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Saturday Night Wrist (2006) – Deftones

Saturday Night Wrist (2006) – Deftones

[25-WR]

Lyrical metal trip divining its way through inventive twists & shouts in the darkest of pink clouds in a self-medicated ward in the sky.

[25-WR]

Spiderland (1991) – Slint

Spiderland (1991) – Slint

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Dry up to caustic but full of silver guts bravado and true no-nonsense resuscitation that domestically questions everything that´s drowning in its quarrel-lake.

[25-WR]

The Graduate (1968) – Simon & Garfunkel

The Graduate (1968) – Simon & Garfunkel

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Lukewarm ghostly at its wide-open churchy heart when not abruptly peacocking itself up with old lascivious grown-up lustre from nighttimes gone clandestinely wild.

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Forever Becoming (2019 Remaster) – Pelican

Forever Becoming (2019 Remaster) – Pelican

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The nicely hooded underground of a metallurgic engine compiled by four instrumental members who are fast in repeating themselves well in aggressive shoulder-patting patterns.

[25-WR]

Black Frost (2019) – Nailed to Obscurity

Black Frost (2019) – Nailed to Obscurity

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Cool-covered dark matter album that pulsates with rhyming drums while guitars bend long and calm together between clear-gutter vocals in tension-releasing punctuation.

[25-WR]

Bronson (2008) – Original Motion Picture Soundtrack

Bronson (2008) – Original Motion Picture Soundtrack

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Evocative beyond repair dividing itself up with a greased-up tug-of-war between old and classic—both morbidly bound together with techno-dramatic ambiances.

[25-WR]

Unmountable Stairs (2014) – Witchrider

Unmountable Stairs (2014) – Witchrider

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An indirect-listening that can beautifully rock just so long as one does not pay too much attention. A promising commercial knockoff-band that’s decent.

[25-WR]

Hereditary (Original Soundtrack Album) – Colin Stetson

Hereditary (Original Soundtrack Album) – Colin Stetson

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Rich and nerve-ended with high contrasts that slow-blend without wood, wind or ecclesiastical resistance underlining sudden silences the way jump-scare noises should.

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Down on the Upside  (1996) – Soundgarden

Down on the Upside (1996) – Soundgarden

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Taut-tight effort from an established career-place where drums relentlessly support a steel-stringed trampoline for the instrumental human-voice to jump around ranges.

[25-WR]

Vistār (2019)- Amotik

Vistār (2019)- Amotik

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Bass based arachno-rythmic techno stylings from Berlin that heavily drum the ear as a last vibration-stop coming from the rich underground shaking below.

[25-WR]

Becoming X (1996) – Sneaker Pimps

Becoming X (1996) – Sneaker Pimps

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Good bad-girl song-set that studiedly teases the strung-out listener with a sensually anaesthetic voice that slides gently while burning with revengeful lyrics.

[25-WR]

Euphoria Morning (1999) – Chris Cornell

Euphoria Morning (1999) – Chris Cornell

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It sifts true, strong emotions through the punitive barriers of commercial expectancy—afloat from the then gouged-out Grounge that originally propelled this fallen angel.

[25-WR]

In the Aeroplane Over the Sea (1998) – Neutral Milk Hotel

In the Aeroplane Over the Sea (1998) – Neutral Milk Hotel

[25-WR]

Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around.

[25-WR]

Circumambulation (2013) – True Widow

Circumambulation (2013) – True Widow

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Deep, directional bass-foundation that hunters & gathers multiple singing flavors while firmly but timidly fermenting basically the same rhythm with the warmest of distortions.

[25-WR]

Black Celebration (1986) – Depeche Mode

Black Celebration (1986) – Depeche Mode

[25-WR]

Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence.

[25-WR]

Child Soldier: Creator of God (2020) – Greg Puciato

Child Soldier: Creator of God (2020) – Greg Puciato

[25-WR]

Transgressive-coersive effort that industrially scatters itself all over the place, deep-synthetizing just about anything standing its way while a versatile Sam Kinison sings.

[25-WR]

Neuroteque (2019) – Juggernaut

Neuroteque (2019) – Juggernaut

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Short-butt, sweet-finger confetti that is sophisticatedly picking and plucking metal-stringed incantations that punch the spreading-ear into transporting rhythms that grow vast.

[25-WR]

Ghosts V: Together (2020) – Nine Inch Nails

Ghosts V: Together (2020) – Nine Inch Nails

[25-WR]

Merely and really the mono-thematic ghost of the former “Ghosts I-IV” (2008) album. Diluted while stringed together by ludicrous cries for emotional positivity.

[25-WR]

Guidance (2016) – Russian Circles

Guidance (2016) – Russian Circles

[25-WR]

An instru-metal journey that positively both ascends and descends with heavy ease while knitting mind-deserts that stay tarp-ed under a sepia sky.

[25-WR]

Seventeen Seconds (1980) – The Cure

Seventeen Seconds (1980) – The Cure

[25-WR]

Remarkable techno-pop depth coming from an age-old youngblood with a voice that never changed and a background that should have stayed this pure.

[25-WR]

Machine Head – The Blackening (2007)

Machine Head – The Blackening (2007)

[25-WR]

2000s Master Of Puppets – hate dripping riff monument and post 90s Metal anthem.
Celebrated likewise by ‚True‘ metalheads and prog snobs. All killer, no filler!

[25-WR]

Forever (2017) – Code Orange

Forever (2017) – Code Orange

[25-WR]

Take basic hardcore formulas, crush it with industrial creepiness and put it back together. You either love or hate Frankenstein´s vicious monster. So eat shit!

[25-WR]

Dirt (1992) – Alice In Chains

Dirt (1992) – Alice In Chains

[25-WR]

Down in a hole underneath them bones with your junkhead full of dirt.
Would hate to feel this, but Lane sang it
Melancholic God’s smack.

[25-WR]

The Fat of the Land (1997) – The Prodigy

The Fat of the Land (1997) – The Prodigy

[25-WR]

The turning point for an underground project that successfully synched itself up to the pre-globalized world chaos around and churned its fears into butter.

[25-WR]

Here Now, There Then (2017) – Dool

Here Now, There Then (2017) – Dool

[25-WR]

Coronary album skidding straight into the spleen via female vocals that ring torching and down — cusps new dimensions that shift between fresh and nostalgic. Great.

[25-WR]

Born Villain (2012) – Marilyn Manson

Born Villain (2012) – Marilyn Manson

[25-WR]

It almost reaches a we-might-have-to-shoot-old-yeller situation. A chorus of mercenary yes-men amplifying one hell of a midlife crisis.

[25-WR]

The High End of the Low (2009) – Marilyn Manson

The High End of the Low (2009) – Marilyn Manson

[25-WR]

Wish good luck to those thinking themselves unbiased enough to see this ordeal through. The equivalent of the Simpsons after Season 10. Needs a Futurama.

[25-WR]

Eat Me, Drink Me (2007) – Marilyn Manson

Eat Me, Drink Me (2007) – Marilyn Manson

[25-WR]

Fantastic rock music with ballads that remind of the “Fundamentally Loathsome” days. Subject matter goes down the shit-rabbit hole when ego takes over, though.

[25-WR]

The Golden Age of Grotesque (2003) – Marilyn Manson

The Golden Age of Grotesque (2003) – Marilyn Manson

[25-WR]

The Spooky Kids reanimated and back to their cartoon-interlaced world—only this time laid, with a budget, panache and rap-defying density of words.

[25-WR]

Sound Awake (2009) – Karnivool

Sound Awake (2009) – Karnivool

[25-WR]

Best Bass tone & sound which ever got held on a CD.
Tool-esque guitars accompanied by interleaved, pummeling drums. Uncompromising airplay allowed.
Loving also.

[25-WR]

Holy Wood (2000)- Marilyn Manson

Holy Wood (2000)- Marilyn Manson

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Not disposable, but dispersed and gold-rushed. Has a sober motor under its political rib cage but it´s flooded with hubris and bad storms head.

