industrial

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Glossy voice with edgy ‚in your face‘ lyrics and humongous hooks, cemented by sticky NIN-esque drum & bass, portraying a fallen angel gone rogue.

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Take extravagant shock rock, spiced up with cool riffs, a pinch industrial pop and wrapped with sugar-sweet, refined bombast.
Voila; a popstar gone heavy.

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I get the feeling that back then it would be weird not to break your instruments on stage so one just had to do it.

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„RECORDED IN SECRET TO AVOID INTERFERENCE FROM THE RECORD LABEL, THE FOLLOW-UP TO PRETTY HATE MACHINE TAKES AN UNEXPECTED ABRUPT TURN INTO SHEER AGGRESSION.“

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It lacks a solid sound-slate design like the one “The Downward Spiral” has giving it a decentralized feeling somewhat affecting the old attention-span.

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A much less hermetic alternative when walking down the yellow big synth-road of the late eighties industrial-music industry in search for angry dancing.

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Conquering self-pity with heart, mind and complacent malice. A premonition revenge story by a brilliant tributist who brought hell to those who doubted him.

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The crowning achievement of the golden age of MTV music videos by unsung cinematic master Mark Romanek. Single greatest favor Joel Peter-Witken ever got.

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Temptation-laden roller-coaster ride for grownups full of big-titted spooky hoots, chunky scoops of industrial-refinery riffs and B-movie references all over.

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Creatively indestructible diamond-in-the-rough lecture that needs no polishing. The roots of an escalating discontent that aimed for, reached and passed the stars.

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Beats, Bass & Drums in rocky finesse, without obligatory hit single – but definitely one of the better works of (clean) Trent‘s recent electro-sterile discography.

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Selbstauffressendes zeitloses Magnum Opus geschrieben im Drogenkonsum und Depressionenwahn. Diese einsaugende Reise beginnend bei oberflächlichen Ego-Makeln zum düster suizidalen Kern herbergt tiefst vergrabende (Emo)tionen.

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90´s “The Wall” thanks to a rare glitch in the mainstream that let him do this to us.

One hell of a cry for help.

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Publikum: 90er-Industrialabkömmlinge, Gothicszenemenschen, Unkonventionellisten. Die Band selber hat keine „Rawness“, mehr, dafür setzte man auf sterilen Sound und hippe Beats. „Trenty“ aber nicht „(g)Rossartig“…

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