music

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Jacked up in fat aggressively whispering for respect as an actor while shooting the wrong Beatle played by another actor actually sharing the killer´s name.

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Simple day in the life of a magical place in time. Edgy mannerisms show how ev‘ryday worries can vanish via multiple music video stylistic shenanigans.

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Euphoric showcase of a world ending punky attitude in 20 songs but in an enigmatic coherent manner. The Netflix soundtrack for your very own apocalypse.

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Thundering riffs and hormone-injecting beats pave the way for angsty madmen, narrating intensifying anthologies of human misdeeds, while passing their point of no return.

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With a staggeringly tipsy smile, I entered the guitar-distorted pit, only to be blown away by the whiplash of my own eclectically nostalgic ecstasy.

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The guitar sound, yum. Better pack a 2nd pair of panties before witnessing how your body is being choked, raped and nailed against the wall.

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Feels like it’s been recorded inside an alien spaceship. Razorsharp guitar-swarming with icy elements and dreamy twists create a hostile sterility, dissecting ears… smoothly.

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Imagine you’re an energetic Stoner at a Hardcore show inside a barn out in the boonies during a hot summer.
This will be your soundtrack.

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Though not inventing the wheel anew, this 15th surgical cutthroat album full of tightly woven lead and rhythm precision exterminates every cockroach doubting their way.

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This shining 80s retro-phase closing dance creeper hits its target group with (dirty) daring synths and slashing female hooks. The future eats the past.

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Color-blinding death-toned off-spinning voice-collage artsy-metal album that relaxingly flays out in every sonic direction with labyrinth waves of distorted comfort.

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Influenced by ‚Pulp Fiction‘ and early Kevin Smith  genius, this film belongs to the 90s feelgood-underground pantheon.

A fast burn with warm narcotic release.

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Lyrical metal trip divining its way through inventive twists & shouts in the darkest of pink clouds in a self-medicated ward in the sky.

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Dry up to caustic but full of silver guts bravado and true no-nonsense resuscitation that domestically questions everything that´s drowning in its quarrel-lake.

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Improved chemistry between unique lead figures, coming from core, thrash and prog music.

Whether mid-tempo or full throttle, the formula works almost for itself.

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Lukewarm ghostly at its wide-open churchy heart when not abruptly peacocking itself up with old lascivious grown-up lustre from nighttimes gone clandestinely wild.

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The nicely hooded underground of a metallurgic engine compiled by four instrumental members who are fast in repeating themselves well in aggressive shoulder-patting patterns.

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Cool-covered dark matter album that pulsates with rhyming drums while guitars bend long and calm together between clear-gutter vocals in tension-releasing punctuation.

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Evocative beyond repair dividing itself up with a greased-up tug-of-war between old and classic—both morbidly bound together with techno-dramatic ambiances.

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Take extravagant shock rock, spiced up with cool riffs, a pinch industrial pop and wrapped with sugar-sweet, refined bombast.
Voila; a popstar gone heavy.

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An indirect-listening that can beautifully rock just so long as one does not pay too much attention. A promising commercial knockoff-band that’s decent.

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Taut-tight effort from an established career-place where drums relentlessly support a steel-stringed trampoline for the instrumental human-voice to jump around ranges.

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A sand-box full of metal pellets that get strained out by the end of an album which cauterises all wounds in instrumental song-form.

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Heavy, raw but repolished highschool writing about social criticism. Sprinkled with self-references,  thrash anthem riffs from popular bands and played with lots of fun.

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Bass based arachno-rythmic techno stylings from Berlin that heavily drum the ear as a last vibration-stop coming from the rich underground shaking below.

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The slow turning sonic framework of experienced formulas firming each other up in mature cooperation. A compound-track that for once does not sound condescending.

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Good bad-girl song-set that studiedly teases the strung-out listener with a sensually anaesthetic voice that slides gently while burning with revengeful lyrics.

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It sifts true, strong emotions through the punitive barriers of commercial expectancy—afloat from the then gouged-out Grounge that originally propelled this fallen angel.