[25-WR]

Quiet World (2015) –  Native Construct

Quiet World (2015) – Native Construct

[25-WR]

Man nehme ein Zuckerberg’sches Berklee-Studentengenie, weitere Sessionmusiker, hohe Ambitionen sowie nötiges Kleingeld um das untypischste Debüt(!) voller erwachsenem Songwriting und dichter Konzeptstrukturierung aufzunehmen.

[25-WR]

Live Through This (1994) – Hole

Live Through This (1994) – Hole

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Female perspective for angry teenage output and the start of a legitimate life long rebellion hopefully used to make an album once all grown up.

[25-WR]

Sabbath Bloody Sabbath (1973) – Black Sabbath

Sabbath Bloody Sabbath (1973) – Black Sabbath

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As satanic-ginger as it gets, a musical royal-ass worthwhile kissing with abandon. Ferrying-guitar paragraph-paragliding with Ozzy Osbourne´s idiosyncratic lovable luckluster-finesse.

[25-WR]

The Mire (2018) – Conjurer

The Mire (2018) – Conjurer

[25-WR]

Holy Roar Records hottest newcomers show on their debut how Blackened Sludge sounds like.
Berserking sound paired with ball-sweating grooves break Hardcores standard 2018.

[25-WR]

Dog Fashion Disco –  Experiments In Embryos (2018)

Dog Fashion Disco – Experiments In Embryos (2018)

[25-WR]

90’s unknown Patton-influenced band still plays riffy alternative Hardrock.
Igniting songs with catchy vocals, raw sounding guitar-bass power and other weird instrument performances.

[25-WR]

Time Will Die And Love Will Bury It (2018) – Rolo Tomassi

Time Will Die And Love Will Bury It (2018) – Rolo Tomassi

[25-WR]

Synthesizer-Intro, ein Popsong – dann bricht die Hölle in sich zusammen.
Dieses seltsam balancierte, exorzierende Album „dämon“striert die feinsten Sternstunden des heutigen Jazz-, Mathcores.

[25-WR]

‚Atom Heart Mother Suite‘ (1970)  Pink Floyd – Atom Heart Mother

‚Atom Heart Mother Suite‘ (1970) Pink Floyd – Atom Heart Mother

[25-WR]

Kernerinnerung von damaliger Schulzeit, Musikunterricht. Ich hörte ein Schnipsel dieses Meisterwerks der Hochphase psychedelischer Musik. Band, Orchester, U-Bahngeräusche.
Diese Kombination hinterließ einen drogenfreien Nostalgietrip.

[25-WR]

Between The Buried And Me –  Automata I & II (2018)

Between The Buried And Me – Automata I & II (2018)

[25-WR]

Despite short running time(s), Automata shows excellent entangled songwriting AND massive variety (in unvisited areas). Incredible how this post-2000’s Progmetal monolith is growing adult.

[25-WR]

A Patient Man (2018) – Cult Leader

A Patient Man (2018) – Cult Leader

[25-WR]

Unrest-causing guitar noises, juicy bass and sludgy grunting make this chunks better half sounds like a sporty slaughterhouse massacre.
Peppery goulash with foul spots.

[25-WR]

Stranger Fruit (2018) – Zeal & Ardor

Stranger Fruit (2018) – Zeal & Ardor

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No mix would be more comical than cold Black Metal, Blues and warm gospel vocals.

2018 is a year for bizarre genre-mixes and subgenres.

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The Mire (2018) – Conjurer

The Mire (2018) – Conjurer

[25-WR]

Holy Roar Records heißeste Newcomer des Jahres zeigen auf ihrem Debüt wie Blackened Sludge zu klingen hat.
Wahnsinnige Tobsuchtsanfälle und schweißtreibende Grooves brechen Hardcore-Standards.

[25-WR]

Ordinary Corrupt Human Love (2018) – Deafheaven

Ordinary Corrupt Human Love (2018) – Deafheaven

[25-WR]

Strong return of hipsterish Post-Black metal band full of emotions.
Passive aggressive vocals, tremulous rage and randomly outstanding sad as joyful guitar solo-doodling.

[25-WR]

Liquid Anatomy (2018) – Alkaloid

Liquid Anatomy (2018) – Alkaloid

[25-WR]

Good ole german Tech-Death musicians.
With ‘Dream Theater’-guitars, Death Metal-grooves and ‘Ghost’-vocals they created a genre bending, strange, but fresh mosaic.

[25-WR]

Savages (2018) – The Dali Thundering Concept

Savages (2018) – The Dali Thundering Concept

[25-WR]

Mean vocals begin this brutal album – add grim downtuned guitars/ blistering drums in unconventional time signatures and unexpected mood shifts.
Djent 2018 sounds like this!

[25-WR]

Don‘t Touch The Outside (2018) – Thomas Giles

Don‘t Touch The Outside (2018) – Thomas Giles

[25-WR]

BTBAM‘s Tommy presents again solid grooving synth rock on album 4.
His urge for simple songwriting is perceptible and works wonderful with the special guests.

[25-WR]

Esoteric Malacology (2018) – Slugdge

Esoteric Malacology (2018) – Slugdge

[25-WR]

Progressive Death Metal with complex riffing, “sludgy“ drums and vocals from deep, high growls to partially cleans.
Popular metal song-puns as song titles.
Entertaining.

[25-WR]

The Fragile (1999) – Nine Inch Nails

The Fragile (1999) – Nine Inch Nails

[25-WR]

It lacks a solid sound-slate design like the one “The Downward Spiral” has giving it a decentralized feeling somewhat affecting the old attention-span.

[25-WR]

Prequelle (2018) – Ghost

Prequelle (2018) – Ghost

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Satan hat sich die Tanzschuhe angezogen und schmeißt eine wilde 80er-Party.
Tanzen sowie headbangen erlaubt, denn es erwarten einen harte Riffs und groovige Synthieteppiche.

[25-WR]

Where Owls Know My Name (2018) – Rivers Of Nihil

Where Owls Know My Name (2018) – Rivers Of Nihil

[25-WR]

Leave your prejudices at home, metalheads!
‘WOKMN’ fuses harsh brutality, chilling saxy (!) parts in unimaginable wonderful/ cringy harmony.
Hipsters Death Metal-Tasting 2018!

[25-WR]

Trident Wolf Eclipse (2018) – Watain

Trident Wolf Eclipse (2018) – Watain

[25-WR]

Übliches rohe, wütende Exempel meiner liebsten Black Metal-Kapelle. Kürzere On-point-Songs welche allein durch Bespielen einen Kirchenbrand verursachen können.
Dämonenbeschwörung in Ton festgehalten.

[25-WR]

The Parallax II: Future Sequence (2012) – Between The Buried And Me

The Parallax II: Future Sequence (2012) – Between The Buried And Me

[25-WR]

Eine Astralreise durch eine futuristische Galaxie.
Als geistiger Zeuge, zerstreut sich unsere Hörkapazität ins Schwarze Loch, aus dem wir klüger und stärker wieder zusammengesetzt zurückkehren.

[25-WR]

Yellow & Green (2012) – Baroness

Yellow & Green (2012) – Baroness

[25-WR]

It doesn´t grab one by the neck with intricate fancy like the previous albums but it does make the cut into their swan lake discography

[25-WR]

Purple (2015) – Baroness

Purple (2015) – Baroness

[25-WR]

Too much self-complacent singing and riffing around—sluggish and resigned at times when Wanderlust is expected. Decent background music but nothing like albums past.

[25-WR]

Low (1977) – David Bowie

Low (1977) – David Bowie

[25-WR]

Poly-syncratic avant-garde mindfuck simmering ahead of its time with high-functioning, cutting-edge madness that is never boring to the sound or vision.

[25-WR]

Pretty Hate Machine (1989) – Nine Inch Nails

Pretty Hate Machine (1989) – Nine Inch Nails

[25-WR]

A much less hermetic alternative when walking down the yellow big synth-road of the late eighties industrial-music industry in search for angry dancing.

