90´s

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Simple day in the life of a magical place in time. Edgy mannerisms show how ev‘ryday worries can vanish via multiple music video stylistic shenanigans.

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It starts really stupid but it Omelettes itself up into a kind of karma theater-play that’s different, kind and refined in an unpretentious way.

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The inevitable coming-out-of-(teen)age story for the millennial male generation. Filled with stereotypes to empathize with and nostalgic one-liners to never forget.

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Intimate acid dive into the stolen perspectives of the Dahmer-ed down victims of a seemingly parental crime that got out of God´s wrathful hand.

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Vincent‘s natural performance gallantly steals an already stolen picture show navigated by a loud but warm director who makes the whole thing fly just right.

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Likeable round around Buscemi´s past featuring family and settings no one would object to watch other than a certain female interest that feels uncomfortably young.

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Locked in a claustrophobic tea kettle, witnessing the boiling point of seasoned people pushing their morals against each other.
Hackman & Washington in superb opposition.

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Recognizing the opportunistic signs that bring one closer to one’s desire for fateful belonging requires the open mindfulness of a wanderer living in the moment.

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He’ll sock it to you like a bag of alkaline Christmas chimney bricks that used to be sweet but now burn through charm and bone.

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When good casting goes in the right direction, multiple perfection chemically compounds into an
earthquake that enables entire oceans of televised series to rise up.

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Creeping historical “hacienda”-ascension story full of good people playing uglier-than-fiction roles to cherry things on top of sourly majestic interior/exterior shots.

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A revealing Madonna within a bond-esque vibe – that’s exactly enough to fill a man’s void of lustful dreams for 6 and a half minutes.

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Influenced by ‚Pulp Fiction‘ and early Kevin Smith  genius, this film belongs to the 90s feelgood-underground pantheon.

A fast burn with warm narcotic release.

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A big booty in the desert magnetically pulls sore strangers and their dry behavioural rage together to visit the normally closed off parts of hell.

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A fresh and detailed Balkan-conflict account audio-visually narrated in such a perfect crew-cut way that´s bound to blow any Ken Burns away.

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Tall, biblical thriller that out-of-the-box polishes and replenishes audiovisual standards up to a stern point of absurdity where nothing ends before pain.

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Classiest porn noir of the century with a truly horny Douglas who keeps the viewer interested after manually climaxing for the first couple of times.

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Dry up to caustic but full of silver guts bravado and true no-nonsense resuscitation that domestically questions everything that´s drowning in its quarrel-lake.

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His name is Robert Paulsen and his tits are not as large as his wounded heart which bleeds loud & clear like testicular cancer does.

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Strongly-subtle dark comedy that can for days on end make one consistently laugh out loud at punch-line silences that stitch to the mind.

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Talent-heavy (cast-wise) downer about a man who erases his own by hiding behind an embalming hype that far outlasts its allotted 15 minutes.

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A clandestine teenage brothel run by hard loving parents who keep basking in God´s rain right where the moral crater seems to bleed the most.

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Not even partially dubious casting could jinx this blood-ruby of classy kitsch—carved out of morbid fascination and respect for the franchise´s original outputs.

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It turns & churns its lyrical core longingly while secreting stringed beauty made fragile again and again by dramatic orchestral chords that rage with urge.

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Fast zoom accompanied by a silence-piercing musical sting hits like a battering ram and leaves your heart throbbing in horrific awe.

Jump-scare masterclass.

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Every TV commercial should be exactly this long and at least this fun not to just suck the blood out of our lifetime and cash.

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Taut-tight effort from an established career-place where drums relentlessly support a steel-stringed trampoline for the instrumental human-voice to jump around ranges.

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Good bad-girl song-set that studiedly teases the strung-out listener with a sensually anaesthetic voice that slides gently while burning with revengeful lyrics.

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Time-honored period-film that simply and independently pulls off a believable vintage-vibe by bringing out big nuances out of very small-town things.

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There are mostly unusual suspects to be found in this dextrously hand-picked movie soundtrack with 1970´s era-evocative songs that feel mostly like synonyms.

