2022
Severance (2022) – Ben Stiller
[25-WR]
Bleak corridors into the void of meaninglessness expose and narrow down the subliminal morals and ethics of claustrophobic workplaces.
A riveting philosophical tour de force.
[25-WR]
God‘s Country (2022) – Chat Pile
[25-WR]
Thundering riffs and hormone-injecting beats pave the way for angsty madmen, narrating intensifying anthologies of human misdeeds, while passing their point of no return.
[25-WR]
„Dickhead“ – Stake @ArcTanGent’22/ Experiencing one of my favorite songs live
[25-WR]
With a staggeringly tipsy smile, I entered the guitar-distorted pit, only to be blown away by the whiplash of my own eclectically nostalgic ecstasy.
[25-WR]
The Gray Man (2022) – The Russo Brothers
[25-WR]
Woven together from hallmarks of various action franchises. Popcorn for the eyes, but gnawing hunger for the movie enthusiast.
A visual testament to Netflix’ budget nowadays.
[25-WR]
Everything Everywhere All At Once (2022) – Dan Kwan
[25-WR]
With a completely incomprehensible and visual-demanding plot it’s easy to look stunning nowadays.
But nailing it with a well, bagel-circular story is rare.
[25-WR]
The Northman (2022) Robert Eggers
[25-WR]
Balancing historically accurate brutality and well-rounded storytelling, this feast pushes its narrative of avenging men and succumbing women right into viewer‘s eyes and guts.