[25-WR]

Liquid Anatomy (2018) – Alkaloid

Liquid Anatomy (2018) – Alkaloid

[25-WR]

Hochkarätige deutsche Tech-Death-Musiker kreieren genreüberkreuzend etwas ganz Frisches.
Ghost-Vocals, Dream Theater-Gitarrenparts und Death Metal-Rhythmen verschmelzen zu nie da gewesenem Mosaik.

[25-WR]

An American Prayer (1978) – Jim Morrison & The Doors

An American Prayer (1978) – Jim Morrison & The Doors

[25-WR]

The post-humorous poetic postures of a self-slained sage who´s
echoing inflamed-intimacy is being carried on the shoulders of his true soul mates.

[25-WR]

Morrison Hotel (1970) – The Doors

Morrison Hotel (1970) – The Doors

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Waiting for the Sun two times again while bar-diving savagely in the spirit of exploring the raw confines of the soul, mind and body.

[25-WR]

Smells Like Children (1995) – Marilyn Manson

Smells Like Children (1995) – Marilyn Manson

[25-WR]

Sociopathic Extended-Play filler, mined-fuck with a couple of razor-sharp song-hooks giving a fake sense of familiarity and safety to dumb trespassers.

[25-WR]

The Great Misdirect (2009) – Between The Buried And Me

The Great Misdirect (2009) – Between The Buried And Me

[25-WR]

Meist überschauter Rubin im Bandkatalog mit ungewöhnlichem Songverlauf, der mittelmäßig beginnt und mit jedem Song zum 18-minütigen Finale an Magie aufbaut.
Ein Prog-Sommeralbum.

[25-WR]

…And Justice for All (1988) – Metallica

…And Justice for All (1988) – Metallica

[25-WR]

A Pandora´s box full of vitriolic virtuosity opened wide by the bitterness of Death (both intimate and universal) pestering the minds of grieving young men.

[25-WR]

Master of Puppets (1986) – Metallica

Master of Puppets (1986) – Metallica

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Cliff Burton and the Orions erect a detail-dense gothic cathedral made out of nerve cords they strum further into sublimity. These kids can rock.

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The Ocean – Phanerozoic I (2018)

The Ocean – Phanerozoic I (2018)

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Ihre Alben sind wie ein fieser Drogentrip bei dem du Zeuge der Entstehung der Erde bist.
Phanerozoic gleicht einer Kernschmelze aus Angst und geysirdampfartigen Schweißausbrüchen.

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Let It Bleed (1969) – The Rolling Stones

Let It Bleed (1969) – The Rolling Stones

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A fine album about violence, anxiety and fear that somehow feels very relaxing to listen to. Perfect tunes from what is basically an American band.

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The Soft Parade (1969) – The Doors

The Soft Parade (1969) – The Doors

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Passive-aggressive instrumentation that looks after a wrapped-in-gauze Morrison by sidetracking him when playing with fire. Slightly dislocated but still coordinated Door´s disc.

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Strange Days (1967) – The Doors

Strange Days (1967) – The Doors

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It´s only natural to love this album two times and get lost in grateful admiration thrice by each one of its ten lizard-hole tracks.

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The Mountain (2013) – Haken

The Mountain (2013) – Haken

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Ist dieser Aufstieg eine Sisyphusarbeit für den Hörer oder mehr?
Sehr viele Genre-Ausflüge werden beim Aufstieg mitgenommen, bis zum bitteren Ende seines vorherigen Ich’s.

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Dissociation (2016) – The Dillinger Escape Plan

Dissociation (2016) – The Dillinger Escape Plan

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Farewellalbum der Noise-Legenden, mit all ihren Einflüssen in unkonventionelle Songstrukturen gepackt, lässt den gläsernen Tunnel implodierend zerbrechen nachdem man die katatonische Finsternis erreicht hat.

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Alaska (2005) – Between The Buried And Me

Alaska (2005) – Between The Buried And Me

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So kalt klingend wie der Staat selber zeichnet dieses dritte Album eine erste Skizze einer gehaltvoll tieferen Band mit längeren Songs und technisch versierteren Cleanparts.

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10.000 Days (2006) – Tool

10.000 Days (2006) – Tool

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Brutales Riffing in unkonventionellen Rhythmen und ellenlang aufbauende sowie abbauende Strukturepen, wie eine hochhausartige Lasagne, vertrösten endlos trotz Mythos eines potenziellen Nachfolgern nach 10.000 Tagen.

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Appetite For Destruction (1987) – Guns ‚n‘ Roses

Appetite For Destruction (1987) – Guns ‚n‘ Roses

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Jeder hat dieses Album was im Geburtsjahr rauskam und sich eine Bindung einredet.
Gunners ultrarohes, schweißtriefendes Debüt war es meinerseits, welche sämtliche Hardrock-Pforten öffneten.

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‚Outshined‘ (1991) Bad Motorfinger –  Soundgarden

‚Outshined‘ (1991) Bad Motorfinger – Soundgarden

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10-Jähriger wird unerwartet beim Road Rash spielen mit diesem infektiösen Groove konfrontiert…
„Looking Californa and feeling Minnesota“, heute noch die originellste und zusagendste Lyricline.

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‚The Real Thing‘ (1989) The Real Thing – Faith No More

‚The Real Thing‘ (1989) The Real Thing – Faith No More

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Schmelztiegel von Metal, Funk, RnB.
4 Segmente: Instrumental smooth bis Mosh.
Lyrisch definierter Drogentrip, genauso am intensivsten wie beim ersten Mal.
All-time-favorite #1.

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Colors (2007) – Between The Buried And Me

Colors (2007) – Between The Buried And Me

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Dieser riesige Eisberg erscheint erst nach mehrmalig wiederholtem Erkunden. Schicht um Schicht tiefer in ein Atlantis welches äußerlich in Vantablack schimmert, doch innen regenbogenartig glänzt.

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The Dark Side Of The Moon (1973) – Pink Floyd

The Dark Side Of The Moon (1973) – Pink Floyd

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Nach der Mondlandung die nächste weltweit bewegende Entdeckung.
Wissenschaft und Kunst vereint. Erforschung und Aufeinandertreffen ambienter Klänge.
Blaupause jeglicher Soundmischer sowie Erschaffer atmosphärischer Entspannungsmusik/Soundlandschaften.

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Vulgar Display of Power (1992) – Pantera

Vulgar Display of Power (1992) – Pantera

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There is nothing vulgar whatsoever about this accomplished Heavy Metal album that conveys hollow-filling lyricism preciously percolated through loss, disappointment and (ultimately) constructive anger.

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Errorzone (2018) – Vein

Errorzone (2018) – Vein

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Metallic hardcore answer to The Prodigy.
A feast for 2000s young stressed, amphetamine-doped Nu Metal clubbing generation.
Rebelliously fresh sound of Metals punky subgenre.

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Reverence (2018) – Parkway Drive

Reverence (2018) – Parkway Drive

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Due to no significant memory of their last album the audible bigger value in sound and metal(core)-hymns is present and pleasant.
That’s ‚absolute power‘!

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Antichrist Superstar (1996) – Marilyn Manson

Antichrist Superstar (1996) – Marilyn Manson

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Conquering self-pity with heart, mind and complacent malice. A premonition revenge story by a brilliant tributist who brought hell to those who doubted him.

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Automata I & II (2018) – Between The Buried And Me

Automata I & II (2018) – Between The Buried And Me

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Konzeptionelles Doppelalbum der Progmetal-Speerspitzenreiter.
Trotz kurzer Albumlänge(n) zeigt Automata exzellentes, ineinanderverstricketes Songwriting und allerlei Abwechslung (in bisher noch unbesuchten Arealen).
Glanzleistung einer erwachsenen Band.d

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Don‘t Touch The Outside (2018) – Thomas Giles

Don‘t Touch The Outside (2018) – Thomas Giles

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BTBAM‘s Tommy präsentiert auf viertem Album eine übersichtliche Palette an alternativem Synthrock.
Seine eigen(en) verspielten Songwritingmerkmale verbindet er mit den besonderen Stilen der etwaigen Gastauftritte.