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It sifts true, strong emotions through the punitive barriers of commercial expectancy—afloat from the then gouged-out Grounge that originally propelled this fallen angel.

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Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around.

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Kurt Cobain´s last watched film: kiwi period piece that is really about prostitution rather than repressed passions juicing through the colourful cracks of dark colonialism.

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Childless & sleepless, guy asks mirror, “What’s it all about, Alpha? Is it just for Ikea I live?” Mirror answers: “Oil & water mix explosively.”

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I get the feeling that back then it would be weird not to break your instruments on stage so one just had to do it.

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Brightly lit indie truffle full of good dialog with intimately framed characters who are strong in blood and flavor including the most fatal femme fatale.

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Shue deeps her toes into cinematic greatness in an emotionally productive codependent-relationship with a very fine Nicolas Cage who gently escorts her around hell.

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Down in a hole underneath them bones with your junkhead full of dirt.
Would hate to feel this, but Lane sang it
Melancholic God’s smack.

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Never underestimate the pain resolutions of those who’ve have been wronged by you. A cautionary moral mortality story in which everybody loses and were entertained.

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“Geiler Film hab mich tot gelacht als ich den zum ersten Mal gesehen habe. Ich will dir doch nur ein Z in die Stirn ritzen.”

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All romantic comedies should be independent passion projects by law, the breaking of which should be punished by force feeding the perpetrator with commercial crap.

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Being hot and wanted worked the opposite way inside the self-repelling time bomb that Gia Carangi really was. A flawlessly executed plead for caution.

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Suicide is not painless, and drinking yourself to death has got to be one of the worst ways to check out of this world affair.

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I’d die for her in a heartbeat, wouldn’t anybody? No. Nothing like a motion picture to illustrate the obsessive use of externally abusive internal agendas.

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All gimmicks are truisms, and all truisms are true. A truly messed up kid portrayed as perfectly as a veteran Shakespearean hand playing a glove.

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An observant man who does not believe in the shutdown-retirement of duty and is blasphemed by the terrifying prospect of losing his existential stress.

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The turning point for an underground project that successfully synched itself up to the pre-globalized world chaos around and churned its fears into butter.

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Twin Peaks (1990-1991) meets the Shining (1980) during the well-manored, palm-treed night vision period of the Golf War. Sometimes in is out.

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The epitome of the parasitical social sociopath and the dark behavioral counterpart of Seinfeld‘s (1989-1998) Kramer if let loose in the park long enough.

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A man walking in the hottest of days with a rainless cloud above his head one drop away from spilling blood all over the place.

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“A lonely and mentally disturbed cable guy raised on television just wants a new friend, but his target, a designer, rejects him, with bad consequences.”

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“The film actually deserves four stars for its imaginative style and astonishing suspense, zero stars for its shameless exploitation of violent shocks and loveless sensuality.”

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“The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker’s fiancée Mina Murray and inflict havoc in the foreign land.”

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“Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.”

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Eine der einflussreichsten Comicheldenadaption welche immense Wirkung auf folgende Comics und Verfilmungen hat.
Spidey war davor wie auch danach (für mich) nie wieder so authentisch.

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Pioneering-gross, weird and wonderful. Perfect for adults who grew up with Tom & Jerry, Tex Avery, Film Noir, the Rat Pack and classical music.

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“Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.”

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A magic potion picture film that blatantly discriminates color and is heavy and greasy to the touch with high-contrasting characters gunned out of lead.

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Hey, don´t hassle Bob, he´s alright and local. Hassle yourself into a new reality instead, because the one you know does does not apply anymore.

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“A young woman becomes the fourth wife of a wealthy lord, and must learn to live with the strict rules and tensions within the household.”

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Just like with football stadiums and length, Culkin himself has become an unofficial time-measurement unit for those who´ve witnessed him grow up on screen.

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With crew, cut, script, cast and sound of high enough caliber can this force of nature celluloid projectile blow up any line to kingdom come.

