soundtracks
Silent Hill 3 OST (2003) – Akira Yamaoka
[25-WR]
Distressing sound corridors under a rainy post-rock ambience, passing gloomy funeral sirens into it’s wrinkling abyss of cold finality.
Visual dark rock, very unexpected.
[25-WR]
Bram Stoker’s Dracula: Original Motion Picture Soundtrack (1992) – Wojyciech Kilar
[25-WR]
It turns & churns its lyrical core longingly while secreting stringed beauty made fragile again and again by dramatic orchestral chords that rage with urge.
[25-WR]
The Graduate (1968) – Simon & Garfunkel
[25-WR]
Lukewarm ghostly at its wide-open churchy heart when not abruptly peacocking itself up with old lascivious grown-up lustre from nighttimes gone clandestinely wild.
[25-WR]
Bronson (2008) – Original Motion Picture Soundtrack
[25-WR]
Evocative beyond repair dividing itself up with a greased-up tug-of-war between old and classic—both morbidly bound together with techno-dramatic ambiances.
[25-WR]
John Carpenter´s Halloween (2017) – Trent Reznor & Atticus Ross
[25-WR]
Popular-music covers tend to work their best when close to source material spawning thusly fresh spokes instead of an almost always shittier new wheel.
[25-WR]
Dazed and Confused (1993) – Soundtrack
[25-WR]
There are mostly unusual suspects to be found in this dextrously hand-picked movie soundtrack with 1970´s era-evocative songs that feel mostly like synonyms.
[25-WR]
The Vietnam War: The Sountrack (2017) – PBS
[25-WR]
Most of the usual late sixties/early seventies Momma & Papa-suspects in a soundtrack playlist that is not necessarily set-in stoned but beautiful.
[25-WR]
Koyaanisqatsi (1983) – Philip Glass
[25-WR]
Life-centering original motion picture soundtrack of a one-word film that rushes through cloud-landscapes of the mind like hot iron through bible-paper.
[25-WR]
The Vietnam War (2017) – Trent Reznor & Atticus Ross
[25-WR]
Unpretentious accompaniment piece of mature modern-minimalism that carries itself with the heaviest of solemnities while propelling a rice paddy of 2000-yard-stare flashbacks.
[25-WR]
Mandy (2018) – Jóhann Jóhannsson
[25-WR]
Hypochondriac teleport-trance music full of after-shock ripples of dread coming out of traumatic forces, but also wonder and authentic beauty that feels iridescent.
[25-WR]
There Will be Blood (2007) – Johnny Greenwood
[25-WR]
Where´s the horizon in a desert landscape full of the cosmic dust where both Bartok and Ligeti hide from the storm in an oil tank?
[25-WR]
The Big Lebowski (1998) – T-Bone Burnett
[25-WR]
A bombastic sound-piñata that’s sectionally in-and-out of beautiful nonesense that keeps firing up until the chamber is empty and finally goes “click.”
[25-WR]
The Crow (1994) – Original Motion Picture Soundtrack
[25-WR]
I think we can all agree at this point that this is a good soundtrack coming from a terrible movie nobodöy should bother with. Period.
[25-WR]
The Social Network (2010) – Trent Reznor & Atticus Ross
[25-WR]
A shape-shifter of a soundtrack that is set in motion by the constant clashing of David Fincher´s brass images breaking into kaleidoscopic minor harmonies.
[25-WR]
Mid90s (2018) – Trent Reznor & Atticus Ross
[25-WR]
Subdued sentimentality is something to cheer for these days. This particular soundtrack feels warm with emotion that´s reminiscent of deep days of wild adolescent breeze.
[25-WR]
Taxi Driver (1975) -Bernard Herrmann
[25-WR]
Sharks and alligators up to no good marauding in sacrosanct agreement in the form of slow amphibian dancing in the sulphuric waters of creative Death.
[25-WR]
Inherent Vice (2014) – Johnny Greenwood
[25-WR]
A fog encounter in the salty night where songs of all walks of sound take turns to gas the colored lamps glowing the way ahead.
[25-WR]
Gone Girl (2014) – Trent Reznor & Atticus Ross
[25-WR]
The tarring stains of gone matrimony and the haunting rhythms of burning irreplaceable innocence. Outstanding soundtrack that trumpets pangs of hope between disorienting anxiety patterns.
[25-WR]
Let the Right One In (2008) – Johan Söderqvist
[25-WR]
Sweeter than somber but with a cold, compensating Swedish stroke of resigned-downer that reminds of other movie scenes instead of setting more creative distance.
[25-WR]
Lost Highway (1997) – Trent Reznor
[25-WR]
A floating crime scene playlist congealed together by counterclockwise suspense fueling a colorful film noir that is both cosmically weird and dearest to the deranged.