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Absolution (2003) – Muse

Absolution (2003) – Muse

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‚Ok Computer’ 2.0.
Auch dieses dritte Bandalbum gleicht einem Eisbergkoloss der bei Erstläufen zuerst die Hits aufweist, man jedoch nach tieferem Eintauchen vor Eleganz erstarrt.

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The Dillinger Escape Plan – One Of Us Is The Killer (2013)

The Dillinger Escape Plan – One Of Us Is The Killer (2013)

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5. Album dieser extremen (Live)Band zeigt weder Songwritingmakel noch Altersschwäche.
Chaotisches Instrumentgeficke vs. anzügliche Ambientparts.
Ein Killerclown mit Überdosis Cannabis.
Sex, Math, out of control.

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Ghost Reveries (2005) – Opeth

Ghost Reveries (2005) – Opeth

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Séance of summoning growls, loungy vibes and enough distortion to repel ghosts.
Last undisputed creation of this disputed band before entire fanbases were torn apart.

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Pig Destroyer – Head Cage (2018)

Pig Destroyer – Head Cage (2018)

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Addition of bassist brings a gigantic benefit to this brutal sounding album. Tongue clicking riff orgies motivate my ass to move/ headbang wherever I am.

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Errorzone (2018) – Vein

Errorzone (2018) – Vein

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Hardcore-Antwort auf The Prodigy.
Freudenfest für den gestressten Amphetamin-gestillten jugendlichen Nu Metal-clubgänger der 2000er Generation.
Rebellion vom Untergrund des punky Metal-Subgenres.

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Heavy Yoke (2018) – Azusa

Heavy Yoke (2018) – Azusa

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Erste Hälfte dieses Debüts versetzt in Aberglauben während es den krassesten Shit auf hohem Niveau mischt.
Leider können Azusa auf zweiter Hälfte nicht vollends mithalten.

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Reverence (2018) – Parkway Drive

Reverence (2018) – Parkway Drive

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Aufgrund keinem Hängenbleiben letzter Platte freut es mich wieder, dass sie hier großen Wert auf Metal(core)-Hymnen und Sound gesetzt haben.
So klingt absolute Power.

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S.C.I.E.N.C.E (1997) – Incubus

S.C.I.E.N.C.E (1997) – Incubus

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Illegitimate wonder child of a threesome between Deftones, Sepultura and early Radiohead during an amphetamine party.
Perfect for weird first dates or exciting bike trips.

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Electric Ladyland (1968) – The Jimi Hendrix Experience

Electric Ladyland (1968) – The Jimi Hendrix Experience

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The man obviously knows what he´s doing by performing open-cock surgery to himself. An entire album recorded “in the zone” with no spared expense.

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The Red Album (2007) – Baroness

The Red Album (2007) – Baroness

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Mesmerizingly aggressive pineal gland-wise with a beginning that is gradual and all-embracing — ka-blooms inventive sinewaves that increase consistently all the way through.

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Blue Record (2009) – Baroness

Blue Record (2009) – Baroness

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Baroness: the Claude Debussy of the modern school of stoner metal proving itself once again with sub-aquatic riffs from a progressive civilization gone under.

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Trident Wolf Eclipse (2018) – Watain

Trident Wolf Eclipse (2018) – Watain

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Raw, raging Slayer-like deliverance. The foot almost everytime on the fiery accelerator and focus on shorter songs demonstrate their roots in modern sound garment.

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Angel Dust (1992) – Faith No More

Angel Dust (1992) – Faith No More

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Deeper into the colorful swamp of mythical creatures thanks to Patton‘s range from siren to wendigo and metal based guitar players Martin’s unfortunately last contribution.

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Machine Head – The Blackening (2007)

Machine Head – The Blackening (2007)

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2000s Master Of Puppets – hasstriefendes Riffmonument und modernes Post-90s Metalanthem, was sowohl von Truemetalheads bis hin zu Progsnobs gefeiert wird.
All Killer, no Filler.

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Diary of a Madman (1981) – Ozzy Osbourne

Diary of a Madman (1981) – Ozzy Osbourne

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Certain Rhodes you take U-turn you into an instant believer. The power of a missed presence and its missed chances sounds strong and latent.

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Nola (1995) – Down

Nola (1995) – Down

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Down´s “New Orleans, Louisiana” album is a motherfucker and let me tell you why: Phill Anselmo, Pepper Keenan, Kirk Windstein, Jimmy Bower and Todd Strange.

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Astro Creep 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (1995) – White Zombie

Astro Creep 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head (1995) – White Zombie

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Temptation-laden roller-coaster ride for grownups full of big-titted spooky hoots, chunky scoops of industrial-refinery riffs and B-movie references all over.

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Ordinary Corrupt Human Love (2018) – Deafheaven

Ordinary Corrupt Human Love (2018) – Deafheaven

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Die hipsterigen Post-Black Metaller kommen mit diesem starken Stück voll Emotion zurück.
Verträumtes Gitarrengenudel mit unerwartend stimmungsbrechenden Soli, zitternde Wutanfälle und passiv aggressive Vocals.

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I: Voice (2019) – Warforged

I: Voice (2019) – Warforged

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Combine Black Tongue’s dissonant brutality, Opeth’s eerie songwriting-structures and blasting Tech-Death madness – Be consumed by this lingering darkness monolith beyond casual listeners imagination.

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The Rise and Fall of Ziggy Startdust and the Spiders from Mars (1972) – David Bowie

The Rise and Fall of Ziggy Startdust and the Spiders from Mars (1972) – David Bowie

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It has the moxie/mojo of five Dominican Republics arching backwards while juggling leper-chainsaws on Guiness posters in wet-woven shit-hole London pubs.

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Korn (1994) – Korn

Korn (1994) – Korn

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Hearing a grown man sing in tongues, scream and sob with sincerity for the world to judge is as rare as a happy Radiohead song.

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I Loved You At Your Darkest (2018) – Behemoth

I Loved You At Your Darkest (2018) – Behemoth

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A diabolical Metal sacrament full of distorted guitars, vile drumming, children choirs, horns etc..
Continue of the ritual which began masterfully with 2014‘s The Satanist.

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Piece of Mind (1983) – Iron Maiden

Piece of Mind (1983) – Iron Maiden

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Swift, centrifugal riffs that are in no hurry to finalize long-trotting sound-grids. A high-flying Bruce Dickinson swishes spreadeagled between instrumental Sun-silences.

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Portrait of an American Family (1994) – Marilyn Manson

Portrait of an American Family (1994) – Marilyn Manson

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Creatively indestructible diamond-in-the-rough lecture that needs no polishing. The roots of an escalating discontent that aimed for, reached and passed the stars.

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Eat The Elephant (2018) – A Perfect Circle

Eat The Elephant (2018) – A Perfect Circle

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Keenan´s super band strikes back!
This dark arena-rock lullaby sings you with its pensive, poppy singalong-hymns and humming guitar riffs/ soli into sleep.

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Savages (2018) – The Dali Thundering Concept

Savages (2018) – The Dali Thundering Concept

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Ultraböse Vocals beginnen diesen brutalen Albumdurchlauf, dazu tiefe Gitarren sowie ballernde Drums in unkonventionellen Taktarten.
Gelegentlich gänzlich unerwartete Instrumente und Stimmungen.
So klingt Djent 2018!

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Letters From The Colony –  Vignette (2018)

Letters From The Colony – Vignette (2018)

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Icy ‘shuggah guitar cascades, threshing drums, in between gorgeous clean parts are blowing a colorful autumn breeze in this golden swedish sunrise.
Extreme strong debut!

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Unloved (2018) – Frontierer

Unloved (2018) – Frontierer

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Stell dir eine massive Autokarambolage voller zerquetschtem Metall, ohrenbetäubend hysterischem Gekreische und harscher Gewalt vor.
Frontierer zeigt dies live wie auf Platte mit chaotischer Berechnung.

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Technical Ecstasy (1976) – Black Sabbath

Technical Ecstasy (1976) – Black Sabbath

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The sweet smell of decomposing fruits and flowers by the droning can-opener-crackling sound of tin-robot pornography underway in industrially-lit primary colors.