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Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around.

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Deep, directional bass-foundation that hunters & gathers multiple singing flavors while firmly but timidly fermenting basically the same rhythm with the warmest of distortions.

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Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence.

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Transgressive-coersive effort that industrially scatters itself all over the place, deep-synthetizing just about anything standing its way while a versatile Sam Kinison sings.

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Intense sounds and rhythms that are like feeling the beating pulse of several types of factory machines at work with a subwoofer-ed up stethoscope.

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Short-butt, sweet-finger confetti that is sophisticatedly picking and plucking metal-stringed incantations that punch the spreading-ear into transporting rhythms that grow vast.

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Merely and really the mono-thematic ghost of the former “Ghosts I-IV” (2008) album. Diluted while stringed together by ludicrous cries for emotional positivity.

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An instru-metal journey that positively both ascends and descends with heavy ease while knitting mind-deserts that stay tarp-ed under a sepia sky.

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Remarkable techno-pop depth coming from an age-old youngblood with a voice that never changed and a background that should have stayed this pure.

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The strict beauty of synchronised flight of heart & mind held together by sound in tragic camaraderie. Picking through the riffs of death & decency.

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Letzte Tourshow ihrer Art.
Reines Punk/ Thrash Allstar-Manifest, wo weder Langeweile noch schlechter Sound aufkamen.
Das ‚Warfield‘ war perfekt für dieses musikalisch historische Ereignis.

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Body and mind, in collision with their favorite music and erotic attraction, in a tight space.
You’ll suffer a joyful meltdown followed by lethargic recovery.

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Cold produced riff-core album, whose dissecting distortions and obnoxious grooves rock your skull from its anchoring.
However, lacking experimentation misses shot for genre-milestone.

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Unkonventionelle Hardcoreband mit konventioneller Attitüde bringen die verhaltene Crowd im untaktisch gebauten Club zum angenehmen Violent-Pogo. Dank Gott für Daddy Issues und musikalischer Rebellion.

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2000s Master Of Puppets – hate dripping riff monument and post 90s Metal anthem.
Celebrated likewise by ‚True‘ metalheads and prog snobs. All killer, no filler!

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Uta, the cool saleslady in charge was not only intelligently unobtrusive, but went out of her way to bring us the instrument herself after-hours.

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Unpretentiously elegant, distraction-free electric piano that plays the role of a servant rather than an ivory tower one has to climb up and worship.

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The audio form of this book never flees aways from emotional attachment while the author reads his own words with out-louding choked-up laughter.

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I get the feeling that back then it would be weird not to break your instruments on stage so one just had to do it.

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Surprisingly effective rhythmic assembly line by the Joseph Haydn of techno music. It slowly grows solid into the listener’s headspace until the promised “deep” arrives.

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Few people truly dig his musical stylings. Most who try succeed only in short spurts while finding him dry like he’s a sandwich without spread.

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The core of the whole Paul Mccartney problem is that he’s been sober his whole life and didn’t die when the cosmic timing was right.

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„RECORDED IN SECRET TO AVOID INTERFERENCE FROM THE RECORD LABEL, THE FOLLOW-UP TO PRETTY HATE MACHINE TAKES AN UNEXPECTED ABRUPT TURN INTO SHEER AGGRESSION.“

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Als stimmgebendes Herz lieferte dieser Introvert seit Bandgründung singende Gitarrensoli, Killer-Riffs und tiefgängigen Vocal-Support ohne Drogenexzessen und Rockstar-Allüren zum Opfer zu fallen.

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Take basic hardcore formulas, crush it with industrial creepiness and put it back together. You either love or hate Frankenstein´s vicious monster. So eat shit!

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Down in a hole underneath them bones with your junkhead full of dirt.
Would hate to feel this, but Lane sang it
Melancholic God’s smack.

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A paranoid soundtrack that feels followed by an invisible group of listeners in every escaping note as it pushes itself back into in curious desperation.

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The turning point for an underground project that successfully synched itself up to the pre-globalized world chaos around and churned its fears into butter.