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Glorious continuation to the perfect film that Goodfellas (1987) already is, magnifying the produce from every technical artistic prowess displayed before into another real story.

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Ask Johnny Two-Times how funny does he think this based-on-true-events mob movie is, and exactly how is it amusing and entertaining.

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Tremendous downer that is no way shape or form meant to be pleasant—by one of the most charming and universally acclaimed actors out there.

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Female perspective for angry teenage output and the start of a legitimate life long rebellion hopefully used to make an album once all grown up.

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Intro eines ‚The Room’ Kalibers, peinliche Wortspiele („Jill Sandwich“), grelle Farben, Hund-aus-Fenster Jumpscare. Das alles und viel mehr verhalfen zum Kultstatus.

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It lacks a solid sound-slate design like the one “The Downward Spiral” has giving it a decentralized feeling somewhat affecting the old attention-span.

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Jeder kennt diese Tage wo eine Kette von schlechten Ereignissen das Fass zum Überlaufen bringen.
Doch wer ist der Gute/Böse?
Midlife-Crisis auf Speed.

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Midwestern white trash at its ingrown-peak shown under neutral autopsy lights instead of the usual ridicule a John Waters satire would no doubt use.

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A compressed symptom-centipede happy to impose who cuts and salts every social nerve-ending that tries to bounce him off while panting for closure.

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A universe-centering old man who confidently swings the worldly rules of gravity and decorum out of balance in order to get his balls around.

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When the salesman is Death and not the other way around the block of sanity that keeps peeling off in blind corridors of walled desires.

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Drinking is no lubricant but a lifestyle. A hat is not an object but a character that wears you on while you try staying lubricated.

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Brennend und nachhaltig wie eine hoch konzentrierte Säurenadel in‘s weiche Wollherz.
Die größte poetisch ausgeblutete Wahrheit findet selbst in Gaimans Fantasy Epos ihren berechtigten Ehrenplatz.

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Prolog: Plötzlich Afrika, anderes Zeitalter.
Nach diesem ungewöhnlich interessanten Ausflug verfolgt Leser den Protagonisten zur Handlung dieses Bandes.
Schichten um Schichten schälen wir uns vor…

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Es grenzt an Wahnsinn was ein dünner Comic an Dichte von bedeutenden Künstlerreferenzen und wunderbaren Kurzgeschichten beinhalten kann.
Shakespeare würde von solch magischem Stil „träumen.“

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The breaking point in a man’s heart & mind contains nothing but shards of echoing contempt in his biosphere whereas others are martialled by cubicles.

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One of the top ten (one can only wish there’d be so many) GOOD Hollywood vampire flicks that doesn’t feel like a lame juvenile setup.

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“What good is an empty chair?” We have here a silver-tongued sharp-shooter poisonous charmer (who´s obviously up no fucking good) wanting to sit!

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The pain of being a has-been and staying hooked in the past with one hand while trying to make yourself vomit with the other.

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From recorded dictations, interviews and diary entries all dolled up by a ghost with a name working for The New York Times. Time anchored read.

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An impeccable Rock & Roll concept-album of evocative stereo-sterility shining strong but cold with light-bending rhymes of emotional implosion and consensual descent.

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Sociopathic Extended-Play filler, mined-fuck with a couple of razor-sharp song-hooks giving a fake sense of familiarity and safety to dumb trespassers.

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A closer full-color look into the lives, intrigues and conflicts of human mammals in the arid 40’s desert environment by the International Geographic channel.

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So you think your family is weird? Brace yourself for the real deal. Unforgettable documentary showing more involvement than the genre ever intended to have.

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The “Myth of Sisyphus” for the self-made kid stuck in a cartoonish world unsupervised by dim-burnouts soiling the oily ground that spawned them.

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“Do you read Sutter Cane?” No, but I know H. P. Lovecraft and this is a direct homage. A teenage trip I´m proud to like.

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Rare, inextinguishable desert eagle of directorial dedication and infinitesimal-involvement that relays on meditation to sink within and come out ultimately with practical plastic art.