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Frank Sinatra Sings for Only the Lonely (1958) – Frank Sinatra

Frank Sinatra Sings for Only the Lonely (1958) – Frank Sinatra

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Class-act whining coming straight from the Chairman´s sick-with-solitude vocal tract—a sound that is being perfectly escorted by a somberly enabling ensemble.

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Iowa (2001) – Slipknot

Iowa (2001) – Slipknot

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What started as gimmick became the sophisticated, disturbing teenage/ nerd anthem.
Captivitating Trash with masturbating Pinocchio-SM masks. Death Metal never was closer to mainstream.

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The Wall (1979) – Pink Floyd

The Wall (1979) – Pink Floyd

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Maternal hub of all solipsistic concept albums having a strong autobiographical-novel taste of pathos. Having a big ego is not always a bad thing.

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Night Sister EP (2019) – Circuit Of Suns

Night Sister EP (2019) – Circuit Of Suns

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Short, crazy rollercoaster ride of complex structured grooves, Mathcore-madness and soothing synth-interludes in between.
A schizophrenic side dish inspired by greater genre colleagues.

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When We All Fall Asleep, Where Do We Go? (2019) – Billie Eilish

When We All Fall Asleep, Where Do We Go? (2019) – Billie Eilish

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2010’s pop-mainstream album that seems inexplicably ground breaking.
I duh-nno…
Minimalist music, quiet but clear voice.
A cranky all-rounder BUT strange trendsetter.

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Ventura (2019)  Anderson .Paak

Ventura (2019) Anderson .Paak

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Back to head-bobbing smooth grooves with versatile vocalists.
Biggest achievement is the souly, funky flow without fulfilling a big progressive grow.
Basic, still sic.

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Sundowning (2019) – Sleep Token

Sundowning (2019) – Sleep Token

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Mix Djent, Pop & Nu Metal, cover it with cult masked apparel and let it grow.
This sweetened hot experiment breathes alternativeness and polarizes.
Worship.

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Salutogenesis (2019) – Soulsplitter

Salutogenesis (2019) – Soulsplitter

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Behind the deceptive cover lies an astonishing hike between theatrical progrock, -metal masterclass and mediterranean instrumentally-glorifying landscapes.
A modernized ‘ELP gone heavy’ concept album.

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Dirt (1992) – Alice In Chains

Dirt (1992) – Alice In Chains

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Down in a hole underneath them bones with your junkhead full of dirt.
Would hate to feel this, but Lane sang it
Melancholic God’s smack.

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Nevermind (1994) – Nirvana

Nevermind (1994) – Nirvana

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Come as you are and stay away from the territorial pissings that will drain you. Well-bred album even in his youth on a plain.

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The Artist In The Ambulance (2003) Thrice – Island Records

The Artist In The Ambulance (2003) Thrice – Island Records

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Post-Hardcore/ Emocore in their early pop-punkish „We‘re like Rise Against, but more society outsiders“ days.
Essential record for the, shortly later crumbling, scene.

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Scott 4 (1969) – Scott Walker

Scott 4 (1969) – Scott Walker

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Boyish sounding mature-troubadour voice, that´s like mixing Beck Hansen with Chet Baker wrapped in strong, paradoxically manly French-flair. An Ingmar Bergman-Western soundtrack.

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Letters From The Colony (22.02.2019) Mergener Hof, Trier  Decapitated Tour 2019

Letters From The Colony (22.02.2019) Mergener Hof, Trier Decapitated Tour 2019

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3. Support und Hauptgrund für mein Kommen.
In euphorischer Freude wurde das meisterhafte Album gespielt, anschließend gemeinsames Trinken/ Quatschen mit den sympathischsten Schweden der Galaxie.

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Waiting for the Sun (1968) – The Doors

Waiting for the Sun (1968) – The Doors

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Ceremonial sound-potion for trance-transitioning between ghosts in pursuit of sacred inner-galactic truth. That and happy-sounding tunes with deep, philosophical fine-print.

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Louder than Love (1989) – Soundgarden

Louder than Love (1989) – Soundgarden

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The unmistakable push of pure life is loud, raw and true through the close-chambered vocal channels of a talent not yet spent and buried.

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Let it Be (1970) – The Beatles

Let it Be (1970) – The Beatles

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Here´s where you write. Delete this text to set the Word Count to back to zero but do make sure you stay between the signs.

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Abbey Road (1969) – The Beatles

Abbey Road (1969) – The Beatles

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There´s definitely something in the Death-mythological way this spooked album moves you and makes you come back for more of this beloved British benchmark.

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Mordial (2019) – Car Bomb

Mordial (2019) – Car Bomb

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Fusing Deftones-y chilling parts with ‘shuggah precise heaviness and NY-Hardcore into constantly improoving complexity grooving.
Full-Disco album for extremely fucked up progheads.

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Beneath The Mind (2018) – Ayahuasca

Beneath The Mind (2018) – Ayahuasca

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Welcome to the jungle 2018!
With tribal drums, didgeridoo etc. this exotic Köln based collective invites to stormy jungle moshing with this metallic culture trademark.

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Disco Volante (1995) – Mr. Bungle

Disco Volante (1995) – Mr. Bungle

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Patton and his weirdos create a bizarre soundscape of Metal, Jazz & Lynchesque black hole sceneries which swims nerve-racking against all shapes of mainstream.

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Heavy Yoke (2018) – Azusa

Heavy Yoke (2018) – Azusa

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The first half was absolutely amazing, surprisingly fresh mixtures of sounds crawled into my ears.
Unfortunately, the second half can’t hold up with the beginning.

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A Throne Of Ash (2019)  This Gift Is A Curse –  Season Of Mist

A Throne Of Ash (2019) This Gift Is A Curse – Season Of Mist

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An erupting loud and disturbingly dissonant stew of Black Metal, Hardcore and Sludge.
The perfect sound for a blistering road trip through hell’s darkest places.

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Yellow Submarine (1969) – The Beatles

Yellow Submarine (1969) – The Beatles

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Beatle-order by diminishing personal liking: John Lennon, George Harrison, Ringo Starr and MacCartney, the Sting of the fame-tatooed quartet that shared the glitch.

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Sombre Dessein (2019) – Herod

Sombre Dessein (2019) – Herod

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Anwärter auf Jahresthron voll wunderbarer Kraft eines stehenden Doppler-Effekt-Riffs und hünenartigen Vocals, welche lyrische Fußstapfen in den ziegelroten Untergang darstellen. „It’s going dooooown!“

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Seventh Son Of A Seventh Son (1988) – Iron Maiden

Seventh Son Of A Seventh Son (1988) – Iron Maiden

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Die goldenen 80er: Neun Jahre, 7 Klassikeralben, endloses Touren.
Ein letztes Mal beste Mischung aus harter Catchyness und ausatmender Epik.
Heimliche Geburt des Progressive Metal.

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Periphery IV: Hail Stan (2019) Periphery

Periphery IV: Hail Stan (2019) Periphery

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Pepper and sugar equally measured.
On one hand Djent’s most bloodcurdling brutality.
On the other sprinkled with karaoke enthusiastic cheesy stadium-pop.
Strongest work yet.

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Rareform (2008) After The Burial – Sumerian Records

Rareform (2008) After The Burial – Sumerian Records

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Pleasantly paced cut-throat album with a 2010‘s djenty Deathcore time stamp.
Hooking melodies layered with majestic breakdown chugging grooves release deepest pit-summoning desires.

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Strategy and Violence (2014) IXION – Self Produced

Strategy and Violence (2014) IXION – Self Produced

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Death T(h)rash one-man-project, grunting Mustaine-like vocals, stereotypical guitars and blasphemous, poorly written midi-drums.
All covered in plastic sound… it‘s 2014, man.

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Glimpse (2019) – Kenta Shimakawa

Glimpse (2019) – Kenta Shimakawa

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Japanese youngster Kenta created a colorful and punching blend of metal and jazz, (syn)cop(at)ing with weird rhythmical structures and lotsa guest instruments/ effects.
So fresh!