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Coronary album skidding straight into the spleen via female vocals that ring torching and down — cusps new dimensions that shift between fresh and nostalgic. Great.

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It almost reaches a we-might-have-to-shoot-old-yeller situation. A chorus of mercenary yes-men amplifying one hell of a midlife crisis.

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Wish good luck to those thinking themselves unbiased enough to see this ordeal through. The equivalent of the Simpsons after Season 10. Needs a Futurama.

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Fantastic rock music with ballads that remind of the “Fundamentally Loathsome” days. Subject matter goes down the shit-rabbit hole when ego takes over, though.

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The Spooky Kids reanimated and back to their cartoon-interlaced world—only this time laid, with a budget, panache and rap-defying density of words.

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Ausverkauftes MTC = Enges Beisammensein.
Die Belgier mit Sänger/ Drummer Frontfrau plus Roh- und Powerfaktor, konnten den Untergrund für gut eine Stunde zum Dampfen bringen.

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Best Bass tone & sound which ever got held on a CD.
Tool-esque guitars accompanied by interleaved, pummeling drums. Uncompromising airplay allowed.
Loving also.

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5 Gimmicky characters from Japans grind-noise underworld are welding unfamiliar sounds with incredible, brutal density into my ossicles inside this fitting rebuilt junkyard venue.

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Dieses Heimatspiel zum Tourabschluss war ein freundliches miteinander Tanzen und Headbangen zu konventionellen/ unkonventionellen Taktarten.
3 Musiker ließen Publikum im verträumt psychedelischen, fluoreszierenden Farbspiel schweben.

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Big jawed, birdlike masks shrouded in long coats and mist hold a hypnotic guitar-chanting mess of instrumental long-drawn sound corridors into magnetizing darkness.

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Not disposable, but dispersed and gold-rushed. Has a sober motor under its political rib cage but it´s flooded with hubris and bad storms head.

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A very intimate peak into the soul of a young man dealing with the disappointment of having his bliss blown out in front of everyone.

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Man nehme ein Zuckerberg’sches Berklee-Studentengenie, weitere Sessionmusiker, hohe Ambitionen sowie nötiges Kleingeld um das untypischste Debüt(!) voller erwachsenem Songwriting und dichter Konzeptstrukturierung aufzunehmen.

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Female perspective for angry teenage output and the start of a legitimate life long rebellion hopefully used to make an album once all grown up.

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As satanic-ginger as it gets, a musical royal-ass worthwhile kissing with abandon. Ferrying-guitar paragraph-paragliding with Ozzy Osbourne´s idiosyncratic lovable luckluster-finesse.

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Holy Roar Records hottest newcomers show on their debut how Blackened Sludge sounds like.
Berserking sound paired with ball-sweating grooves break Hardcores standard 2018.

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90’s unknown Patton-influenced band still plays riffy alternative Hardrock.
Igniting songs with catchy vocals, raw sounding guitar-bass power and other weird instrument performances.

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Synthesizer-Intro, ein Popsong – dann bricht die Hölle in sich zusammen.
Dieses seltsam balancierte, exorzierende Album „dämon“striert die feinsten Sternstunden des heutigen Jazz-, Mathcores.

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Kernerinnerung von damaliger Schulzeit, Musikunterricht. Ich hörte ein Schnipsel dieses Meisterwerks der Hochphase psychedelischer Musik. Band, Orchester, U-Bahngeräusche.
Diese Kombination hinterließ einen drogenfreien Nostalgietrip.

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Despite short running time(s), Automata shows excellent entangled songwriting AND massive variety (in unvisited areas). Incredible how this post-2000’s Progmetal monolith is growing adult.

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No mix would be more comical than cold Black Metal, Blues and warm gospel vocals.

2018 is a year for bizarre genre-mixes and subgenres.

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Holy Roar Records heißeste Newcomer des Jahres zeigen auf ihrem Debüt wie Blackened Sludge zu klingen hat.
Wahnsinnige Tobsuchtsanfälle und schweißtreibende Grooves brechen Hardcore-Standards.