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From a jurassic VHS era where unpopular releases survived by the skin of their toothless box-office insignificance to now when people can’t get enough.

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Never neglect a beautiful woman the doctor says. You better do what he says or he´ll be sure to beat the Kelloggs out of you.

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Fantastic paradoxed-up, apocalyptic flick that makes us feel like we´re hanging tight to the hero´s back the way baby monkeys would in the wild.

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The Heather Graham of good, smart, gracefully aging action films that´s also one of those rare cases in which the sequel improves on the original.

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A bombastic sound-piñata that’s sectionally in-and-out of beautiful nonesense that keeps firing up until the chamber is empty and finally goes “click.”

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Everyone curses except for the killer and his dog in the hot and sticky summer of our discontent made glorious winter by this fucking masterpiece.

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The ticking time-bomb that appearances really are and the pale, psychotic knuckles betraying the grabbing on to it. Tilda swings herself away in submersion.

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I think we can all agree at this point that this is a good soundtrack coming from a terrible movie nobodöy should bother with. Period.

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Hitsingle der Akustik EP thematisiert über Freundschaft und Versprechungen und enthält eine ansteckende Gesangsharmonie.
Das Duo Staley & Cantrell ergänzt sich wie kaum ein anderes.

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10-Jähriger wird unerwartet beim Road Rash spielen mit diesem infektiösen Groove konfrontiert…
„Looking Californa and feeling Minnesota“, heute noch die originellste und zusagendste Lyricline.

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Eleanor Coppola´s heart is really where this film-of-a-film is coming from. It domestically follows her husband´s dive into the spreading jungle darkness.

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The wonderful places you end up in when you’ve got nowhere to come back to. Fear and desire can spawn lots out of an edge.

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There is nothing vulgar whatsoever about this accomplished Heavy Metal album that conveys hollow-filling lyricism preciously percolated through loss, disappointment and (ultimately) constructive anger.

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Conquering self-pity with heart, mind and complacent malice. A premonition revenge story by a brilliant tributist who brought hell to those who doubted him.

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Is human decency economically viable? A day in the life of a middle-aged, divorced family-man going through the existential heatwave of a lifetime.

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Illegitimate wonder child of a threesome between Deftones, Sepultura and early Radiohead during an amphetamine party.
Perfect for weird first dates or exciting bike trips.

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This existential winter May never end, but Bill Murray, a disoriented rodent and romance will sustain you. When time stands still, you can do anything.

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Groundbreaking first person-
shot music video by the Guns ‘n Roses of techno that taunted the hell out of the Western pre-internet mainstream media.

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The crowning achievement of the golden age of MTV music videos by unsung cinematic master Mark Romanek. Single greatest favor Joel Peter-Witken ever got.

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People go after their fifteen minutes of fame the way a moth goes to a flame. Symptoms of burning can only manifest in negative ways.

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Lebenseinschlagende Hautnah-Doku welche unfassbar dramatischen Realitätsbezug gegen aberwitzige Soapperformances stellt.
Aus ‚Laid back‘- Interesse wird bewegende Kriminalverfolgung wird körperanspannender Trieb aus Neugier und Gerechtigkeitsverfolgung.

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Deeper into the colorful swamp of mythical creatures thanks to Patton‘s range from siren to wendigo and metal based guitar players Martin’s unfortunately last contribution.

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Down´s “New Orleans, Louisiana” album is a motherfucker and let me tell you why: Phill Anselmo, Pepper Keenan, Kirk Windstein, Jimmy Bower and Todd Strange.

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Temptation-laden roller-coaster ride for grownups full of big-titted spooky hoots, chunky scoops of industrial-refinery riffs and B-movie references all over.

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Hearing a grown man sing in tongues, scream and sob with sincerity for the world to judge is as rare as a happy Radiohead song.

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Creatively indestructible diamond-in-the-rough lecture that needs no polishing. The roots of an escalating discontent that aimed for, reached and passed the stars.

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A beautifully crafted international film that follows the undying nomadic life of an inanimate object that both brings and ends life to those around it.