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www.google.com.....69i57.2047j0j7&sourceid=chrome&ie=UTF-8
Empath (2019) – Devin Townsend

Empath (2019) – Devin Townsend

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Devin´s „higher, faster…“ approach of making colorful world music with a Disney touch.
Prestigiously blending new and old elements make it an unfiltered Devin album.

[25-WR]

‚The Four Horsemen‘ (1983) Metallica – Kill‘em All

‚The Four Horsemen‘ (1983) Metallica – Kill‘em All

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Prototyp des obligatorischen zweitplatzierten Titeltracks bei noch kommenden 80er-Meisterwerken und alle Trademarks mit Auditionscharakter präsentiert.
Verständlich dass Mustaine dieses Juwel mit Megadeth nochmal rausbrachte.

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Fear Inoculum – Tool (2018)

Fear Inoculum – Tool (2018)

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Monumental ringing intro of this (over-)long awaited atmosphere monolith brings elitists on seats edge while sober listeners are excited for every further step. Divisive.

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You Won’t Get What You Want (2018) – Daughters

You Won’t Get What You Want (2018) – Daughters

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A gloomy, chaotic noisy face blows its cathartic fog in your head, which uncontrollably breaks through walls.
Ambitious structures channelize lowest physical self-destructive tendencies.

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We Have To Go Back | The Lost Concera (2019) – Michael Giacchino

We Have To Go Back | The Lost Concera (2019) – Michael Giacchino

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Gentle multi-layered goosebump-kaleidoscope full of mood-fluctuating topics – Sent back into this parallel life in which we loved to fight, love and suffer.

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The Liberation (2019)  Disillusion

The Liberation (2019) Disillusion

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Back to old Thrash-Death ‚Splendor’-territory with great sense for melodies.
This symphonic journey of a legendary german underground-band demands good home sound!

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Moving Backwards (2019) – Wheel

Moving Backwards (2019) – Wheel

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A new band releases a better Tool album, than Tool itself. What?!
Moving backwards into the thicker ocean of atmospheric, hard hitting soundscapes and bangers.

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Year Zero (2007) – Nine Inch Nails

Year Zero (2007) – Nine Inch Nails

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Beats, Bass & Drums in rocky finesse, without obligatory hit single – but definitely one of the better works of (clean) Trent‘s recent electro-sterile discography.

[25-WR]

The Scythe Of Cosmic Chaos (2018) – Sulphur Aeon

The Scythe Of Cosmic Chaos (2018) – Sulphur Aeon

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Rückkehr der Cthulhu anbetenden Death Metal-Kapelle und vertonter Naturkatastrophen.
Fäulnis triefende Tentakeln umwickeln Zuhörer in den Abgrund wo Gitarren Blitze und Drums Donner erzeugen.

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Song For The Firing Squad (2019)  SeeYouSpaceCowboy…

Song For The Firing Squad (2019) SeeYouSpaceCowboy…

[25-WR]

This body assaulting album melts faces with its blasting, slamming brutality, while smiling.
Pure frantic Mathcore-nostalgia back to MySpace days and campus partying nights.

[25-WR]

Macro (2019) – Jinjer

Macro (2019) – Jinjer

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Solid results of extreme touring cycles show stellar chemistry and brutal grooves.
But somehow I miss the specific raw sound and crazy experimentality of predecessors.

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Shout at the Devil (1983) – Mötley Crüe

Shout at the Devil (1983) – Mötley Crüe

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Feel-good Hair Metal front that is well produced and full of practical ideas but its Umlaut-heart is really in the pursuit of pussy.

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Freak Show (1997) – Silverchair

Freak Show (1997) – Silverchair

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Power-upgrade to a genre that was and keeps being lifted by an open gush-gust of rocking air from silver-fox of a chair.

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Coma Ecliptic (2015) – Between The Buried And Me

Coma Ecliptic (2015) – Between The Buried And Me

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Zweite Schnittstelle in Bandkarriere markiert dessen Progrock-Opera, welches die Komplexität und Härte etwas zurückschraubt und Fokus auf Erzählung des Konzepts legt.
Melancholische Koma-Traumwanderung.

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In Rainbows (2007) – Radiohead

In Rainbows (2007) – Radiohead

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10 Jahre später nach ‚Ok, Computer‘, andere Stimmungen, gleiches Niveau.
Dunkle Wolken weinen während darüber thronende Regenbogen wachsen und mit der Zeit mehr Farben zeigen.

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Pelagial (2012) – The Ocean

Pelagial (2012) – The Ocean

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Conceptual music journey down the ocean’s pelagic layers.
Superficial bright, dreamy harmonies followed by dark and brute sound cascades accompany you to their doomy bottom.

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Garden of Storms (2019) – In Mourning

Garden of Storms (2019) – In Mourning

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Diverse, healthy scandinavian sound/style, like oldschool Opeth with some finnish Melodeath and pinches of doom fortitude.
Grows with time and maybe during swedish sunsets.

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From Mars To Sirius (2005) – Gojira

From Mars To Sirius (2005) – Gojira

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Geburt des aktivistischen Bandmaskottchens, welches seit jeher metaphorisch für den grünen Punkt der Metalszene sowie für eine kolossale Bewegung von Sound, Dichte und Qualität steht.

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Back To Times Of Splendor (2004) – Disillusion

Back To Times Of Splendor (2004) – Disillusion

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Deutschland: Tiefe Gewässer, ‚Loch Ness‘-artiger Schatten…?
Laut Facebook-Definition „Metal maybe“ entweder parodistischer Natur oder es besteht „Schubladenangst“.
Brutal, symphonisch, theatralisch und unbeschreiblich mehr.

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Invaders Must Die (2009) – The Prodigy

Invaders Must Die (2009) – The Prodigy

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Zurück auf dem Thron des stadionfreundlichen Electro-Rocks schweißt diese bunte Mischung aus Musik-trifft-Metamphetamin sich aggressiv in die Gehörgänge poppiger Clubgänger sowie Metalheads.

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Bloody Kisses (1993) – Type O Negative

Bloody Kisses (1993) – Type O Negative

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Brings consensual sex back to Catholic Vampirism for a moment. An early sign of hope from an impressive guy who died God-fearing and ashamed.

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No Tourists (2018) – The Prodigy

No Tourists (2018) – The Prodigy

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“Boom boom tap, boom boom tap
Boom boom tap, boom boom tap
Tick tick bang, tick tick bang
Tick tick bang”

“No tourists.” “Fuck you!”

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The Return of Bruno (1987) – Bruce Willis

The Return of Bruno (1987) – Bruce Willis

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An album title that brings at least two questions to mind with a cover photo showing a two-faced Bruce Willis that we still trust.

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The Doors (1967) – The Doors

The Doors (1967) – The Doors

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The doors of perception being set on fire, kicked-in and entered. There’s worlds of dare inside. You can now kiss the old-you goodbye.

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Trama! (2014) – Juggernaut

Trama! (2014) – Juggernaut

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The Italian mob martian-marching towards an omni-phoebian FF8500-sunset, hexadecimally trance-dancing together with every goddamn culture in the world in absolute merriment.

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The Body Cosmic (2019)  Iapetus

The Body Cosmic (2019) Iapetus

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A cosmic-expanding godspeed ride through dense Progressive Death Metal streams.
A beautiful sight, thy cascades, supernovas and black holes showing niche music’s full extend.

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Radio Silence (2015)  – Exovex

Radio Silence (2015) – Exovex

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Breezy Prog-Rock especially FFO Porcupine Tree.
Floydish solo, clean-parts and light/ heavy riffing, swinging you out of your orbit into beautiful night sky.

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Open Hearts And Clear Minds (2002) The First Step –  Livewire Records

Open Hearts And Clear Minds (2002) The First Step – Livewire Records

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This demo/ bootleg collection scores with punky hardcore-standards and this ‚stomping feet in face‘-feeling, which takes you mentally (retarded) back into 80‘s anarchy.