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Strong return of hipsterish Post-Black metal band full of emotions.
Passive aggressive vocals, tremulous rage and randomly outstanding sad as joyful guitar solo-doodling.

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Good ole german Tech-Death musicians.
With ‘Dream Theater’-guitars, Death Metal-grooves and ‘Ghost’-vocals they created a genre bending, strange, but fresh mosaic.

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Mean vocals begin this brutal album – add grim downtuned guitars/ blistering drums in unconventional time signatures and unexpected mood shifts.
Djent 2018 sounds like this!

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BTBAM‘s Tommy presents again solid grooving synth rock on album 4.
His urge for simple songwriting is perceptible and works wonderful with the special guests.

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Progressive Death Metal with complex riffing, “sludgy“ drums and vocals from deep, high growls to partially cleans.
Popular metal song-puns as song titles.
Entertaining.

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Imagine a massive car crash with hysteric noises full of squeaking metal and deafening violence.
Frontierer show this live as on LP with chaotic calculation.

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It lacks a solid sound-slate design like the one “The Downward Spiral” has giving it a decentralized feeling somewhat affecting the old attention-span.

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Satan hat sich die Tanzschuhe angezogen und schmeißt eine wilde 80er-Party.
Tanzen sowie headbangen erlaubt, denn es erwarten einen harte Riffs und groovige Synthieteppiche.

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Leave your prejudices at home, metalheads!
‘WOKMN’ fuses harsh brutality, chilling saxy (!) parts in unimaginable wonderful/ cringy harmony.
Hipsters Death Metal-Tasting 2018!

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Übliches rohe, wütende Exempel meiner liebsten Black Metal-Kapelle. Kürzere On-point-Songs welche allein durch Bespielen einen Kirchenbrand verursachen können.
Dämonenbeschwörung in Ton festgehalten.

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Kaum eine Mischung wäre skurriler als kalte Black Metal-sounds, Blues und warmer Gospelgesang.
2018 ist ein starkes Jahr für schwindelerregende Genrevermischungen und bizarre Subgenres.

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Eine Astralreise durch eine futuristische Galaxie.
Als geistiger Zeuge, zerstreut sich unsere Hörkapazität ins Schwarze Loch, aus dem wir klüger und stärker wieder zusammengesetzt zurückkehren.

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It doesn´t grab one by the neck with intricate fancy like the previous albums but it does make the cut into their swan lake discography

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Too much self-complacent singing and riffing around—sluggish and resigned at times when Wanderlust is expected. Decent background music but nothing like albums past.

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Der Hitze-Zenith nach Mittsommer war für (damals) heiße kalifornische Grungeband genau die perfekte Melange zum Einheizen für gemischtaltriges Publikum.
Gelegentliche Funkensprünge wurden gut platziert.

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Das Thrash Urgestein ließ sein progressives Metal-Songwriting auf Festivalbesucher gemischten Alters scheinen, welches den Heiland beschwor und vom Pit bis zum Graben wandern ließ.

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Poly-syncratic avant-garde mindfuck simmering ahead of its time with high-functioning, cutting-edge madness that is never boring to the sound or vision.

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Most of the usual late sixties/early seventies Momma & Papa-suspects in a soundtrack playlist that is not necessarily set-in stoned but beautiful.

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Instrumental album showcasing Trent Reznor´s branchial talent for creating small pieces of stereophonic stress. Some sure came in handy for Burn´s „The Vietnam War“ (2017).

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A much less hermetic alternative when walking down the yellow big synth-road of the late eighties industrial-music industry in search for angry dancing.

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Life-centering original motion picture soundtrack of a one-word film that rushes through cloud-landscapes of the mind like hot iron through bible-paper.

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Single greatest human achievement when it comes to writing instructions down on how to best get universally desirable sounds out of stringing multiple vibrations together.

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Dancing with wine and roses around the vortex-rim before jumping into the last ride where the fat lady sings and the firmament cracks open.