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Maybe Oswald was a great shot after all and single-handedly dented the world with a fulminant sacrifice…a patsy-making film of paranoid passion.

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This is the big fat mothership originally carrying the rich Paul Bunyan-esque dimension where true stories are always told exactly as they never occurred.

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Down in a hole underneath them bones with your junkhead full of dirt.
Would hate to feel this, but Lane sang it
Melancholic God’s smack.

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Come as you are and stay away from the territorial pissings that will drain you. Well-bred album even in his youth on a plain.

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A passionate and out-of-character character for Stiller, that he brings out convincingly in an extreme case of adrenaline addiction under strict hyper-functionality.

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Incontrovertible argument in incredible 20-minute “Citizen Kane”-nod form, permanently proving the fabled “golden age of Simpsons episodes” to be a very real thing.

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Sinnfreie Aneinanderreihung von desinteressierenden Ereignissen und geschwollen redenden, emotionslosen Mannequins die manchmal mit Laserschwertern rumfuchteln.
Größter Erfolg liegt in Spielzeug-produzierender Massen-Gehirnwäsche für Kinder.

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Patton and his weirdos create a bizarre soundscape of Metal, Jazz & Lynchesque black hole sceneries which swims nerve-racking against all shapes of mainstream.

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Power-upgrade to a genre that was and keeps being lifted by an open gush-gust of rocking air from silver-fox of a chair.

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As fun as playing with “My Dinner with Andre” action figures. “Second City TV” has an incredible Guest director. Only thing missing is John Candy.

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Selbstauffressendes zeitloses Magnum Opus geschrieben im Drogenkonsum und Depressionenwahn. Diese einsaugende Reise beginnend bei oberflächlichen Ego-Makeln zum düster suizidalen Kern herbergt tiefst vergrabende (Emo)tionen.

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Das „Breaking Bad“ des Anime.
Cineastischer Stilmix aus Sinatra-Coolness und Westerndramatik mit sketchy Ton.
Zusätzlich absurd guter Jazz, einer der besten Soundtracks im TV.

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Brings consensual sex back to Catholic Vampirism for a moment. An early sign of hope from an impressive guy who died God-fearing and ashamed.

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Inbegriff eines High School-Sommerferienbeginn-Gefühls. Ein gigantisches Musikvideo mit sanfter Nostalgie und familiärem Vibe durch viele heutzutage bekannte Schauspieler vor der Blüte ihrer Zeit.

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The original music video for this palatable song featuring a clothed and colorless Chris Isaak interlaced with thermic Sailor and Lula scenes burning the film.

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Far-out, paranoid conspiracy theory trip forced into an almost planted veracity that entertains but carries itself with bad taste and disrespect for the dead.

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Lara Flynn Boyle becomes Lauren Bacall. Crazy fun turns into worlds of just fucked up. Character morphing on and on…plus a polite Klaus Kinski.

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Aggressive satire, dense with primary feelings & snake venom. A mordant mosaic of cinematic formats squirming linearly where murder is pure and helicopters aren´t deployed.

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Hot cold take on rusted shut adults who were shortchanged with mild kicks after textbook-“making it.” Kidman glows hellenic at the rainbow‘s remote end.

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Although visuals are sound and sensual, one still needs a cotton ball-silent approach to acclimatize to this cold-wooded dreamworld that time-stretches disbelief.

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Very special film about a murder case taking place in the Savannah-wilderness where mescaline goes with the wind in mystic Voodoo rhymes. Seek guidance.

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Lots of self-explanatory social anger coming from a revengefully explosive vantage point of riff. An undetonated influence to a whole Nu-market that imploded.

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Zeitloser „Feel Good“-Film über Freundschaft, Gerechtigkeit und Spiritualität für jene ohne Hoffnung, die glauben sie wären am Ende.
Wunderschön verfilmt, komplett ohne Special Effects.

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A spectral-sounding checkmate-playlist that is sensual and torching at the same intense time, while encouraging self-reflection and flight from glamorous suicidal mildew.

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