thriller
Joker (2019) – Todd Phillips
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Entrancing eye-mouth opener commercial film, widely deep cleaning itยดs tired subject matter into something wilder stunning the soul free for a burning new world.
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The Girl with the Dragon Tattoo (2011) – David Fincher
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It honors the original by keeping it Swedish all the way including blurry accents that canยดt stop its long force of satisfactory texture-layer brilliance.
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Cure (1997) – Kiyoshi Kurosawa
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Subtly striving for the viewer’s attention is rewarded with hypnotic disturbing discomfort.
This film creates a unique chemistry of sound and silence, control and terror.
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Spotlight (2015) – Tom McCarthy
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Polished but razorsharp ย journalism warfare of a fresh millennium; digging for (un)holy truths of untouchable legacies.
A documentary-like disclosure featuring actors vanishing in spotlight.
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Lost (2004-2010) – J.J Abrams
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Season one is condescendingly sexy in a poor manโs Hollywood/Holloway sort of way while sometimes delivering quality twists provided one’s disbelief gets suspended enough.
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The Gray Man (2022) – The Russo Brothers
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Woven together from hallmarks of various action franchises.ย Popcorn for the eyes, but gnawing hunger for the movie enthusiast.
A visual testament to Netflixโ budget nowadays.
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Good Time (2017) – Benny Safdie, John Safdie
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Tainted shades flutter through this NY-based fever dream, filled with real people in realistic situations, doing the best and the worst for each other.
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Crimson Tide (1995) – Tony Scott
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Locked in a claustrophobic tea kettle, witnessing the boiling point of seasoned people pushing their morals against each other.
Hackman & Washington in superb opposition.
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The Power of the Dog (2021) – Jane Campion
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Barking dogs donโt bite, but conceal their fragile masculinity under thick hides.
This psychological exposรฉ intersects powerโs balance with sharp angles and a descending score.
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I Saw The Devil (2010) – Kim Jee-woon
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A refreshing but maniacally twisted tale of becoming the predator of what lurks in the nightโs shadow.
Where does vengeance end, where does malevolence begin?
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The Chaser (2008) – Na Hong-jin
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A suspenseful gatekeeper for Seoulโs crime rabbit hole – with a dynamic that is second to none.
Unconventional and arrogant necessities clear the path to deliverance.
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Memories of Murder (2003) – Bong Joon Ho
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Macabre true crime mixed with hilarious character representation?
This richly detailed and beautifully crafted closer look of 20thโs centuryโs korean detective work pulls it off.
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Se7en (1995) – David Fincher
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Tall, biblical thriller that out-of-the-box polishes and replenishes audiovisual standards up to a stern point of absurdity where nothing ends before pain.
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The Bourne Identity (2002) – Doug Liman
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A headhunt through early 2000โs Europe, which shines in a blue-grey velocity and shows how good a minimalistic & realistic action movie can be.
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What Happened To Monday (2017) – Tommy Wirkola
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Dystopian human-world drama with a very unique but realistic setting.
Damoclesโ sword, whoโs right and wrong, hangs above peopleโs heads and on their throats.
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Fight Club (1999) – David Fincher
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Childless & sleepless, guy asks mirror, “What’s it all about, Alpha? Is it just for Ikea I live?” Mirror answers: “Oil & water mix explosively.”
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Gone Girl (2014) – David Fincher
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Konventioneller Auftakt mit unwohlbringender Spannung.
Halbfinale symbolisiert vollzogene 180 Grad welche bei 360 alternative Extrarunde drehen kรถnnte wenn Abspann nicht wรคre.
“Don’t piss her off.”
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The Game (1997) – David Fincher
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A Fincher twister that redefines the Thriller genre and all the limiting expectations that comes with it. Both way ahead, and before of its time.
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Unbreakable (2000) – M. Night Shyamalan
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Sehr realistische Comic-Verfilmung.
Was wรคre wenn Superman sich seiner Krรคfte unbewusst wรคre?
Langsam wachsend mit Tiefgang.
Dazu noch in 2000 vor dem Comicfilm-Boom!
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Zodiac (2007) – David Fincher
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Fincher kehrt zurรผck mit diesem unter die Haut gehenden, รผberlangem Thriller รผber einen Serienkiller.
Einer der lรคngsten, spannendsten Ermittlungen der Geschichte bis zum letzten โAugenblick.โ
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The Fan (1996) – Tony Scott
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Riveting thriller with a pretty good coverage of superstition and the many types of obsessions that come with it. A summer blockbuster made to last.