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The chiaroscuro descent from the top of a wild mountain and the mystical encounters taking place in between. A nurturing experience full of didactic visions.

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The key to isolation being dangled by Nature in front of the people-wounded heart & mind of a poisoned poet gasping for absolute-life.

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His Diabolus in Musica symphony. Its first movement alone being more influential to the Heavy Metal phenomenon than Robert Johnson and Tommy Iommi put together.

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Die Euroblast Fanboy-Band setzt Headliner-Maßstäbe in Power und Live-Action dank anhaltend manischem Pitgebange. ‘shuggshes ADHS auf Crystal ‚Math‘. Hände hoch, pew pew!

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Hochkarätige deutsche Tech-Death-Musiker kreieren genreüberkreuzend etwas ganz Frisches.
Ghost-Vocals, Dream Theater-Gitarrenparts und Death Metal-Rhythmen verschmelzen zu nie da gewesenem Mosaik.

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Mr. DiCillo embarks on a moral expedition into the Johnny-depths of the collective unconsciousness to debunk derogatory assumptions short-changing the Doors/Morrison phenomenon.

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Stunning tunnel-vision composite that is dead-determined to focus on tip-of-the-iceberg aspects of a rich and extraordinary story. Kilmer shines possessed.

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From recorded dictations, interviews and diary entries all dolled up by a ghost with a name working for The New York Times. Time anchored read.

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An impeccable Rock & Roll concept-album of evocative stereo-sterility shining strong but cold with light-bending rhymes of emotional implosion and consensual descent.

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The post-humorous poetic postures of a self-slained sage who´s
echoing inflamed-intimacy is being carried on the shoulders of his true soul mates.

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Waiting for the Sun two times again while bar-diving savagely in the spirit of exploring the raw confines of the soul, mind and body.

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Sociopathic Extended-Play filler, mined-fuck with a couple of razor-sharp song-hooks giving a fake sense of familiarity and safety to dumb trespassers.

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Meist überschauter Rubin im Bandkatalog mit ungewöhnlichem Songverlauf, der mittelmäßig beginnt und mit jedem Song zum 18-minütigen Finale an Magie aufbaut.
Ein Prog-Sommeralbum.

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A Pandora´s box full of vitriolic virtuosity opened wide by the bitterness of Death (both intimate and universal) pestering the minds of grieving young men.

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Cliff Burton and the Orions erect a detail-dense gothic cathedral made out of nerve cords they strum further into sublimity. These kids can rock.

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Ihre Alben sind wie ein fieser Drogentrip bei dem du Zeuge der Entstehung der Erde bist.
Phanerozoic gleicht einer Kernschmelze aus Angst und geysirdampfartigen Schweißausbrüchen.

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A fine album about violence, anxiety and fear that somehow feels very relaxing to listen to. Perfect tunes from what is basically an American band.

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Furtive sustain/stacatto start in dot-dash mode as if singing in Morse code while progressing upwards all the way up to the fucking zenith.

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Passive-aggressive instrumentation that looks after a wrapped-in-gauze Morrison by sidetracking him when playing with fire. Slightly dislocated but still coordinated Door´s disc.

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It´s only natural to love this album two times and get lost in grateful admiration thrice by each one of its ten lizard-hole tracks.

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Nichts für gewöhnliche Hörer.
Ein sich schälendes Kunstwerk, Schichten um Schichten.
Jedes Mal anders.
Immer wieder entdecke ich Neues seit erstem Durchlauf vor 10 Jahren.

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Ist dieser Aufstieg eine Sisyphusarbeit für den Hörer oder mehr?
Sehr viele Genre-Ausflüge werden beim Aufstieg mitgenommen, bis zum bitteren Ende seines vorherigen Ich’s.

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Farewellalbum der Noise-Legenden, mit all ihren Einflüssen in unkonventionelle Songstrukturen gepackt, lässt den gläsernen Tunnel implodierend zerbrechen nachdem man die katatonische Finsternis erreicht hat.