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You Know What They Mean (2019)  Bent Knee

You Know What They Mean (2019) Bent Knee

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Schwer verdaulich für Neuhörer dank vieler knallbunter Elemente und quietschigen Vocals. Gerade aber diese Vielschichtigkeit macht es umso belohnender, wenn man drin ist.
Bestes Bandalbum!

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Heaven & Hell (1979) – Black Sabbath

Heaven & Hell (1979) – Black Sabbath

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A hungover but not less able Black Sabbath playing with the official replacement in Ozzy Osbourne´s presumably wishful funeral without anger or Schadenfreude (again, presumably.)

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“White Album” (1968) – The Beatles

“White Album” (1968) – The Beatles

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A clown car-supernova filled with brilliant ideas silhouetting unusually shifting times. This is what happens when you give recreational drugs to the right people.

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Sol Invictus (2015) – Faith No More

Sol Invictus (2015) – Faith No More

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Comeback-Album einer Genre brechenden Band eines Sängers mit unzähligen Nebenprojekten.
Sichere Mischung 90er Glanztaten und wahnsinniger Diversität ohne großartige Schwächen.
Kein zweites Chinese Democracy.

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The Ruiner (2008)  Made Out Of Babies

The Ruiner (2008) Made Out Of Babies

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Mother of daddy issues with the most engaging female vocals I‘ve ever heard.
Grungy, sludgy, noisy stew with spicy chunks of thick flesh and bones.

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On Our Way To Hell/Return Of The Hellhorde Split (2004)  Nunslaughter/Victimizer

On Our Way To Hell/Return Of The Hellhorde Split (2004) Nunslaughter/Victimizer

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Döm döm, crash, retch, crarararrrrghsh…
Crappy recorded, rumpus sounds straight from the beer consuming, low-level rehearsing underground, for smallest amounts of (trve?) individualists.

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A Throne Of Ash (2019)  This Gift Is A Curse –  Season Of Mist

A Throne Of Ash (2019) This Gift Is A Curse – Season Of Mist

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Der perfekte Mix für einen Roadtrip durch das schwärzeste Chaos der Unterwelt ist dieser eruptierend laute sowie verstörend dissonante Eintopf aus Black, Hardcore und Sludge.

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Garden of Storms (2019) – In Mourning

Garden of Storms (2019) – In Mourning

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Diverse, healthy scandinavian sound/style, like oldschool Opeth with some finnish Melodeath and pinches of doom fortitude.
Grows with time and maybe during swedish sunsets.

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The Book Of Knots – Traineater (2007) Anti- Records

The Book Of Knots – Traineater (2007) Anti- Records

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This sound shaped post-industrial love letter showcases many acknowledged musicians within their strange fetishes.
Hardly accessible but rich ecstasy for open minded music geeks.

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From These Wounds (2006) Funeral – Tabu Records

From These Wounds (2006) Funeral – Tabu Records

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Sells exactly what it looks like.
Real Heavy Gothic/Doom Metal perfect as cremation of anger and depressive mourning.
Makes emo-trend look like kindergarten.

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Deadborn Nemesis (2015) Moridigan – Kernkraftritter Records

Deadborn Nemesis (2015) Moridigan – Kernkraftritter Records

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Mostly Death Metal behaves classic like bread with the upper side falling to the floor.
No big expectations nor surprises, just honest, midtier techy shredding.

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Rebel Meets Rebel (2006) – Rebel Meets Rebel

Rebel Meets Rebel (2006) – Rebel Meets Rebel

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A great amalgamation of geographically compatible musical styles and characters bolo-tied together by lust of freedom and charm. A damn shame not to continue.

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American IV: The Man Comes Around (2002)  Johnny Cash – American Recordings

American IV: The Man Comes Around (2002) Johnny Cash – American Recordings

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Here comes and goes the man in black; last defender of a dying pop-culture genre.
Mixed bag of cover interpretations as most complete swansong.

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Breeding Death EP (2000) Bloodbath – Century Media Records

Breeding Death EP (2000) Bloodbath – Century Media Records

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Cult Death Metal supergroup with Mikael, one of the most unique voices.
3 groovy classics are signaling to move your head, feet, and bloody guts.

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In Cauda Venenum (2019) – Opeth

In Cauda Venenum (2019) – Opeth

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Less gimmicky than ‚Sorceress‘, but combining its riffs with ‚Heritage’s strangeness and ‚PC‘s growing concept writing.
Elegantly fleeting journey through their Post-Growl artsy work.

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Beat (1996) – Bowery Electric

Beat (1996) – Bowery Electric

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Beating up song conventions, cutting their bowels open and re-animating curiosity within a single spark to start this nitrous techno-stoner highway-wagon ride.

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Union (2019)  Ihlo

Union (2019) Ihlo

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Big overarching melodies on stuttering djent-riffs under an ambient dystopian sky.
Good nurturing soil for catchy songwriting.
Left ambitiously curious for further dreaming sequences.

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The Downward Spiral (1994) – Nine Inch Nails

The Downward Spiral (1994) – Nine Inch Nails

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90´s “The Wall” thanks to a rare glitch in the mainstream that let him do this to us.

One hell of a cry for help.

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Pelagial (2012) – The Ocean

Pelagial (2012) – The Ocean

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Musikalische Reise durch pelagiale Schichten des Ozeans. Die Meeresoberfläche zeigt noch helle, verträumte Harmonie während immer tiefer gehend düstere, brachiale Klangkaskaden entbrechen.
Sagenhaft umgesetztes Konzept.

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Ride the Lightning (1984) – Metallica

Ride the Lightning (1984) – Metallica

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From electric blue to Sabbath-black, this rabid factory-machine stainlessly steals the motor-breath out of you while chromatically ascending your will to live.

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Time Will Die And Love Will Bury It (2018) – Rolo Tomassi

Time Will Die And Love Will Bury It (2018) – Rolo Tomassi

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Synthesizer-intro, a pop tune – then hell breaks loose.
‚Rituals’ directly demonstrates finest Jazz-, Mathcore moments nowadays.
A strange balanced album, equal to an exorcism.

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Relentless (1992) – Bill Hicks

Relentless (1992) – Bill Hicks

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Beautifully ballsy Bill Hicks lectures us on having nothing but actual hicks to represent us when the flying saucers come size us up and conquer.

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Hidden History of the Human Race (2019) – Blood Incantation

Hidden History of the Human Race (2019) – Blood Incantation

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This spacey journey soaked up good ole’ Florida Death with a thick straw.
Classic genre-showcase shredding, which pleasantly progresses into atmospheric floating at moments.

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Kill ´Em All (1983) – Metallica

Kill ´Em All (1983) – Metallica

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Masterful rite-of-passage stroke of brilliance by the four young-horsemen of the Apocalypse carrying all the piss, jizz and vinegar in the world.

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#DRWN (2018) – Darwin

#DRWN (2018) – Darwin

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0:00: Sofort zündet erster Song wie eine Kettenreaktion von China Böllern.
Fett klingende Grooves, satter Sound, einen authentischen Shouter.
Erneuter Stolz auf die Kölner Musikszene.

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The Scythe Of Cosmic Chaos (2018) – Sulphur Aeon

The Scythe Of Cosmic Chaos (2018) – Sulphur Aeon

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Return of the german, Cthulhu worshipping Death institution.
Rot dripping tentacles wraps listeners in the catastrophic sounding abyss where guitars/ drums create lightning and thunder.

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Free Ride (2007)  Causa Sui

Free Ride (2007) Causa Sui

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Be guided by psyche swinging rainbows and laid-back mirages that jam. You’ll hear this island of free birds.
Mind to bring some hallucinogenic plants.

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Czarna Ewangelia (2018) – Czort

Czarna Ewangelia (2018) – Czort

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Averagely executed, pure Black Metal from Poland, which moves, mostly in moderate tempo, like a tank over a graveyard.
Nothing really outstanding, nothing bad either.

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The Number Twelve Looks Like You (2019) – Wild Gods

The Number Twelve Looks Like You (2019) – Wild Gods

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Damn hot comeback after a hellish creative break it seems.
Genre-bending Mathcore, Screamo, Fusion Jazz elements flow seamlessly into dynamic ebb and flow vibes.

