid of Virginia Woolf? (1966) – Mike Nichols

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A gasoline marriage waiting for a young match to come and share their social lubricant. Venomous but loving wit that’s wet with shades of grey.

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Ed Wood (1994) – Tim Burton

Ed Wood (1994) – Tim Burton

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A budget-bulged passion package containing tremendous Orson Welles admiration inside, while storytelling the shaky struggling days of a good heart looking for missing talent.

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Wicked Game (1991) – Herb Ritts

Wicked Game (1991) – Herb Ritts

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Black volcanic ash and white cotton-clouded highlights blown by mortally sexual palm-tree cuts spilling sweet sepia sap everywhere inside the perpetual voyeuristic frame.

[25-WR]

Jayne Mansfield & Sophia Loren (1957)

Jayne Mansfield & Sophia Loren (1957)

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If a single picture representing humanity needed to be sent out to space across stretching chasms of remote stars that aren´t as orphaned as ours…

[25-WR]

Sunset Boulevard (1960) – Billy Wilder

Sunset Boulevard (1960) – Billy Wilder

[25-WR]

Stays enticing and incredibly abducting all the way thorough: from the first killer-shot till the last…from the first viewing to obsessing about it.

[25-WR]

Victory at Sea (1952-1953) – NBC

Victory at Sea (1952-1953) – NBC

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An astounding set of newsreel-like pieces set in a frantic world-creating pace covering large-scale naval conflicts with nothing but grace and respect.

[25-WR]

Paths of Glory (1957) – Stanley Kubrick

Paths of Glory (1957) – Stanley Kubrick

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A battleground-breaking anti-war, anti memory-loss production that came out only twelve years after the great war cracked the Death atom-nerve open.

[25-WR]

Roma (2018) – Alfonso Cuarón

Roma (2018) – Alfonso Cuarón

[25-WR]

Optisches Meisterwerk aus beeindruckend schwenkender Kameraarbeit (über 360 Grad!) und langen Shots erzeugt intimes Mexiko der 70er, wessen Handlung in Akt 3 besonders glänzt.

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