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So kalt klingend wie der Staat selber zeichnet dieses dritte Album eine erste Skizze einer gehaltvoll tieferen Band mit längeren Songs und technisch versierteren Cleanparts.

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Blitzschnell rast dieser kurze Zug durch den Bahnhof zwischen unseren Ohren.
Letzter Chorus legt die Vocal-Messlatte so hoch, dass heutzutage Axl selber schwindlig wird.

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Brutales Riffing in unkonventionellen Rhythmen und ellenlang aufbauende sowie abbauende Strukturepen, wie eine hochhausartige Lasagne, vertrösten endlos trotz Mythos eines potenziellen Nachfolgern nach 10.000 Tagen.

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A bombastic sound-piñata that’s sectionally in-and-out of beautiful nonesense that keeps firing up until the chamber is empty and finally goes “click.”

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Einer der togespielten Ultimate Classics.
Doch mit kindlichem Radiohören, jugendlicher Classic Rock-Phase und letztendlich eigenem Musizieren an Gitarre wuchs dieser Evergreen über alles hinaus.

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Jeder hat dieses Album was im Geburtsjahr rauskam und sich eine Bindung einredet.
Gunners ultrarohes, schweißtriefendes Debüt war es meinerseits, welche sämtliche Hardrock-Pforten öffneten.

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I think we can all agree at this point that this is a good soundtrack coming from a terrible movie nobodöy should bother with. Period.

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Hitsingle der Akustik EP thematisiert über Freundschaft und Versprechungen und enthält eine ansteckende Gesangsharmonie.
Das Duo Staley & Cantrell ergänzt sich wie kaum ein anderes.

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Euphorisches Gitarrenpickung und butterweicher Gesang laden ein zum Picknick.
Erst in Bridge wird aus naivem Mitwippen ein unberuhigendes Aufstoßen.
Ein Killertrack getarnt im seidenzarten Mantel.

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10-Jähriger wird unerwartet beim Road Rash spielen mit diesem infektiösen Groove konfrontiert…
„Looking Californa and feeling Minnesota“, heute noch die originellste und zusagendste Lyricline.

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Schmelztiegel von Metal, Funk, RnB.
4 Segmente: Instrumental smooth bis Mosh.
Lyrisch definierter Drogentrip, genauso am intensivsten wie beim ersten Mal.
All-time-favorite #1.

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Akustikgitarren-Intro mit eigenem Beat.
Plötzlich ein sehr authentisches, leicht verzerrtes Lick was den Song in weitere einprägsambare „Led Zep“-Singalongs mit geschmeidigen Übergängen geleitet.

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Dieser riesige Eisberg erscheint erst nach mehrmalig wiederholtem Erkunden. Schicht um Schicht tiefer in ein Atlantis welches äußerlich in Vantablack schimmert, doch innen regenbogenartig glänzt.

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Subdued sentimentality is something to cheer for these days. This particular soundtrack feels warm with emotion that´s reminiscent of deep days of wild adolescent breeze.

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Winterliche Landschaft, junge Musikstudenten, meine Lichtfigur Dozent Niemann, dazwischen zwei musikbegeisterte Metalheads.
Mit Charme, Insidertalk und Lernerfolgen war dieses initiierende Erfolgsereignis mentaler Startschuss für 2018.

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Poetic genocide for the R & R crowd with both vitamins D & B promulgating plastic progress growth that could go either U or D.

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Nach der Mondlandung die nächste weltweit bewegende Entdeckung.
Wissenschaft und Kunst vereint. Erforschung und Aufeinandertreffen ambienter Klänge.
Blaupause jeglicher Soundmischer sowie Erschaffer atmosphärischer Entspannungsmusik/Soundlandschaften.

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There is nothing vulgar whatsoever about this accomplished Heavy Metal album that conveys hollow-filling lyricism preciously percolated through loss, disappointment and (ultimately) constructive anger.

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Metallic hardcore answer to The Prodigy.
A feast for 2000s young stressed, amphetamine-doped Nu Metal clubbing generation.
Rebelliously fresh sound of Metals punky subgenre.

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