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Disco Volante (1995) – Mr. Bungle

Disco Volante (1995) – Mr. Bungle

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Der bizarre Hybrid aus Metal, Jazz, Filmmusik schwimmt unkonventionell gegen jedmögliche Mainstreamformen.
Patton und seine Weirdo-Band kreieren düsterste Soundsphären mit Lynch-esque schwarzen Löchern.

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Dog Fashion Disco –  Experiments In Embryos (2018)

Dog Fashion Disco – Experiments In Embryos (2018)

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90’s zu Unrecht unbekannte Patton-beeinflusste Alternativeband spielt auch 2018 noch derben Riffrock.
Songs zünden dank eingängigen Vocalphrases, roher Gitarre-Bass-Power und skurrilen Trompeten.

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Applause Of A Distant Crowd (2018) – VOLA

Applause Of A Distant Crowd (2018) – VOLA

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Diese sanft klingende, aber innovativ hartmelodische Band schafft auf zweitem Album weitere eingängige Hitsongs sowie imposante Riffstrukturen.
‚Whaler‘ uberrascht mit dem härtesten Riffumschwung des Jahres!

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Ok Computer (1997) – Radiohead

Ok Computer (1997) – Radiohead

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Ohne dieses Album würde Rock, Alternative bis hin zu Progressive der 2000er ziemlich alt/ anders aussehen.
Vertonte Melancholie und superintelligenter Lyrizismus mit gigantisch intrumentalem Spektrum.

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Esoteric Malacology (2018) – Slugdge

Esoteric Malacology (2018) – Slugdge

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Progressiver Death Metal aus komplexen Riffmustern, organisch „sludgigen“ Drums und Vocalreichweiten von tiefen, hohen Growls bis teils Cleangesang.
Songtitel als Wortspiele bekannter Metalsongs.
Sehr unterhaltsam.

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Head Cage (2018) – Pig Destroyer

Head Cage (2018) – Pig Destroyer

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Addierung des Bassisten macht einen gewaltigen Soundunterschied für dieses brachiale Album. Besonders die Riff-(parts) sind zum Zunge schnalzen. Ideal für headbang-springendes Wohnzimmer-moshing.

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Powerslave (1984) – Iron Maiden

Powerslave (1984) – Iron Maiden

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Könige der Albencover in oriantalischer Hitze und ägyptischer Mythologie. Angebeteter Eddie fliegt und lässt Klingen aufblitzen. Bestes Solo im Titeltrack und progressive Schiffsreise im Closer.

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Everything That Is You (2019) – Thrailkill

Everything That Is You (2019) – Thrailkill

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Instrumentale Supernova die mit ihren regenbogenfarbenen Strahlen jede noch so dunkle Sphären erhellt und harmonisch reflektiert. Virtuose Gitarre mit Feeling ohne viel aufgesetzt übertechnisches Machogeshredde.

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Songs For The Deaf (2002) Queens Of The Stone Age

Songs For The Deaf (2002) Queens Of The Stone Age

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Wo Kyuss’s „…Sky Valley“ tagsüber qualmend den Highway gen Erlösung fuhr, nimmt dieser radiofreundliche Cocktail aus Bier, Mojito, Gras, Amphetaminen die Gegenspur zur nächtlichen Apokalypse.

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Practice What You Preach (1989) – Testament

Practice What You Preach (1989) – Testament

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It boggles the mind that these gentlemen continue to be perceived as lesser than Anthrax. Trash-talking Testament should be a Thrash-preacher´s pet peeve.

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Black Gives Way To Blue (2009) – Alice In Chains

Black Gives Way To Blue (2009) – Alice In Chains

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Neuer Sänger mit natürlich origineller Stimmfarbe. Neue Motivation aus der Trauer, den drogenversifften Mammutspuren und dem Grunge herauszutreten. Eine cleane Band. Ein hammergeiles Hardrock Album.

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Altars Of Madness (1989) – Morbid Angel

Altars Of Madness (1989) – Morbid Angel

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80er Metal Nachwirkungen, originelles Cover, Solo an Solo, fanatischer Okkultismus – Diese Death Metal-Blaupause mit ihrem Florida-Sound bahnt unendlich viele Wege für kommende Großtaten.

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A Patient Man (2018) – Cult Leader

A Patient Man (2018) – Cult Leader

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Mit Unruhe verursachenden Gitarrenkrächzen, saftigem Bass und sludgigem Gekeife klingt die bessere Hälfte der Scheibe wie ein hochsportliches Massaker im Schlachthaus. Ein halbstark pfeffriges Gulasch.

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Crack The Skye (2009) – Mastodon

Crack The Skye (2009) – Mastodon

[25-WR]

Element Wind ist das Mantra von Mastodons Magnum Opus, was den Tod der Schwester des Drummers behandelt. Mein persönliches Gateway-Album in den Prog Metal.

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Revolver (1966) – The Beatles

Revolver (1966) – The Beatles

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A warm revolver loaded with intense imagination that makes you happy every time you pick it up. It contains Mccartney´s arguably best song: Elenor Rigby.

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Angel Dust (1992) – Faith No More

Angel Dust (1992) – Faith No More

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Tiefer in den bunten Sumpf voller vielseitiger Kreaturen der Nacht. Patton mal Sirene, mal Wendigo. Und dank leider letztem (elementarem) Mitwirken Metalgitarrist Jim Martins Swansong.

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Lost Highway (1997) – Trent Reznor

Lost Highway (1997) – Trent Reznor

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A floating crime scene playlist congealed together by counterclockwise suspense fueling a colorful film noir that is both cosmically weird and dearest to the deranged.

[25-WR]

The Outer Ones (2018) – Revocation

The Outer Ones (2018) – Revocation

[25-WR]

Death Thrash Metal soup with blackened flesh and Lovecraft inspired lyric. Jazz influenced chords over groovy breaks to finest soloing annihilation. Typical killing spree material.

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Letters From The Colony – Vignette (2018)

Letters From The Colony – Vignette (2018)

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Eiskalte Gitarren und stürmische Drums in knochenharter Brillianz. Zwischendurch wehen abstrakt schöne Cleanpassagen eine letzte bunte Herbstbrise in diesen frühwinterlichen, schwedischen Sonnenaufgang. Extrem starkes Debütalbum!

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Tranquility Base Hotel & Casino (2018) – Artic Monkeys

Tranquility Base Hotel & Casino (2018) – Artic Monkeys

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A post-mortem Bowie knife conniving new generations with tender tantrums for their own wonderful good. A brilliant, dry-clean barbiturate  that melts stone-glass ” :

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The Real Thing (1989) – Faith No More

The Real Thing (1989) – Faith No More

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Neben Anselmos Pantera-Einstieg hob auch ein gewisser Patton eine Band auf komplett anderes Level. Funk und Rap fusioniert mit Metal passierte bereits vor RATM.

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Blizzard of Ozz (1980) – Ozzy Osbourne

Blizzard of Ozz (1980) – Ozzy Osbourne

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The Blizzard of Randy Rhodes and the Chris Farley of Heavy Metal (or vice-versa) making the stuff Tenacious D’s wet-dreams are made of.

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Piano Concerto No.23 in A, K.488 – Allegro in A (1786) – Wofgang Amadeus Mozart/Horowitz/Giulini

Piano Concerto No.23 in A, K.488 – Allegro in A (1786) – Wofgang Amadeus Mozart/Horowitz/Giulini

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Rides a hair or two faster than usual but does not in any way feel carousel-led or gone astray in repetitive dactyl derision. Cool.

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Behemoth –  I Loved You At Your Darkest (2018)

Behemoth – I Loved You At Your Darkest (2018)

[25-WR]

Kinderchor eröffnet dieses teuflische Sakrament. Durchs Höllentor vollführen verzerrte Gitarren, dämonisches Getrommel, weiterer Chorgesang, Hörner thematisch jenes Ritual, welches mit The Satanist 2014 meisterhaft begann.

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