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Joker (2019) – Todd Phillips

Joker (2019) – Todd Phillips

[25-WR]

Entrancing eye-mouth opener commercial film, widely deep cleaning itยดs tired subject matter into something wilder stunning the soul free for a burning new world.

[25-WR]

Cure (1997) – Kiyoshi Kurosawa

Cure (1997) – Kiyoshi Kurosawa

[25-WR]

Subtly striving for the viewer’s attention is rewarded with hypnotic disturbing discomfort.
This film creates a unique chemistry of sound and silence, control and terror.

[25-WR]

Spotlight (2015) – Tom McCarthy

Spotlight (2015) – Tom McCarthy

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Polished but razorsharp ย journalism warfare of a fresh millennium; digging for (un)holy truths of untouchable legacies.

A documentary-like disclosure featuring actors vanishing in spotlight.

[25-WR]

The Gray Man (2022) – The Russo Brothers

The Gray Man (2022) – The Russo Brothers

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Woven together from hallmarks of various action franchises.ย Popcorn for the eyes, but gnawing hunger for the movie enthusiast.

A visual testament to Netflixโ€™ budget nowadays.

[25-WR]

Good Time (2017) – Benny Safdie, John Safdie

Good Time (2017) – Benny Safdie, John Safdie

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Tainted shades flutter through this NY-based fever dream, filled with real people in realistic situations, doing the best and the worst for each other.

[25-WR]

Crimson Tide (1995) – Tony Scott

Crimson Tide (1995) – Tony Scott

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Locked in a claustrophobic tea kettle, witnessing the boiling point of seasoned people pushing their morals against each other.
Hackman & Washington in superb opposition.

[25-WR]

The Power of the Dog (2021) – Jane Campion

The Power of the Dog (2021) – Jane Campion

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Barking dogs donโ€™t bite, but conceal their fragile masculinity under thick hides.

This psychological exposรฉ intersects powerโ€™s balance with sharp angles and a descending score.

[25-WR]

I Saw The Devil (2010) – Kim Jee-woon

I Saw The Devil (2010) – Kim Jee-woon

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A refreshing but maniacally twisted tale of becoming the predator of what lurks in the nightโ€˜s shadow.

Where does vengeance end, where does malevolence begin?

[25-WR]

The Chaser (2008) – Na Hong-jin

The Chaser (2008) – Na Hong-jin

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A suspenseful gatekeeper for Seoulโ€˜s crime rabbit hole – with a dynamic that is second to none.

Unconventional and arrogant necessities clear the path to deliverance.

[25-WR]

Memories of Murder (2003) – Bong Joon Ho

Memories of Murder (2003) – Bong Joon Ho

[25-WR]

Macabre true crime mixed with hilarious character representation?
This richly detailed and beautifully crafted closer look of 20thโ€˜s centuryโ€™s korean detective work pulls it off.

[25-WR]

Se7en (1995) – David Fincher

Se7en (1995) – David Fincher

[25-WR]

Tall, biblical thriller that out-of-the-box polishes and replenishes audiovisual standards up to a stern point of absurdity where nothing ends before pain.

[25-WR]

The Bourne Identity (2002) – Doug Liman

The Bourne Identity (2002) – Doug Liman

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A headhunt through early 2000โ€˜s Europe, which shines in a blue-grey velocity and shows how good a minimalistic & realistic action movie can be.

[25-WR]

What Happened To Monday (2017) – Tommy Wirkola

What Happened To Monday (2017) – Tommy Wirkola

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Dystopian human-world drama with a very unique but realistic setting.

Damoclesโ€™ sword, whoโ€™s right and wrong, hangs above peopleโ€™s heads and on their throats.

[25-WR]

Fight Club (1999) – David Fincher

Fight Club (1999) – David Fincher

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Childless & sleepless, guy asks mirror, “What’s it all about, Alpha? Is it just for Ikea I live?” Mirror answers: “Oil & water mix explosively.”

[25-WR]

Gone Girl (2014) – David Fincher

Gone Girl (2014) – David Fincher

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Konventioneller Auftakt mit unwohlbringender Spannung.
Halbfinale symbolisiert vollzogene 180 Grad welche bei 360 alternative Extrarunde drehen kรถnnte wenn Abspann nicht wรคre.
“Don’t piss her off.”

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The Game (1997) – David Fincher

The Game (1997) – David Fincher

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A Fincher twister that redefines the Thriller genre and all the limiting expectations that comes with it. Both way ahead, and before of its time.

[25-WR]

Unbreakable (2000) – M. Night Shyamalan

Unbreakable (2000) – M. Night Shyamalan

[25-WR]

Sehr realistische Comic-Verfilmung.
Was wรคre wenn Superman sich seiner Krรคfte unbewusst wรคre?
Langsam wachsend mit Tiefgang.
Dazu noch in 2000 vor dem Comicfilm-Boom!

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Zodiac (2007) – David Fincher

Zodiac (2007) – David Fincher

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Fincher kehrt zurรผck mit diesem unter die Haut gehenden, รผberlangem Thriller รผber einen Serienkiller.
Einer der lรคngsten, spannendsten Ermittlungen der Geschichte bis zum letzten โ€žAugenblick.โ€œ

[25-WR]

The Fan (1996) – Tony Scott

The Fan (1996) – Tony Scott

[25-WR]

Riveting thriller with a pretty good coverage of superstition and the many types of obsessions that come with it. A summer blockbuster made to last.

[25-WR]